Experiments and Incidents – Julie Martin and Barbara Steveni in Conversation

Thursday 27 October 2016, 6.30pm – 8.30pm
Arts Catalyst Center, 74-76 Cromer Street, London, WC1H 8DR

£3 – book here

Experiments and Incidents – Julie Martin and Barbara Steveni in Conversation with Neal White

A reunion between two pioneers in experimental and incidental art practices

IMCC and CREAM at the University of Westminster and Arts Catalyst are delighted to host a reunion between two pioneers in experimental and incidental art practices, Julie Martin (Director of Experiments in Art and Technology) and Barbara Steveni (Artist Placement Group / O+I), chaired by Professor Neal White (University of Westminster).

Pushing at the limits of radical ideas and art practice since 1966, these two women have helped change the landscape of where and how art has been made. This is a unique opportunity to hear both in dialogue, reflecting on not only the past, but the future for art which has an experimental and incidental focus.

This collaboration between the University of Westminster and Arts Catalyst has been developed as part of Arts Catalyst’s season of events that mark the 50th anniversary of E.A.T. and the project the led to their founding 9 Evenings: Theatre and Engineering, titled 9 Evenings: Theatre and Engeneering Revisited 1966/2016.

In addition to this talk, the programme also includes an exhibition reflecting on the work of Experiments in Art and Technology at Arts Catalyst Centre for Art Science & Technology, a talks programme developed in collaboration with Afterall and Side Effects, a major new performance commission by Robert Whitman (co-Founder of E.A.T.).

This 9 Evenings: Theatre and Engeneering Revisited 1966/2016 programme is supported by Arts Council England, Cockayne – Grants for the Arts, The London Community Foundation, PACE, Afterall, Central Saint Martins, UAL, King’s Cross and Goldsmiths, University of London, University of Westminster, London: The Centre for Research and Education in Arts and Media (CREAM) with the Institute for Modern and Contemporary Culture (IMCC) and The Performance Studio.

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The Married Woman Worker in Fiction seminar

Wednesday 26th October, 5.00 – 7.00
Room 412, University of Westminster, 309 Regent Street, London W1T

“The married woman worker in fiction, c. 1870-1960”
Helen Glew (History, Westminster)

This paper forms part of a wider social and cultural history of the marriage bar and married women’s right to do paid work in the late 19th and early-mid 20th centuries. By examining fictional depictions of working wives in British, Canadian and US novels and short stories in this period – and also considering reactions to these – the paper will explore the ways in which fiction was used alternately as a means to critique society, to reimagine established norms or to act as a conservative or cautionary voice.

All welcome! (Please note the change of room and building from the previous seminar in the series.)

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The Seven Sisters Indoor Market film showing, November 4th


Veronica Posada, who is currently studying on our MA Art and Visual Culture, is organising a screening of The Seven Sisters Indoor Market Film on Friday 4th of November at 6:30pm, followed by a panel discussion with the filmmakers. The screening is part of Veronica’s participation in the Mitologia de la Tierra exhibition of seven Colombian artists at the Koppel Project in London (93 Baker Street, W1U 6RL), in which she is also presenting work from her research project ‘Mapping Memories’ (with Lorena Raigoso). Further details here.

Mapping Memories is a research tool and visibilization platform that supports recognition of Latin Americans in the UK, as well as promoting processes of unification and resistance against gentrification. See their website at: http://mappingmemory.weebly.com/

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Sex, Time and Place: Queer Histories of London book launch

Friday 21st October, 7pm
Fyvie Hall, University of Westminster, 309 Regent Street, London W1

Sex, Time and Place: Queer Histories of London book launch

We’re delighted to pass on an invitation to the book launch for Simon Avery and Kate Graham’s fabulous collection Sex, Time and Place: Queer Histories of London, c. 1850 to the Present, which has just been published by Bloomsbury.

To help with catering, please RSVP here: https://www.eventbrite.co.uk/e/sex-time-and-place-book-launch-tickets-28363251248

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“The Baths” documentary film showing


Wednesday 30th November, 2.00 – 5.00
University of Westminster, Harrow Campus

“The Baths”

One of our MA Art and Visual Culture students Sofia Pancucci-Mcqueen will (with her co-director Anouska Samms) be presenting her documentary “The Baths”, and accompanying research, to students on the Film and Television: Theory, Culture and Industry MA at Westminster. All staff and students welcome!

