Mnemonics 2015: Memory and Materialism
London, September 8 – 10, 2015
The IMCC is delighted to announce its participation in both the Mnemonics: Network for Memory Studies and (with colleagues at Goldsmiths and Kings) the London Cultural Memory Consortium with the following Call for Papers for the Mnemonics summer school to be held in London this September.
Call for papers: For the fourth edition of its annual summer school, the Mnemonics network, an international collaborative initiative for graduate education in memory studies, invites paper proposals that address the relations between materialities and cultural memory. The study of cultural memory is well versed in analyzing the material traces of the past. From the manifold historical objects that continue to inhere in the present as artifacts, ruins, traces, or even present absences, to the ways in which different representational media frame contemporary understandings of particular events through those objects, the discourses of memory studies have proven adept at investigating the use, circulation, value, and affect of historical remnants in processes of cultural remembrance. However, memory studies has so far been less attentive to the actual materiality of these objects. Accordingly, Mnemonics 2015 seeks to unearth the materials and matter that have been overlooked by present regimes of cultural memory, in theory and practice. By tracking their historical and cultural trajectories, we aim to chart the ways in which materials change over time and usage, examining the processes through which matter may be made to assemble, disassemble, metamorphose, and even disappear, to reinforce or challenge hegemonic constructions of memory and history.
Full Call for Papers can be downloaded here: Mnemonics 2015 cfp
Confirmed keynote speakers: Professor Stef Craps (Ghent University); Dr Joanne Garde-Hansen (University of Warwick); Professor Ursula Heise (UCLA); Professor Alex Warwick (University of Westminster)
Fees: £250 including accommodation in central London; £100 excluding accommodation.
All fees cover: attendance; all breakfasts, lunches, refreshments, and conference dinner.
Send: A 300-word abstract for a 15-minute paper (including title, presenter’s name, and institutional affiliation), a description of your graduate research project (one paragraph), and a short CV (max. one page) as a single Word document to: firstname.lastname@example.org
Deadline: 1 April 2015.
Notification of Acceptance: 1 May 2015
The Mnemonics summer school serves as an interactive forum in which junior and senior memory scholars meet in an informal and convivial setting to discuss each other’s work and to reflect on new developments in the field of memory studies. The objective is to help graduate students refine their research questions, strengthen the methodological and theoretical underpinnings of their projects, and gain further insight into current trends in memory scholarship. Each of the three days of the summer school will start with a keynote lecture, followed by sessions consisting of three graduate student papers, responses, and extensive Q&A. In order to foster incisive and targeted feedback, all accepted papers will be pre-circulated among the participants and each presentation session will be chaired by a senior scholar who will also act as respondent.
Mnemonics: Network for Memory Studies is a collaborative initiative for graduate education in memory studies between the Danish Network for Cultural Memory Studies; the Swedish Memory Studies Network; and programs at Ghent University (Belgium); Goethe University Frankfurt (Germany); The London Cultural Memory Studies Consortium (IMCC, Westminster; Goldsmiths; Kings); the University of Illinois at Urbana-Champaign (USA); and Columbia University (USA, associate partner).
Further information about the network is available from the Mnemonics website at http:// mnemonics.ugent.be/.
Mnemonics on Facebook: http://www.facebook.com/groups/mnemonics.network/
Mnemonics on Twitter: @mnemonics_net
For more information on Mnemonics 2015, contact Lucy Bond at email@example.com
A more detailed Call for Papers is attached here: Mnemonics 2015 cfp.
Wednesday 4th March, 4.15 pm
Room 215, University of Westminster, Wells Street, London W1T
Gwylim Jones, University of Westminster
In the opening scene of A Midsummer Night’s Dream, Theseus says to Hippolyta: ‘I … won thy love, doing thee injuries, / But I will wed thee in another key’. The bride-to-be has no more lines in the scene. Similarly, Measure for Measure’s Isabella is bereft of words to respond to the Duke’s abrupt wooing in the play’s finale. These are just two of Shakespeare’s great suggestive silences – rich and ambiguous spaces for actors and directors to fill – and their presentation on the stage can characterise the production as a whole.
