CRMEP-IMCC Public Lecture Series on Philosophy, Politics and Culture, Jan-March 2019

The IMCC is delighted to announce a series of public lectures and exchanges to be held at the University of Westminster in collaboration with our friends in the Centre for Research in Modern European Philosophy based at Kingston University. All lectures are free to attend, but booking is essential.

Thursday 17 January 2019, 6.00 – 8.00 pm

Is Science the Subject of Philosophy? Miller, Badiou and Derrida
Catherine Malabou, CRMEP, Kingston University

Thursday 24 January 2019, 6.00 – 8.00 pm

Is Memory the Basis of History (After Trump)?
Lucy Bond, IMCC, University of Westminster Howard Caygill, CRMEP, Kingston University

Thursday 7 February 2019, 6.00 – 8.00 pm

Reason in Reverse: Kant and Freud on Faults
Stella Sandford, CRMEP, Kingston University

Thursday 28 February 2019, 6.00 – 8.00 pm

What’s Wrong with Human Rights?
Radha D’Souza, Westminster Law School Peter Hallward, CRMEP, Kingston University

Thursday 14 March 2019, 6.00 – 8.00 pm

Towards a Socialist Cosmopolitanism
Etienne Balibar, CRMEP, Kingston University

Thursday 28 March 2019, 6.00 – 8.00 pm

Poetics of Contemporary Art
David Cunningham, IMCC, University of Westminster Peter Osborne, CRMEP, Kingston University

All events will be in Fyvie Hall, University of Westminster, 309 Regent Street, London W1B 2HW, except for the first lecture with Catherine Malabou which will be in Lecture Theatre UG05 in the same building.

All lectures are free at attend, but booking via eventbrite is essential. Please book here.

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Techne AHRC Doctoral Training Partnership

The University of Westminster (including staff in the IMCC) is one of the nine universities that now make up the AHRC-funded technē Doctoral Training Partnership.

technē supports outstanding students pursuing the ‘craft’ of research through innovative, interdisciplinary and creative approaches across a range of the arts and humanities. For more information on technē and the kinds of projects it funds, please see http://www.techne.ac.uk/phd-funding-2019-in-the-arts-and-humanities

As well as financial support, technē offers a developmental framework for doctoral researchers across the collaborating institutions, with research training, supportive community networks, professional and public engagement opportunities and a space for both independent and collaborative scholarship. Studentships include maintenance and fees for three years for a full time student; or six years for a part-time student. Normally to be eligible for a full award a student must have no restrictions on how long they can stay in the UK and have been ordinarily resident in the UK for at least 3 years prior to the start of the studentship.

The deadline for applications is 4 January 2019. Interviews will be held in the week commencing 4 February 2019.

Further details, including how to apply, can be found here: https://www.jobs.ac.uk/job/BON679/techne-ahrc-doctoral-training-partnership

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An Evening of Feminist Film, Monday 10 December

Monday 10th December
Fyvie Hall, University of Westminster
7:00-9:00pm

IMCC Presents An Evening of Feminist Film: Redell Olsen, Now Circa (2018) and Katharine Meynell, Elizabeth (2017)

Redell Olsen will present her short film Now Circa (2018), recently shortlisted for the AHRC Research in Film Awards 2018. Katharine Meynell will present her short film Elizabeth (2017).

Now Circa (1918), directed by Redell Olsen, 2018

Now Circa (1918) marks the one hundred year anniversary of female suffrage for some women in the UK. The film revolves around dialogues between two women and their counterparts one hundred years earlier, each on the eve of a march for women’s rights. Their conversations are interrupted by a mysterious poetic and out-of-time visitor; Joan Boadicea, whose speech and antics reflect the tensions, parallels and differences between women across time from the era of the suffragettes, to our own present in the age of Trump and #MeToo in 2018.

Redell Olsen is a poet, film-maker and academic. Her recent books of poetry include Film Poems (2014) and Punk Faun: a bar rock pastel (2012). She teaches poetry and poetics at Royal Holloway, University of London.

