Race, Occidentalism/Orientalism and Sino-centrism in Wang Chong’s adaptation of Heiner Müller’s Hamletmachine
Thursday 4th April 2019, 5.00-6.30 pm
UG05 Lecture Theatre, University of Westminster, 309 Regent Street
Race, Occidentalism/Orientalism and Sino-centrism in Wang Chong’s adaptation of Heiner Müller’s Hamletmachine (2009) and his multi-lingual show Revolutionary Model Play 2.0 (2015)
Mary Mazzilli (University of Essex)
Dr Mary Mazzilli is Lecturer in the Department of Literature, Film and Theatre Studies at Essex. Prior to that, she worked at Goldsmiths, University of London in the Theatre and Performance Department (2015-2016) and in 2012-2014, was a post-doctoral fellow at Nanyang Technological University, Singapore. Her monograph Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre is published by Bloomsbury Methuen Drama.
Organised by our friends in HOMELandS, the Contemporary China Centre and Language Acts and Worldmaking.
Register via Eventbrite page here.
The Institute for Modern and Contemporary Culture
University of Westminster Department of English, Linguistics and Cultural Studies
32-38 Wells Street, London W1T 3UW. United Kingdom.
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