These moments, key to rehearsal rooms and theatre reviews, have received little attention from literary and performance scholars. When the silences are less obvious – Claudio’s in Measure is even more capacious than Isabella’s – the response is even slighter. This leaves many questions unanswered. How does the acknowledgement of silence affect our approach to the re-emerging emphasis on character? Or on Shakespeare’s engagement with rhetoric? How did Shakespeare’s treatment of silence develop over his career? This paper will examine some of the ways in which silence can be read in the work of Shakespeare and his contemporaries, and will show how these writers develop and manipulate silences in order to represent authority and interiority.
A magnificent and heart-felt guest blog by our own Michael Nath at interestingliterature.com on writers and their lungs, from Lawrence Sterne to Proust.
As an extra distraction from the job of writing his life, Sterne gave his own worst organ to Tristram Shandy. Before we object to such a dubious gift, let’s marvel at the wrapping, that image of fluency contending with nature – not to mention the ‘Flanders’ effect (over the sea/close as the garden). Pickling disease with mirth, Tristram reports an episode of haemoptysis at the sight of a cardinal pissing with two hands. For the weak of lungs, every laugh is a dice throw. As an undergraduate, Sterne himself was already coughing blood; making it to 55 without Streptomycin must have required unusual vitality.
Wednesday 25th February, 1-3 pm
Room 357, University of Westminster, Regent Street, London
“The Queer Art of Crisis”
Nicola Smith, University of Birmingham
The third in the Faculty of Social Sciences and Humanities seminar series of Desire at the University of Westminster. All welcome!
Nicki Smith is Senior Lecturer in Political Science at the University of Birmingham and has published on a range of issues surrounding globalisation and social justice. She is currently writing a monograph on Queer Sexual Economies for Palgrave and has published articles in Sexualities, Third World Quarterly and the British Journal of Politics and International Relations.
There’s a great interview with our own Anne Witchard about her latest book, England’s Yellow Peril: Sinophobia and the Great War up on the LA Review of Books blog.
England’s Yellow Peril builds on Witchard’s previous work, looking closely at British perceptions of China and the Chinese through literature and the arts in the late-nineteenth and early-twentieth century. In England’s Yellow Peril she looks at how the outbreak of war accentuated and intensified many feelings of English racial dominance, Empire, and notions of the Yellow Peril that had arisen before the conflict. She concentrates on London’s old Chinatown of Limehouse in the East End, where swirling tales of opium smoking, gambling, and interracial romance had became synonymous with the presence of the Chinese.
You can read the interview here: http://blog.lareviewofbooks.org/chinablog/yellow-peril-sinophobia-great-war-qa-dr-anne-witchard/
Wednesday 18 February, 6.00 pm
Fyvie Hall, University of Westminster, 309 Regent Street, London
Professor Alex Warwick, “An Unnatural History of London”
An invitation to our own Alex Warwick’s inaugural professorial lecture at Westminster.
Archaeology had a profound impact on Victorian culture. As it emerges as a professional scientific practice in itself, it is also implicated in many of the century’s important debates. From the dramatic excavations at Pompeii in the late eighteenth century, through the arrivals of impressive objects like those found in Mesopotamia by Austen Henry Layard, to the troubling discoveries of human remains alongside extinct animals, archaeological digging produced objects and ideas that disturbed, excited and entertained the Victorians. The excavated cities held a special fascination, not least through the suggestive effect of the presence of the fragments of once-powerful lost civilizations in London’s museums and galleries. At the same time, London’s own buried history made its way to the surface.
As engineers dug foundations for new buildings or constructed tunnels for the underground railway, the new sewer system or gas pipes to light the street, they uncovered the cities of former times, paradoxically drawing attention to the antiquity, even the pre-history, of London. Just as the modern fabric of London is built on its own ruins, so archaeology proved a powerful force in negotiating the new conditions of capitalist modernity.
In the writings of archaeologists themselves, and in fiction, poetry and other popular texts of the period, archaeological objects, processes and sites become a means of engagement with the present and the unprecedented changes taking place. That nineteenth-century engagement continues to influence us now, more than a hundred years later.
Tickets for this event are free of charge, please register online.
Wednesday 4th February, 4.15 pm
Room 215, University of Westminster, Wells Street, London W1T
“The Two Faces of Memory”
Professor Mark Currie, Queen Mary, University of London
In My Struggle, Knausgaard claims to remember nothing from his early life while producing volumes of detailed memory. This paper aims to establish philosophical co-ordinates for this paradox, in the relationship between memory and imagination, the dynamic of remembering and forgetting, and the externalization of memory. It draws on the work of Bernard Stiegler and his elaboration of retentional finitude in Time and Technics. The argument focuses on the motif of the face in Knausgaard, as an object of recollection, and as a mode of enquiry into the nature of memory.