Elizabeth, directed by Katharine Meynell, 2017

Elizabeth concerns the life and work of typographer Elizabeth Friedlander, the only woman of her generation to have designed a Western typeface. The film takes an essay form, describing what is known of her life, using archive footage interspersed with landscape and speculative images and text, probing the practical and political life of women surviving on wit and skill in early twentieth century Europe.

“I liked it very much indeed — cinematically and in terms of its subject matter … Elizabeth’s roots in German modernism, her exile, the familiarity of her anonymous designs” – Laura Mulvey.

Katharine Meynell has been working as an artist since the late 1970’s across material media, using moving image, performance, drawings and artists’ books.

Tickets free, register here

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The Art Schools of North West England

Saturday 17 November 2018 – Sunday 10 March 2019
Bluecoat, School Lane, Liverpool L1 3BX

The Art Schools of North West England
John Beck and Matthew Cornford

As part of their ongoing exploration of the history of art schools in the UK, this exhibition of new work by IMCC’s John Beck and artist Matthew Cornford focuses on the art schools of the North West. The core of the exhibition is a collection of over thirty photographs by Matthew Cornford of art school buildings or the sites upon which they stood. Monuments to the economic power of the region in the nineteenth century, and often the result of tangled social and cultural forces — where working class struggles for education and self-organisation collide with the industrialists’ desire for a narrowly trained and compliant workforce and growing middle class demands for local cultural institutions  — the art school buildings are markers of past social, political and aesthetic ambition and, especially in those cases where buildings have been sold off and, at best, repurposed as flats or offices, reminders of the extent to which that ambition has shrunk as it has been progressively individualised, privatised and monetised.

More information here.

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Carla Harryman in conversation with Redell Olsen, Saturday 3rd November

Saturday 03 November 2018, 7-9pm
Fyvie Hall, University of Westminster, 309 Regent Street, London, W1B 2HT

S A L O N – LONDON presents Carla Harryman in conversation with Redell Olsen

Carla Harryman will read from her recent works including Sue in Berlin and Hannah Cut-In. Redell Olsen will be discussing and showing extracts from her recent performance and film works.

About Carla Harryman:

Carla Harryman has authored twenty books including Sue in Berlin, a collection of Poets Theater Plays and performance texts written between 2001-2015, (PURH, 2018). Harryman’s Poets Theater, interdisciplinary, and bi-lingual performances have been presented nationally and internationally. Recent performances include Gardener of Stars, an Opera, a work for micro-electronics, piano, and speaking and singing voices composed in collaboration with Jon Raskin, with performances in Chicago, San Francisco, Los Angeles, and Detroit, a bilingual version of Mirror Play with actor Juliette de Laroque (Rouen, France, 2017); and Occupying Theodore W. Adorno’s “Music and New Music,” a keynote lecture-performance (with pianist Magda Mayas and composition by Jon Raskin and Carla Harryman) presented at dOCUMENTA 13. A CD of the Adorno lecture-performance with Gino Robair on piano is forthcoming from Rastascan Records.

Publications of the last ten years include the essay, Artifact of Hope, published in Kenning Edition’s Ordinance Series in 2017 Adorno’s Noise (2008), a radical experiment in the essay as form; The collaborative ten volume work, The Grand Piano: Experiments in Collective Autobiography, San Francisco 1975-1980 (completed in 2010), The Wide Road (2011) with Lyn Hejinian, an erotic picaresque in poetry and prose; and the diptych W—/M— (2013), which Tyrone Williams describes as a tracing and retracing of “the line per se as nomadic consciousness multiplying beyond the doubles that mark, and thus engender, the self-patrolled borders of identities.” Her critical writing focuses on feminist experimental writing, non/narrative, and performance. She is the editor of Non/Narrative (2011), a special issue of the Journal of Narrative Theory, and co-editor of Lust for Life: On the Writings of Kathy Acker (2006).

Harryman has received numerous awards including a fellowship from the Foundation for Contemporary Art, grants from the National Performance Network and Opera America, Next Stage, and awards in poetry from the Wallace Alexander Gerbode Foundation and the Fund for Poetry. She is a Professor in the Department of English Language and Literature at Eastern Michigan University where she teaches in their interdisciplinary creative writing program, and she serves on the summer faculty of the MFA Program of the Milton Avery School of the Arts at Bard College.