Tucked away in the corner of an industrial estate in Canning Town is a steam baths where men meet to wash, eat and chat. Visited daily by culturally diverse groups, it’s where bathing rituals intertwine and collective memories are forged. Made by two female filmmakers, Anouska Samms and Sofia Pancucci-McQueen, the documentary explores masculinity in a unique setting and invites us to observe often unseen cultural traditions that are integral to the lives of those who practice them.

The film highlights the transcultural nature of the baths whereby seemingly disparate traditions are continually exchanged. While each group may at first sight appear separate from one another, it soon becomes apparent that in sharing the same space they are also sharing wider cultural histories.

You can watch a trailer for the film here: https://vimeo.com/185019337

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The Architecture of Neoliberalism book launch

Monday 24th October, 6.00 – 8.00
Room M416, University of Westminster, 35 Marylebone Road, London NW1

The Architecture of Neoliberalism: How Architecture Became an Instrument of Control and Compliance

An invitation to the book launch for our friend Doug Spencer’s The Architecture of Neoliberalism, published by Bloomsbury. A talk by Doug about the book will be followed by a panel discussion with IMCC affiliate Jon Goodbun, Peg Rawes from the Bartlett School of Architecture and David Chandler from Westminster’s Centre for the Study of Democracy.

Look out, too, for a later one-day event at the Architectural Association on Friday 25th November, The (Dis)Enchanted Subject of Architecture, also timed to celebrate the publication of Doug’s book, with speakers including Libero Andreotti, Nadir Lahiji, Joan Ockman, Nina Power and the IMCC’s own David Cunningham. Details here: http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=3500

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The British Communist Historical Novel seminar, October 12th

Wednesday 12th October, 5.00 – 7.00
Room 310, University of Westminster, 32-38 Wells Street, London W1T

“The British Communist Historical Novel: Marxism, Modernity and Historiography”
Elinor Taylor (Westminster)

In 1935, following the failures of revolutionary movements in Europe and the advances of fascism, the Comintern abandoned its sectarian ‘class-against-class’ policy and advocated instead the strategy of the Popular Front, an anti-fascist bloc that had as its base a ‘united front’ of working-class organisations and, predicated on that, a wider popular alliance. Central to this new orientation in Communism politics was a stress on national histories and traditions as the site and means of resistance to a fascism that was, as the Comintern’s General Secretary put it, ‘rummaging through the entire history of every nation’ for its means of national cultural legitimation. This paper considers the historical novel as a crucial historiographic genre for British communists in the late 1930s and early 1940s, focusing on a trilogy of novels of English history by Jack Lindsay. While in certain ways this trilogy, spanning the English civil war to the revolutions of 1848, seems to obediently answer the Comintern’s call for the cultural representation of national histories, it sceptically traces the arc of ‘bourgeois revolution’ as it was formulated in classical Marxist historiography, and in so doing stages a series of problematics – over the constitution of English modernity and the nature of class succession – that were inadmissible in other arenas. But the trilogy also constitutes a self-reflexive meditation on the novel’s own conditions of possibility and its political limits. In Georg Lukács’s 1937 study of the historical novel, it was the revolutionising energy of the bourgeoisie before 1848 that enabled the historical novel to access certain ‘epic’ qualities, and the final chapter of that work is organised around the claim that the Popular Front made possible the end of the genre’s retrograde, post-1848 phase. Lindsay’s work, however, might suggest a need to move out of and beyond the novel form, in its competing realist and modernist configurations, altogether, and the paper considers the ways that Lindsay’s work glimpses this other, unrealised form.

All welcome! Followed by drinks at the Green Man …

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English Literature and Cultural Studies Research Seminars 2016 announced

The programme for this semester’s English Literature and Cultural Studies research seminar series at Westminster has been announced. The seminars will take place every other Wednesday, from 5-7pm, in room 310 in the University’s Wells Street building, followed, as ever, by a short discussion and drinks in The Green Man.

Wednesday 12 October

“The British Communist Historical Novel: Marxism, Modernity and Historiography”
Elinor Taylor (Westminster/IMCC)

Wednesday 26 October

“The married woman worker in fiction, c. 1870-1960”
Helen Glew (History, Westminster),

Wednesday 9 November

“Lying, Testimony and Murder in Early Modern England: The Case of Annis and George Dell (1606)”
Andrew Hadfield (University of Sussex)

Wednesday 23 November

“‘Detestable residue’: phobic resistances from Freud to Lyotard”
Simon Morgan Wortham (Kingston University)

Wednesday 7 December

“Picturing the Perpetrator”
Paul Lowe (University of Arts, London)

All very welcome!