The Institute is delighted to welcome Katharina Donn as our Junior Visiting Research Fellow for Spring 2015.
Katharina’s main area of research is in contemporary American Literature. She is particularly interested in the ethics and aesthetics of imaginative literature in the face of trauma and terror. Katharina was a lecturer in American Studies at Augsburg University from 2011-2014, and received her doctorate with a thesis entitled Emergent Wounds: Poetics of Trauma after 9/11. As a fellow of the Studienstiftung des Deutschen Volkes (German National Academic Foundation), she worked on a funded interdisciplinary research project concerned with the 9/11 attacks and is currently developing a new project on embodiment and affect, Material Metaphors: Practices of Knowledge in Modernist Literature.
Building on the success of last year’s series on Violence, the Faculty of Social Sciences and Humanities at Westminster is pleased to announce a new series of open and interdisciplinary seminars this semester on the theme of desire ..
All seminars will be held in room 357 in the University of Westminster’s Regent Street building from 1-3pm. All welcome.
Wednesday 4 February:
Naomi Segal, Birkbeck, University of London
“Taking Your Skin-Ego for a Walk”
Wednesday 11 February:
Maria Aristodemou, Birkbeck, University of London
“Desire – Law = Disquiet”
Wednesday 18 February:
Phil Carney, University of Kent
“Desire and Power in the Spectacle”
Wednesday 25 February:
Nikki Smith, University of Birmingham
“The Queer Art of Crisis”
Wednesday 4 March:
Sam McBean, Queen Mary, University of London
“Technology, Desire and Cruel Optimism: MTV’s Catfish”
Wednesday 11 March:
David Gurnham, University of Southampton
“Consent, Normativity and Victim Blame”
Wednesday 18 March:
Helen Palmer, Goldsmiths, University of London
Wednesday 25 March:
Victoria Brooks and Adam Eldridge, University of Westminster
The IMCC is very happy to publicise the first Queer London Research Forum event of 2015: a talk by the Wellcome Library’s Lesley A. Hall, entitled ‘‘‘Bearded Fruit-Juice Drinkers”: the Queerness of Interwar Progressives’. The talk will take place on 9th February at 18:30 in the Cayley Room (room 152) in the University of Westminster’s building at 309 Regent Street and will be followed by a wine reception. Attendance is free, but places must be booked; please email firstname.lastname@example.org to confirm your place.
Abstract: “There was a significant mass of individuals and organisations in Britain between the wars, concentrated in the metropolis, who were widely perceived as ‘queer’ both in the contemporary popular sense of generally eccentric and cranky and also on account of their contravention of gender and sexual norms. This paper will look at the ways this somewhat amorphous group destabilised prevalent assumptions of the day, with particular attention to the ways in which they were felt to be violating hegemonic masculinity, whether through belief in pacifism, a dedication to vegetarianism, unconventional personal fashion style, or enjoyment of such unmanly forms of exercise as yoga and folk-dancing, alongside their liberal attitudes towards homosexuality and on other matters of sexual conduct.”
Lesley Hall, FRHistS, PhD, is Senior Archivist at the Wellcome Library and Honorary Lecturer in History of Medicine, University College London. She is the author of numerous works on gender and sexuality in nineteenth and twentieth century Britain, including Sex, Gender, and Social Change in Britain since 1880 , The Life and Times of Stella Browne: Feminist and Free Spirit and Ouspoken Women: Women Writing About Sex, 1870-1969.
The Contemporary Small Press: A Symposium
The Boardroom, 309 Regent Street, University of Westminster
The Contemporary Small Press Book Fair
The Fyvie Hall, 309 Regent Street, University of Westminster
Friday 20th February 2015
The last decade has witnessed a turn to considering the legacies of modernism prevalent and operative within contemporary literature and culture. Within the scholarly discourses surrounding this shift, there has been little discussion of the status of the small press in the twenty-first century, and its vital role in the dissemination of avant-garde writing. This symposium seeks to address the role and status of the small press in the UK as a field of academic enquiry. We aim to offer a forum that will bring together a number of small presses, and facilitate productive dialogue between the diverse publishers working with contemporary innovative writers and poets.