About Redell Olsen:

Redell Olsen’s books of poetry include: Film Poems (2014), Punk Faun: a bar rock pastel (2012) and Secure Portable Space (2004). She has published critical essays on contemporary poets and poetics and produced a number of handmade artist bookworks – the most recent of which was exhibited at the Poetry Library, South Bank and involved the use of light sensitive papers. ‘Now Circa (1918)’ a short film written and directed by Redell Olsen in response to the anniversary of female suffrage in the UK in 2018 has been nominated for an AHRC award in the category, ‘Best Research Film’ of the year. Her recent performance work, ‘Observation Judgement Action’ or (Foil, Jumping, Daisies)’ responds to Black Mountain College and in particular the work of Josef and Anni Albers. It is comprised of film, text and music was shown as part of events at Kettles Yard, Cambridge, Black Mountain: A Celebration, Glasfryn, Wales and Café Oto, London. Redell Olsen is a professor of Poetry and Poetic Poetics at Royal Holloway, University of London where she teaches on the MA in Creative Writing – Poetic Practice.

S A L O N – LONDON is a real and virtual site for responding to the present through experimental women’s writing. The project is directed by Georgina Colby and Susan Rudy and hosted by the Institute of Modern and Contemporary Culture at the University of Westminster, and the Centre for Poetry at Queen Mary.

Free but please register at Eventbrite here.

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Soviet Cosmologies and Ontologies event, Friday 26th October


Friday 26th October 2018, 10.00 – 18.00
The Boardroom (room 117), University of Westminster, 309 Regent Street, London W1B 2HW

Soviet Cosmologies and Ontologies, 1960s-1970s

Marie Curie Foundation Symposium, Individual Fellowship, Horizon 2020
Hosted by the Institute for Modern and Contemporary Culture, University of Westminster in conjunction with the Faculty of Arts, University of Wolverhampton

There is a tendency in revisiting the narratives of historical socialism to focus on the early revolutionary avant-garde and repressive post-revolutionary contexts of Soviet cultural politics, or on the destructive legacy of Stalinism and the dissident cultural non-conformisms it produced. This generates a very familiar teleology of state oppression, in which everything is subject to the instrumental logic of Stalinism. Yet, paradoxically, the political economy of the Soviet Union in the aftermath of this repressive teleology in the 1960s and the 1970s – the years that in the historiography of socialism become the embodiment of both the Khrushchev Thaw and the Brezhnevite stagnation – is underwritten by its explicit counter-capitalist sociality. This is because it was precisely in these years that the residual utopian imaginaries of the communist tradition were able to find a becalmed and reflective (albeit, materially impoverished) place in the would-be socialist relations of Soviet production. As such, these utopian imaginaries became attached to a series of radical humanist interventions into the problems of labour, sexuality, power, gender, language, culture, the unconscious, cognition, reality, the universal, etc., in a context in which the non-libidinal character of post-capitalist political economy became a defining feature of this becalmed, reflective context. The result was the production of new ontologies and lexicons of emancipation, despite the fact that ‘state socialism’ was in its decline. This one-day conference aims to map these ontologies and heterodox socialist critiques in order to inquire as to whether they have any viability in the context of gnoseology, philosophy and critical theory today.

Speakers include:
Maria Chehonadskih (Central Saint Martins)
Keti Chukhrov (Higher School of Economics, Moscow)
Nikolay Erofeev (Oxford University)
Anke Hennig (Central Saint Martins)
Alexei Penzin (Chto Delat and Wolverhampton University)
Hannah Proctor (ICA, Berlin)
David Riff (Arts Festival Steirischer Herbst)
Galin Tihanov (Queen Mary University)
John Timberlake (Middlesex University)

Download the full programme here: Soviet Cosmologies programme.

