Posts from March 2017

Technostalgia Launch at Carroll / Fletcher, March 23rd

Written by on Friday, posted in Event, News (No comments yet)

March 23rd 2017, 6.30 – 8.00 pm
Carroll / Fletcher, 56-57 Eastcastle Street, London W1W 8EQ

Technostalgia Launch Event, with Alison Craighead in Conversation

To mark the opening of the Moving Museum’s new platform of web-based anthologies, Alison Craighead of Thomson & Craighead and the IMCC will be in discussion with Professor Beryl Graham, Professor of New Media Art at University of Sunderland, and co-founder and editor of CRUMB at Carroll / Fletcher in London. Moderated by Carroll / Fletcher Associate Director Coline Milliard.

Technostalgia, the inaugural anthology edited by Coline Milliard, will go live next week and explore the aesthetics of early technologies, their legacy and impact, as well as their fetishization and appropriation in a contemporary artistic context. Participating artists include Cory Arcangel, Constant Dullaart, Rafael Lozano-Hemmer, Peter Luining, Lorna Mills, Paper Rad, Mark Richards, Gustavo Romano, Evan Roth, Paul Slocum, Thomson & Craighead, and Ubermorgen.

The event will be live streamed by this is tomorrow
Please RSVP@themovingmuseum.com

Jackie Chan vs. Walter Benjamin seminar, March 8th 2017

Written by on Wednesday, posted in Event, News (No comments yet)

Wednesday 8th March, 5.00 – 7.00
Room 206, University of Westminster, 32-38 Wells Street, London W1T

Jackie Chan vs. Walter Benjamin: Postcolonial ‘utopias of the body’ in kung fu comedy cinema
Luke White (Middlesex University)

In the late 1970s, Hong Kong martial arts cinema took a turn from the tragic-heroic register to that of comedy, propelling Jackie Chan – the genre’s pioneering and most successful kung fu comedian – to first local and regional, and then global, superstardom. Many critics have read the rise of the kung fu comedy, which coincided with a shift away from the militant nationalist or anti-colonial themes of movies such as Bruce Lee’s Fist of Fury (1972), as turning away from politics, reflecting the waning of the turbulence of the 1960s and the new accommodation to a globalised neoliberal order. The research project from this paper derives, however, explores the performing body as a key site where a continuing politics is played out.

The paper analyses Jackie Chan’s performance style in the film Project A (1983) in relation to Walter Benjamin’s readings of the slapstick violence of Mickey Mouse cartoons and American silent-era performers such as Buster Keaton and Charlie Chaplin. The ‘utopia of the body’ that Benjamin discovered in these both offered a critique of capitalist modernity and also promised to fulfil the emancipatory potential lodged within it. The paper sets out to rethink the relevance of Benjamin’s arguments to the specifically postcolonial situation of Chan’s filmic production in 1980s Hong Kong, and to consider what kind of a response (both accommodated and also subtly subversive) his performances might constitute.

All welcome! Followed by the usual drinks in the Green Man.

Spatial Justice at the Tate

Written by on Wednesday, posted in Event, News (No comments yet)

Saturday 4th March, 12.00 – 6.00 pm
Tate Modern, London

Spatial Justice Workshop

Friend of the IMCC, Andreas Philippopoulos-Mihalopoulos, is playing the leading part in a great day’s events at the Tate this Saturday, organised by the Westminster Law & Theory Lab with Tate Exchange and People’s Bureau. Free to all – including tea and cake!

Philippopoulos-Mihalopoulos defines spatial justice as the conflict that emerges when one body wants to move into the space of another body. This opens up questions of symbiosis, creative confluence and regeneration, but also issues of power imbalances. The event hopes to explore ideas about the role of developers, art institutions and artists in dealing with issues of spatial justice and productive ways of reflecting them in their practices. The programme includes a Clay Workshop and Tea Trolley Dances, as well as an interview and discussion with Andreas.