The day symposium consists of three panels of scholars, publishers, writers, and poets, which will explore the history of the small press, literary politics and the relationship between the small press and the mainstream, and take up issues surrounding materialities of the text and small press publishing. The Contemporary Small Press Book Fair following the symposium will showcase and market the rich and varied work currently being published by small presses.
Poets and writers reading from their work throughout the day, and into the evening, include Carol Watts, Peter Hughes, Toby Litt, Robert Hampson, Jennifer Cooke, Nicholas Royle, Amy Cutler, Rod Mengham, Tony White, and Michael Nath.
Participating presses include Oystercatcher Press, Reality Street, Route, Veer Books, Comma Press, and Equipage.
A collection of new writing by writers and poets taking part in the symposium, outLINES: from the Small Press, published in collaboration with Oystercatcher Press, will be available on the day.
The symposium is free to all but booking is essential. Places for the symposium can be reserved through Eventbrite: https://eventbrite.co.uk/event/15401181348/
For further details about the conference, or if you are the editor of a small press and would like to take part in the Book Fair, please contact Leigh Wilson (email@example.com), or Georgina Colby (firstname.lastname@example.org).
A new year and a new series of fortnightly English Literature and Culture research seminars.
All seminars will be held in room 215 in the University of Westminster’s Wells Street building at 4.15pm, followed by the obligatory retirement to The Green Man. All welcome.
Full titles and abstracts to follow.
Wednesday 4 February: Professor Mark Currie, Queen Mary, University of London
Wednesday 4 March: Dr Gwilym Jones, University of Westminster
Wednesday 18 March: Professor Alex Warwick, University of Westminster
Wednesday 25 March: Professor John Armitage, Winchester School of Art, University of Southampton
Wednesday 1 April: Professor Fred Botting, Kingston University
Radical Philosophy Berlin Conference 2015
5 4 3 2 1…
Friday 16 – Saturday 17 January
Haus der Kulturen der Welt, Berlin
Die Radical Philosophy Conference, 2015 erstmals in Deutschland, widmet sich zentralen Themen unserer Zeit. Am Freitag, dem 16. und Samstag, dem 17. Januar diskutieren internationale Vortragende mit verschiedenen disziplinären Hintergründen die Themen Acceleration & the New, Artistic Strike, Secrecy & Surveillance, Queer Theory & Geopolitics, Pedagogization, Philosophy of the Essay-Film, Animalities, On Organization.
With Fahim Amir, Claudia Aradau, David Blacker, Christa Blümlinger, Victoria Browne, Gregoire Chamayou, Matthew Charles, Claire Fontaine, David Cunningham, Antke Engel, Frank Engster, Arianna Ferrari, Peter Hallward, Gertrud Koch, Esther Leslie, Stewart Martin, Mark Neocleous, Peter Osborne, Silvia Posocco, Nina Power, Rahul Rao, Frank Ruda, Nora Sternfeld, Hito Steyerl, Chris Wilbert, and Burkhardt Wolf. More…
Free download of the Radical Philosophy iOS app is available at the Haus der Kulturen der Welt until the 1 February. More…
Michael Nath’s exceptionally fine British Story has picked up a Book of the Year endorsement from the only newspaper that matters. Full details here: http://www.morningstaronline.co.uk/a-5f55-Arts-round-up-2014-1-2-3-4#.VKEgUQN8Bg
OK, we all know it’s destructive neoliberal nonsense, but still … hard not to offer some congratulations today. In the results announced yesterday for REF 2014 – the UK government’s periodic assessment of research across all British universities and subjects areas – there were fantastic successes for both the main units of assessment in which staff in the IMCC submit their work.
In Art and Design, Westminster were ranked third overall, only being pipped to the top spot by Reading’s specialised Typography and Graphic Communications unit and the Courtauld Institute, with a remarkable 45% of its research judged as being of ‘world-leading’ quality.
Meanwhile, in English Language and Literature, Westminster jumped nearly 50 places in the rankings to be judged overall at 28th out of 89 departments, in a joint position with the University of Edinburgh. On the assessment of publications alone, Westminster’s English submission broke into the top 20, putting it ahead of the likes of Oxford, Manchester and King’s, with around a third of its work assessed as being of ‘world-leading’ quality and nearly 80% ‘internationally excellent’ or better.
The full list of results can be found here: http://www.timeshighereducation.co.uk/features/ref-2014-results-by-subject/2017594.article
A nice start to the holiday season. See you in January.