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Georgina Colby’s Kathy Acker: Writing the Impossible published this month

Another day, another fine book published by a member of the IMCC. We’re delighted to announce that Georgina Colby’s ground-breaking study of Kathy Acker is published this month by Edinburgh University Press.

Kathy Acker’s body of work is one of the most significant collections of experimental writing in English. In Kathy Acker: Writing the Impossible, Georgina Colby explores Acker’s compositional processes and intricate experimental practices, from early poetic exercises written in the 1970s to her final writings in 1997. Through original archival research, Colby traces the stages in Acker’s writing and draws on her knowledge of unpublished manuscripts, notebooks, essays, illustrations, and correspondence to produce new ways of reading Acker’s works. Rather than treating Acker as a postmodern writer this book argues that Acker continued a radical modernist engagement with the crisis of language, and carried out a series of experiments in composition and writing that are comparable in scope and rigor to her modernist predecessors Stein and Joyce. Each chapter focuses on a particular compositional method and insists on the importance of avant-garde experiment to the process of making new non-conventional modes of meaning. Combining close attention to the form of Acker’s experimental writings with a consideration of the literary cultures from which she emerged, Colby positions Acker as a key figure in the American avant-garde, and a pioneer of contemporary experimental women’s writing.

You can order your copy here.

This also seems a good moment to flag up Georgina’s excellent blog post on the Duke University site reflecting on her trip to the Sallie Bingham Center for Women’s History and Culture to consult The Kathy Acker Papers, funded by a Mary Lily Research Grant. You can find it here.

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Cold War Legacies and Queer Histories of London – out now!

We’re delighted to announce the publication of two fantastic new essay collections put together by members of the IMCC.

First up is IMCC Director John Beck’s Cold War Legacies: Systems, Theory, Aesthetics, co-edited with Ryan Bishop, and based on an IMCC symposium held at the University of Westminster back in 2014. From futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we are now living in a world imagined and engineered during the Cold War. A great list of contributors include Ken Hollings, Adrian MacKenzie, Jussi Parikka, Adam Piette and Aura Satz, as well as two contributions from John himself.

Order a copy from Edinburgh University Press here: https://edinburghuniversitypress.com/book-cold-war-legacies.html

Also published this month is Sex, Time and Place: Queer Histories of London, c. 1850 to the Present, edited by Simon Avery and Kate Graham, the organisers of Westminster’s wonderful Queer London Research Forum. Incorporating multidisciplinary perspectives – including social history, cultural geography, visual culture, literary representation, ethnography and social studies – the book features essays from an international range of established scholars and emergent voices. Its essays cover topics such as activist and radical communities and groups, AIDS and the city, art and literature, digital archives and technology, drag and performativity, lesbian Londons, notions of bohemianism and deviancy, sex reform and research and queer Black history.

Order a copy from Bloomsbury here: http://www.bloomsbury.com/uk/sex-time-and-place-9781474234924/

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Walter Benjamin’s The Storyteller: Fiction & Form


Matt Charles will be in conversation with Howard Caygill (Kingston), Sara Salih (Toronto) and the editors and translators of The Storyteller, Sam Dolbear, Esther Leslie and Sebastian Truskolaski, for a special event to launch Walter Benjamin’s fiction, collected in English translation for the first time. The Storyteller (Verso, 2016) gathers the fiction of the legendary critic and philosopher, best known for his groundbreaking studies of culture and literature, including Illuminations, One-Way Street and The Arcades Project. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.

Walter Benjamin’s The Storyteller: Fiction & Form
18:30 – 20:00, Thu 22 September 2016,
The Keynes Library, Birkbeck School of Arts, 43-46 Gordon Square, London

UPDATE: you can now hear a recording of the event by the Backdoor Broadcasting Company.

You can also grab a free copy of Matt’s recent article in Pedagogy, Culture and Society discussing Walter Benjamin’s lesser known writings on education, some of which are translated into English for the first time in The Storyteller: http://www.tandfonline.com/eprint/w4P7FNn3Pr22ScFQktkh/full.

This follows on from the IMCC’s recent conferences on Avant-Garde Pedagogies (2016) and Walter Benjamin, Pedagogy and the Politics of Youth (2013).