The event is free to attend and all are welcome, but it would help us to get an idea of numbers if you could sign up via our Eventbrite page: https://www.eventbrite.com/e/soviet-cosmologies-and-ontologies-tickets-51069777078

 

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Asylum, Translation, Voice and Testimony

Thursday 6 September 2018, 10.00-18.30
Room D002 Université Paris 8, 2 Rue de la Liberté, 93526 Saint-Denis

Workshop: Asylum, Translation, Voice and Testimony
The objective of this international workshop is to examine the restrictions imposed upon women’s voices in the context of reporting sexual violence as part of their migration experience in the UK and in France. The workshop will bring together academics from France and the UK, immigration lawyers, and representatives from public facing bodies, women refugees and asylum seekers, and creative writers. It will facilitate a cross sector and interdisciplinary exchange of knowledge and experience in relation to taking testimonies and translation. Case studies of women’s testimonies will be examined with regard to language, translation and testimony. These will be examined alongside the current procedure of seeking asylum, in particular the interview process.

Full details can be found here

Tickets can be booked here

This event is part of a project led by Dr Georgina Colby (University of Westminster) in collaboration with Professor Jane Freedman (Université Paris 8) and Debora Singer MBE (Asylum Aid).

Feminist Representations: Sexual Violence Against Women, Asylum and Testimony

Funded by the British Academy/Leverhulme Trust, the project aims to explore the contributions the arts and humanities may make to address institutional failures in the area of sexual violence against women and girls, with a specific focus on asylum, translation, voice and testimony. Three interdisciplinary workshops will bring together academics, practitioners, politicians, campaigners and writers. The objective is to open up avenues of expression for women when relaying their testimonies and the impact of sexual violence, and to provide feminist representation that moves beyond the parameters of legal expression. Adopting an interdisciplinary methodology, participants will examine case studies of asylum seekers’ testimonies as a means to reveal the issues of translation women meet when voicing their narratives. The project will shed light on specific issues women seeking asylum who have experienced sexual violence encounter when telling their stories. These findings will inform academics, policy makers, and writers who will address these issues in issues in scholarly and creative works.

For further information, see the project website here or email Georgina Colby.

 

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Cyclo-Photographers, Visual Modernity and the Development of Camera Technologies

We are delighted to announce the publication of a new essay by IMCC member, Sara Dominici, ‘”Cyclo-Photographers”, Visual Modernity and the Development of Camera Technologies, 1880s-1890s’, in the journal History of Photography (42.1). For a few lucky people, you can download a copy for free via the following link (the first 50 on a first come first served basis):
https://www.tandfonline.com/eprint/w2ZiVhX3mTNjcAaV2EYy/full

Sara demonstrates in the essay how the intertwined development of popular photography and cycling in Britain was felt so close that, in the 1880s, contemporary commentators could write of ‘cyclo-photographers’. The camera apparatus available at this time, bulky and fragile, was largely impractical to carry on a ride, and thus cyclo-photographers joined outdoor photographers in asking manufacturers for simpler and easier to operate cameras. However, a close reading of primary sources reveals that such demands were also the result of a new engagement with the possibility of seeing enabled by cycling itself. What was the cyclo-photographers’ experience of visual modernity? The article explores whether, and in what ways, the parallel emergence of a desire for compact cameras was linked to the new, and interconnected, ways of moving and seeing that the engagement with these two modern cultural technologies had made possible.

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Trans Representations on Latin American & Chinese Screens

Thursday 21st June 2018, 16.00 – 18.30
Room UG04, University of Westminster, 309 Regent Street, London W1B 2HW

Trans Representations on Latin American and Chinese Screens

Representations of trans characters have been at the centre of recent film and TV in two locations often perceived to be traditionally conservative: Latin America and China. This seminar brings together research from these geographies to create a dialogue around film and TV production, trans representation, the ethics of visual culture and the interplay between screen studies and local culture in this transnational context.

Speakers include:

Dr Gustavo Subero, ‘Carmín Tropical: Trans Identity and Mexican Neo-Noir Cinema’
Dr Hongwei Bao (University of Nottingham), ‘Shanghai is Burning: Extravaganza and the New Queer Chinese Cinema’
Dr Liz Harvey-Kattou (University of Westminster), ‘Breaking the Mould in Latin American Film: Trans Representation in A Fantastic Woman and Hold Me Like Before’
Dr Jamie Zhao (University of Warwick), ‘Queer, Yet Never Lesbian: Tomboyish Celebrities in the Chinese Singing Competition Show Super Girl

All welcome! Book a place here.