Understanding China, the Country and the Myth
February 28 2015, 11.00-12.00
The IMCC’s Anne Witchard is speaking at the Bath Literature Festival alongside author and film-maker Xiaolu Guo, who called her most personal novel to date, I am China, a “goodbye love letter to China”. The event is chaired by Isabel Hilton.
Tickets £8, or £7 for reductions.
Radical Philosophy Berlin Conference 2015
5 4 3 2 1…
Friday 16 – Saturday 17 January
Haus der Kulturen der Welt, Berlin
For our German friends, the journal Radical Philosophy will be holding its regular mega-conference in Berlin next year, with speakers including the IMCC’s own Matt Charles and David Cunningham. Other participants include Christa Blumlinger, Gregoire Chamayou, Claire Fontaine, Peter Hallward, Gertrud Koch, Esther Leslie, Mark Neocleous, Peter Osborne, Nina Power, Frank Ruda, Hito Steyerl, and many others.
Further details on the HKW website at:
For our American friends: Director of the IMCC’s Data Futures Lab, Peter Cornwell, is speaking at Princeton University on the Rhetorics and Pragmatics of Sustainability in the Digital Humanities.
Print Screen: Writing and the Image
The Photographer’s Gallery, London
Wednesday 17th December 2014
This symposium – a collaboration between the IMCC and the Photographer’s Gallery – addresses current thinking on the relationship between writing and the image, with particular emphasis on connections across the fields of experimental literature, photography, and film.
Presenters include: Laura Mulvey, Redell Olsen, Patrick Keiller, Jonathan Long, Daniel Kane and our own Leigh Wilson.
Laura Mulvey is Professor of Film and Media Studies at Birkbeck, University of London. A renowned film theorist, her influential work Visual Pleasure and Narrative Cinema (1975) and subsequent collection of essays Visual and Other Pleasures (1989) established feminist film theory as a field of enquiry. As well as publishing widely in film and media studies, she has also co-written and co-produced with Peter Wollen a number of films including Riddles of the Sphinx (1977).
Redell Olsen is a poet and text based artist whose visual work involves live performance with stills or moving image. Film Poems (Les Figues, 2014) collects the texts for her films and performances from 2007–2012. She is currently a Reader in Poetic Practice at Royal Holloway, University of London.
Patrick Keiller is a filmmaker and writer. His celebrated films dealing with the poetics of place include London (1994), Robinson in Space(1997), and Robinson in Ruins (2010). His commission for Tate Britain,The Robinson Institute, was exhibited in 2012 and a book of essays,The View from the Train: Cities and Other Landscapes, was published by Verso in 2013.
Jonathan Long is Professor of German and Visual Culture at Durham University. He has published extensively on writing and photography. His books include W. G. Sebald: Image, Archive, Modernity (Columbia University Press, 2007), and current research focuses on the photographic book in the Weimar Republic.
Daniel Kane is a poet, critic, and Reader in English & American Literature at the University of Sussex. His books include All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (2003) andWe Saw the Light: Conversations Between the New American Cinema and Poetry (2009).
Leigh Wilson is Reader in English Literature at the University of Westminster. She writes mainly on modernism and British fiction and her recent publications include Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (2013).
Free admission, but booking required. Further details at: http://thephotographersgallery.org.uk/print-screen-writing-and-the-image#-INFO
Wednesday 10 December, 4.15pm
Room 311, University of Westminster, Wells Street, London W1T 3UW
Dr Nigel Mapp, University of Westminster
“The very painting of your fear”: Macbeth as Sceptic Medium
Any convincing account of agency – one that does not, for instance, sceptically limit responsibility to intentions – must see it as theatrical. Deeds are socially expressed and corrigible. What then of Macbeth’s theatricality? The play seems to offer a drastically over-determined picture of agency – of who does and decides to do what, and why. But what sort of “picture” of a dismantled significance is this? The paper considers the question in terms of Macbeth’s Stoic and nominalist emphases and the violent self-domination, effected through faith and adherence to alien law, represented in its protagonist. The play, it is argued, mortifies this wish to escape a fate internally related to deeds – call it the tragic – by intensification of what appears to be a sceptical process of formal self-reflection. By examining the role of some visions and images, and of the iconoclastic (demystifying, false) theories of these laid out in the play, the reading pieces out a theatre of a modern fate: the deathliness that scepticism would ward off, but everywhere reproduces.