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Elizabeth Barrett Browning and the Legacies of Aurora Leigh conference, October 15th

Saturday 15th October, 9.15 – 6.45 (followed by reception)
University of Westminster, London

Elizabeth Barrett Browning and the Legacies of Aurora Leigh: Literature, Politics, Society

On Saturday 15 October, the Department of English, Linguistics & Cultural Studies at the University of Westminster is hosting a one day conference on Elizabeth Barrett Browning and the Legacies of Aurora Leigh. The day will include a range of talks on how Barrett Browning’s major work influenced later writers and thinkers in the nineteenth and twentieth centuries, and our two keynote speakers will be Professor Marjorie Stone, from Dalhousie University, and Professor Margaret Reynolds, from Queen Mary, University of London. There will also be a roundtable discussion on the future of Barrett Browning studies with Professor Cora Kaplan and a reading of extracts from Aurora Leigh by actor and writer, Sharon Eckman. The full programme can be found on the conference website at: https://auroraleigh2016.wordpress.com/programme/

Registration is now open. Attendance at the conference is free but all attendees need to register through the conference website at: https://auroraleigh2016.wordpress.com/registration/

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Caroline Bergvall in Conversation with Marina Warner, September 14th 2016


Zodiac, drawing and wall mural (2015).

Wednesday September 14th, 2016, 7-9pm.
Carroll/Fletcher Gallery, 56-57 Eastcastle Street, London, W1W 8EQ.

£5 Tickets available here.

Dawn Poetics: Caroline Bergvall in Conversation with Marina Warner

Artist, writer and performer, Caroline Bergvall, will perform and present a few video documents from earlier works of which Ghost Cargo (2011), Drift (2014) before introducing her performance Ragadawn (2016). Ragadawn, Caroline’s much anticipated new work is a sunrise performance, which explores the crossing of boundaries and altered states of being through vocal composition, rhythmical speech patterns and recorded languages. Following the presentation and screenings, Caroline will join Professor Marina Warner in conversation to talk about dawn poetics, metamorphosis, liminality, gendering, and darkness and light.

Ragadawn (2016) will premiere in the UK as a one-off performance at the Estuary Festival, Sunday 18th September, 2016, 6:38am. The work is co-produced by Metal, Southend-on-Sea, and Festival de la Batie, Geneva. Ragadawn will embark on an international tour in 2017. Ragadawn is supported by Ville de Genève, Etat de Genève, Fondation Wilsdorf, Fondation Göhner and Royal Norwegian Embassy, London.

This event is part of the series Experimental Writing @ Carroll Fletcher, hosted by the Institute for Modern and Contemporary Culture in collaboration with Carroll Fletcher Gallery. For more information about the event, please contact Georgina Colby at g.colby@westminster.ac.uk

CAROLINE BERGVALL is an artist, writer and performer who works across artforms, media and languages. The recipient of many awards and commissions, her work frequently develops through exploring material traces, literary documents and linguistic detail, language and literary history, sites and histories, hidden or forgotten knowledges. Her sparse textual, spatial and audio works often expose hidden or difficult historical/political events. She is especially noted for her researched multigenre textual work and her strong verbal and vocal performances. Projects alternate between books, printed matter, audio pieces, collaborative performances, site-specific installations. Caroline is based in London and Geneva.

Most recent project: DRIFT (2013-2015): Texts, drawings and maps published as Drift by Nightboat Books (NY, 2014). A collaborative performance involving voice, percussion, datawork toured the UK and Scandinavia (2014) and premieres in Geneva Switzerland (2016). Solo show of graphic works and audio compositions at Callicoon Fine Art gallery (NY, 2015) and CAC (Geneva, 2016). New audio commission TOGETHER (2014), voicework in 3 parts, Swiss radio RTS2 & MAMCO Museum of Contemporary Art (Geneva). Premieres as a performance at Printemps de Septembre, Toulouse, Oct’16.

Other available publications: Meddle English: New and Selected Texts (Nightboat Books, 2011), Middling English (John Hansard Publications, 2010), DVD of installations, Ghost Pieces: five language-based installations (John Hansard Publications, 2011).

Various selected solo and group shows: Whitney Biennial (NY), Tate Modern (London), Louisiania Literature Festival (Copenhagen), Khoj Art Centre (New Delhi), MCA (Denver), The Power Plant Gallery (Toronto), Norrlandsoperan (Sweden), Actoral (Marseille), Poetry International (Southbank Centre), Fundacio Tapiès (Barcelona), Hammer Museum (LA), KUMU (Tallinn), MOMA (NY), Samtidsmuseet (Oslo), Villa Bernasconi (Geneva), Shorelines Literature of the Sea (Southend).