 

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Queering Academia: A Two Day Gathering on Queer Education and Scholarship, 21-22 June 2018

Thursday 21st – Friday 22nd June 2018
Marylebone Campus, University of Westminster, 35 Marylebone Road, London NW1 5LS

Queering Academia
A Two Day Gathering on Queer Education and Scholarship

Queering Academia examines the role of Queer education and scholarship against the backdrop of the changing landscape of Higher Education. This two-day gathering brings together students, academics, and activists to consider the significance of Queer lives (and lived experience) within both formal and informal institutions of learning, with papers, panels, performances, and presentations examining the significance of Queer ways of thinkingbeing, and acting in education and scholarship.

Programme Information: 
https://queeringacademia.wordpress.com/event-programme/

Register online via Eventbrite:
https://www.eventbrite.co.uk/e/queering-academia-a-two-day-gathering-on-queer-education-and-scholarship-tickets-42675556739

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Bridging Borders, Creating Spaces, Thursday 28th June 2018

Thursday 28th June 2018, 9.30-18.00
Room UG05, University of Westminster, 309 Regent Street, London W1B 2HW

Bridging Borders, Creating Spaces: Negotiating Multicultural Identities and Belongings among Migrant Communities in Global London
A HOMELandS Workshop

Organised by our colleagues in the HOMELandS research group at Westminster, this workshop focuses in particular on the role of ‘language’ in bridging borders and creating spaces for migrants in global cities. Language is defined here in a broad and metaphorical sense, referring to all sorts of material and immaterial practices that serve the purpose of having a voice, hearing and being heard, and communicating. London as a global city has been a ‘contact zone’ of multiple flows of people, cultures and ideas from around the world, and a ‘migration lab’ for academic research. While there are numerous studies of individual migration groups in London and the UK, surprisingly, so far very few have looked into the nexus between mobility and globality from a comparative and transcultural perspective. This workshop is aimed at filling this gap. By bringing together innovative research on a wide range of London-based migration communities, it seeks to stimulate intellectual dialogues between often segregated studies of migrants and between higher educational institutes and migrant communities, and to break new ground for interdisciplinary research on migration and diaspora.

The workshop will followed at 6pm by ‘Object-Stories’ of British Chinese Women Online Exhibition Launch and Reception in the Cayley Room.

Please book a place via Eventbrite here

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Critical Pedagogies Group Annual Lecture May 24th 2018

Thursday 24th May, 18:00-21:00 pm
University of Westminster, Marylebone campus, 35 Marylebone Road, London, NW1 5LS [room tbc]

Institutionalised whiteness, racial microaggressions and Black bodies out of place in HE
Remi Joseph-Salisbury (Leeds Beckett University

On the morning of Friday 3rd February 2017, Femi Nylander – a Black Oxford alumnus – walked through the grounds of Oxford University’s Harris Manchester College. Later that morning a CCTV image of Femi was circulated to staff and students who were urged to ‘maintain vigilance’. ‘Post-racial’ ideology insists on framing such incidents as isolated aberrations bereft of wider structural and institutional context. This lecture centralises the voices of student campaigns as sites of legitimate experiential knowledge in order to offer a counter-narrative. In so doing, the talk draws upon the theoretical concepts of racial microaggressions and bodies out of place in order to argue that Femi’s experience cannot be understood in abstraction from structural white supremacy and the institutionalised whiteness that undergirds Higher Education.

Remi Joseph-Salisbury is a Senior Lecturer in Education Studies at Leeds Beckett University, with research primary research interests in race and (anti-)racism. He is a trustee of the Racial Justice Network, and a steering group member of the Northern Police Monitoring Project. He is co-editor of The Fire Now, a forthcoming collection exploring anti-racism in times of explicit racial violence.

Organised by our friends in the Critical Pedagogies Group. This event is free and open to the public. Booking via Eventbrite is essential. 

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Whose voice is it anyway?: Feminist Inclusivity in Practice and Theory, April 17

Tuesday April 17 2018, 6.30pm-10pm
Yurt Cafe, St, Katharine’s Precinct, 2 Butcher Row, London E14 8DS

Whose Voice is It Anyway?: Feminist Inclusivity in Practice and Theory

This event seeks to bring together writers and academics whose works engage with the intersectionality of feminist theory and practice. Organised by Isabelle Coy-Dibley and Genna Gardini, this event is part of the S A L O N – London project, a feminist environment championing solidarity and the creation of a platform that brings about change by finding new forms of feminist kinship, directed by Dr Georgina Colby and Professor Susan Rudy.