Caroline was Judith E, Wilson Fellow, University of Cambridge (2013-2014), Writer-in-Residence, Whitechapel Gallery, London (2014), Visiting Professor, School of Art and Design, Geneva (2014-2015). Currently a Collaborative Arts Mellon Fellow, Logan Center, University of Chicago (2016).

MARINA WARNER is Professor of English and Creative Writing at Birkbeck College, University of London and a Professorial Research Fellow, SOAS, 2014-2017.

Marina Warner’s mother was Italian and her father an English bookseller; she was brought up in Egypt, Belgium, and Cambridge, England. She has been a writer since she was young, specialising in mythology and fairy-tales, with an emphasis on the part women play in them. Her award-winning books include Alone of All Her Sex: The Myth and the Cult of the Virgin Mary (1976), Joan of Arc: The Image of Female Heroism (l982), From the Beast to the Blonde: On Fairy Tales and Their Tellers (1994) and No Go the Bogeyman (1998). In 1994 she gave the BBC Reith Lectures on the theme of Six Myths of Our Time. Her books include Phantasmagoria: Spirit Visions, Metaphors, and Media (2006), and Stranger Magic: Charmed States and The Arabian Nights (2011). She also writes fiction: The Lost Father (1988), was short listed for the Booker prize, and in 2000, The Leto Bundle (2000) was long-listed. She has curated exhibitions, including The Inner Eye (1996), Metamorphing (2002-3), and Only Make-Believe: Ways of Playing (2005). She chaired the Man Booker International Prize for 2015, and from 2013-15 she was a Two Year Fellow at All Souls College, Oxford.

Once Upon a Time: A Short History of Fairy Tale (OUP, 2014) will be coming out in paperback later this year. A collection of short stories Fly Away Home was published by Salt in autumn 2015. She is currently working on the theme of Sanctuary and culture in times of dislocation and diaspora, and is writing a memoir-cum-novel set in Cairo in the Fifties.

She is a Fellow of the British Academy, and of the Royal Society of Literature. She was made DBE in 2015, and the same year was awarded the Holberg Prize in the Arts and Humanities.

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Shorelines Literature Festival, September 17-18 2016

Saturday 17 – Sunday 18 September 2016
The Thames Estuary

Shorelines Literature Festival

Time to book your tickets for the Shorelines Literature Festival curated by our very own Rachel Lichtenstein. Taking place over the weekend of September 17-18, writers, artists, film-makers and performers – including Deborah Levy, Horatio Clare, Rose George and Patrick Wright – explore the Thames Estuary and related themes, alongside tours of Tilbury Port, Family Activities and Riverside Walks.

Rachel will also launch her new book Estuary: Out from London to the Sea (2016, Hamish Hamilton) at the festival at 5pm on Saturday 17 September; an immersive, intimate journey into the world of the Thames Estuary and the people who spend time there. Over many years she has travelled the length and breadth of this historic waterway many times over in vessels ranging from hardy tugboats to sailing barges to an inflatable military dinghy whilst gathering an extraordinary chorus of voices: mudlarkers and fishermen, radio pirates and champion racers, divers and oystercatchers, along with the men who risk their lives out on the water and the women who wait on the shore. In this sparkling new book she captures these stories before they vanish from living memory, and merges them with personal experience of this place along with layers from different periods of history.

Further details at: http://www.estuaryfestival.com/event/detail/shorelines

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Photography and Abstraction special issue out now!

The special issue of Photographies on “Photography and Abstraction”, based on an earlier IMCC symposium,  is now out from Routledge. Edited and introduced by John Beck and David Cunningham, with contributions from David Bate, Andy Fisher, John Roberts and Joanna Zylinska, as well as John B and David C., we’re hoping to have some kind of launch event next semester – so watch this space.

Full issue available here: http://www.tandfonline.com/toc/rpho20/9/2

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Gwilym Jones’ Shakespeare’s Storms wins Shakespeare’s Globe Book Award

We’re delighted to announce that Gwilym Jones, Lecturer in Renaissance Literature in Westminster’s English Department, has won the 2016 Shakespeare’s Globe Book Award, which is awarded every two years to the best monograph by a first-time author in the field.

The award for Gwilym’s book Shakespeare’s Storms, published by Manchester University Press, will be presented by this year’s Sam Wanamaker Award winner and Fellow, Professor Gordon McMullan, and was judged by a panel of prestigious academics chaired by Patrick Spottiswoode, Director of Education at the Globe Theatre in London.

As this year’s Award winner, Gwilym will be delivering a public lecture in the Sam Wanamaker Playhouse on 6 October. Find out more and book tickets.

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Mapping Memories at Mitologia de la Tierra, The Koppel Project


Veronica Posada, who is currently studying on our MA Art and Visual Culture, will be presenting work from her research project ‘Mapping Memories’ (with Lorena Raigoso) alongside the Mitologia de la Tierra exhibition of seven Colombian artists at the Koppel Project in London (93 Baker Street, W1U 6RL). The show runs from September 15th to November 5th 2016. Further details here.

Mapping Memories is a research tool and visibilization platform that supports recognition of Latin Americans in the UK, as well as promoting processes of unification and resistance against gentrification. See their website at: http://mappingmemory.weebly.com/

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Commodities, Things and Other Stuff

The final two installments of David Cunningham’s series of pieces on the theme of Photography and the Language of Things are now up on the Still Searching blog hosted by the Winterthur Fotomuseum in Switzerland: Part Five and Part Six.

Here’s the opening to the final piece …

I ended my last post with the suggestion that underlying the recent turn to the ‘object’ or ‘thing’ one might glimpse a certain ‘posthumanist’ anxiety – an anxiety occasioned by the degree to which capitalist modernity is a world “ruled by abstractions”, in the words of Marx; abstractions that have come to assume an objective reality which is ‘quasi-independent’ of the things, objects and individuals that constitute them, but which is not ‘material’ in any usual empirical sense. Such abstract social forms – money, the commodity, the value form – do not merely ‘conceal’ the ‘real’ social relations and objective networks constitutive of capitalism, but, on the contrary, actually are the ‘real’ relations that structure capitalist modernity as an increasingly global mode of social life encompassing human and non-human ‘things’ alike. The actual organisation of social and material relations is driven by a real abstraction that, far from being a question of mere faulty thinking or false consciousness, “moves within the object itself”. […]

Read more …

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New Blog Pieces for The Photographers Gallery’s “One Image”

In the second of our collaborations with the excellent “One Image” blog hosted by the Photographers Gallery in London, Sally Willow and Isabelle Coy-Dibley, who are both studying for PhDs in the Institute, have contributed short pieces on works currently on exhibition in the gallery.

Sally Willow writes on an image by Nancy Hellebrand, which features in the exhibition Double Take: Drawing and Photography: “The line has been traced: starting top-left, looping down into a heavy curve that rises, doubling-up lightly on the right to begin a swift and certain downward stroke with slight faltering hesitation at its stem. It is underlined for clarity at the base.” You can read the rest of Sally’s piece here.

Isabelle Coy-Dibley writes about Jolana Havelkova’s Fist Time Skating: “Like a fingerprint trapped in ice, the unique contours of a body inscribed in a transitory moment, imprinting what will be lost once the ice thaws, fleetingly capturing a temporal and spatial pattern drawn by an absent body refusing to be forgotten. The motif of fragmentation, shattering the coherency of a unified body, became the visual rhetoric of modernist art, rupturing the sense of totality within the individual subject. Havelkova’s First Time Skating extends and surpasses this rupture through the disembodiment of the body in its entirety.” Read the rest of Isabelle’s piece here.

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Reminder: Forms of Criticism this Thursday

Thursday 30 June 2016
Parasol Unit, 14 Wharf Road, London N1 7RW

Forms of Criticism

Forms of Criticism proposes to think about critical practice as a creative experiment with form in its own right and invites a re-examination of the relationship between research and forms adopted for presenting, communicating, and disseminating it. By considering diverse sites of critical and creative production the project focuses on experimenting with modalities of criticism and ways of addressing formal critical-creative hybridity.

The event brings together artist, curators, writers, critics and scholars addressing questions of hybrid creative-critical forms in theory and practice though talks, performances, screenings, readings and installations. Speakers include: John Beck (IMCC), Kate Briggs (American University in Paris), Eric Cazdyn (University of Toronto), Ducks!, Gary Hall (Coventry University & Open Humanities Press), Peter Jaeger (poet and critic, Roehampton), Kristen Kreider (poet and artist, Royal Holloway), Richard Misek (filmmaker), Simon Morris (Leeds Beckett University), Jo Collinson Scott (musician and musicologist), Marquard Smith (Journal of Visual Culture and Piet Zwart Institute, Rotterdam), and Nick Thurston (artist, University of Pennsylvania and Leeds).

The event is free and open to all but places are limited and booking is essential. For more information about the event and to reserve tickets please go to: http://www.formsofcriticism.net/

For more information, please contact Kaja Marczewska: k.marczewska@westminster.ac.uk

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