The evening focuses on the three key pillars of the project – Solidarity, Activism and Language. The event will feature an interdisciplinary panel of speakers, including Eleanor Perry, Isabel Waidner, Linda Stupart and Nala Xaba, and aims to question how inclusive feminism is, whether/how it should be inclusive, and how the works of these speakers’ challenge, transgress, problematise, experiment and interact with feminism. Through hearing perspectives and readings from our speakers, we will tackle questions such as: how does the experimental and innovative writing and readings of works engage with present forms of feminism; and how do these forms of writing challenge, resist, and actively reshape feminist practices? By viewing writing as a form of activism and a place to voice political, social and cultural issues and desires for transformation, we will investigate S A L O N’s assertion that “Experimental, multi-modal, transgender and multi-lingual languages are emerging as linguistic forms for inscribing voiceless narratives of those excluded and marginalised.”

Doors will open at 6:30pm, for a 7pm start. Wheelchair accessible.

Free, but please register here.

For more info visit https://www.salon-london.org/events/

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Mathematics and Literary Production: Oulipian Method as Critique seminar, March 21st

Wednesday 21st March, 5.00 pm
Room 206, University of Westminster, 32-38 Wells Street, London W1T 3UW

Mathematics and Literary Production: Oulipian Method as Critique
Daniel Cartwright (University of Westminster)

The mid twentieth century saw the emergence in French mathematics of a particularly forbidding formalism, pursued under the name of Nicolas Bourbaki. Bourbaki aimed to derive all branches of mathematics from a single set of abstract axioms. A few years after their heyday, another group, the Oulipo, took this formalist mathematical approach and applied it to literature. The Oulipo’s defining method, the formal constraint, was thus conceived mathematically as an axiom of the text. This paper explores the significance of this introduction of mathematical form to writing and will argue that, in the internal failings of Bourbaki’s totalisation of mathematics, and the Oulipo’s parodic adoption of this scheme, there is an underlying critical reflection of the rationalistic conditions of modernity.

All welcome! Followed by usual drinks in the Green Man.

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CFP: London Conference in Critical Thought, 29th and 30th June 2018

Friday 29 – Saturday 30 June 2018
University of Westminster

London Conference in Critical Thought

Westminster will be hosting the 7th annual London Conference in Critical Thought (LCCT), courtesy of our colleagues in the Department of Politics and International Relations.

Central to the vision of the conference is an inter-institutional, non-hierarchical and accessible event that makes a particular effort to embrace emergent thought and the participation of emerging academics, fostering new avenues for critically-oriented scholarship and collaboration. The conference is divided into thematic streams, each coordinated by different researchers and with separate calls for papers. The organisers welcome paper proposals that respond to the particular streams below. In addition, papers may be proposed as part of a general stream, i.e. with no specific stream in mind. Spanning a range of broad themes, these streams provide the impetus for new points of dialogue.

  • Art and Automation
  • Capital, Event and Agency (1968-2018)
  • Disruptions, Interventions and Liminalities: Critical Performative Pedagogies
  • Infrastructure, “infrapolitics” and experimentation
  • Politics of/in the Anthropocene
  • Resistant Bodies. On resistance and its corporeal challenges
  • Taking Positions
  • The Politics of Truth
  • Thinking Affect and Postcoloniality Together
  • Time, Cities, Bodies
  • Writing to Think

The Full Call for Papers can be found here: LCCT CfP 2018 feb 26

Please send paper/presentation proposals with the relevant stream indicated in the subject line to paper–subs@londoncritical.org. Submissions should be no more than 250 words and should be received by Monday 26th March 2018.

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Detective Novels and the First World War, Thursday 8th March

 

Thursday 8th March 2018, 5.00 pm
Room 351, University of Westminster, 309 Regent Street, London W1B 2HW

Detective Novels and the First World War
Professor Jane Mattisson Ekstam (Østfold University College, Norway)

Hosted by our friends in History, Professor Ekstam, who is currently a Visiting Research Fellow at Westminster, discusses the relationship between detective novels and representation of the First World War. This provides a particularly fertile context for examining human motivation and suffering, and for looking at ways of dealing with crime in war and peace, not least in Britain where the majority of war-related detective fiction was produced. Followed by drinks reception.

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Roundtable on London Gothic, Weds 21st February 2018

Wednesday 21st February 2018, 5.00 pm
Room 206, University of Westminster, 32-38 Wells Street, London W1T 3UW

If there’s something strange in your neighbourhood … A Roundtable on London Gothic
Monica Germana, Emma McEvoy, Alexandra Warwick, Anne Witchard

London has taken a central role in the urban Gothic, from canonical texts like Strange Case of Dr Jekyll and Mr Hyde, The Picture of Dorian Gray, and Dracula, through modern film and visual culture, to the ‘tourist gothic’ of rebranded gastropubs and ghost tours. As a specific category, London Gothic is becoming as important for understanding ourselves today as it has been for thinking about the cultural productions of the late-nineteenth century. But what does it mean to think of London as a gothic environment? How has this understanding been shaped by historical events and cultural texts? What ghosts and monsters lurk behind the city’s walls? And how does their lingering presence change the way we interact with the streets around us? Join us for an evening of spooky stories and spectral delights as our panel of Westminster experts (Monica Germana, Emma McEvoy, Alex Warwick and Anne Witchard) examine the changing face of London Gothic, past, present, and future.

Followed by the usual drinks at The Green Man …

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S A L O N – LONDON presents Laynie Browne in conversation with Andrea Brady, March 13 2018

Tuesday March 13 2018, 7pm-9pm
Fyvie Hall, University of Westminster, 309 Regent Street, London W1B 2HW

Laynie Browne in conversation with Andrea Brady

Laynie will be reading from three works:

Periodic Companions is a novel with characters based on the periodic table of elements. Relationships are based upon chemistry, and characters investigate poetics, contemplative practices, and outsider culture. Overwhelmed with the futility of institutional structures, and impelled to act in response to tragic acts of violence, the elemental characters create a collective action based upon chemical signalling using human tears, in the hopes of inventing a new context for non-violent protest.

You Envelop Me. A book length poetic elegy, You Envelop Me takes its title from the thirty-second psalm and explores connections between birth and loss. How does one in mourning converse with those absent, yet ever present? These poems seek to enter that sturdy edifice of emptiness, wherein time is suspended, and one is paradoxically held by the departed. How is a motherless daughter conceived? What befalls those who succumb to waves of grief akin to contractions of birth? You Envelop Me is woven from contemplative practices which permit us to approach the unimaginable. The world with the beloved removed is permanently altered, perhaps most significantly in the way the living learn that indispensible vision occurs beyond the visible world.

The Book of Moments (forthcoming 2018, in two editions, one English, one French, from Presses Universitaires de rouen et du havre, Rouen, France).This book of relatively short prose fiction/hybrid pieces is an exploration in reinvention of forms: including the found, the invented and foregrounding perception as subject and object. This book seeks the boundary between real and imagined and hovers at a location often in between. This work is inspired by the revolutionary prose of writers such as Lydia Davis, Marguerite Duras, Hélène Cixous, and others writing off the map between genres, outside conventional expectations of “story.”

A poet, prose writer, teacher and editor, Laynie Browne is author of thirteen collections of poems and three novels. Her most recent collections of poems include You Envelop Me (Omnidawn 2017) P R A C T I C E (SplitLevel 2015), and Scorpyn Odes (Kore Press 2015). Recent books of prose include the novel Periodic Companions (2018) and short fiction in The Book of Moments (2018). Her honors include a 2014 Pew Fellowship, the National Poetry Series Award (2007) for her collection The Scented Fox, and the Contemporary Poetry Series Award (2005) for her collection Drawing of a Swan Before Memory. Her poetry has been translated into French, Spanish, Chinese and Catalan. Her writing has appeared in many anthologies including The Norton Anthology of Post Modern Poetry (second edition 2013), Ecopoetry: A Contemporary American Anthology (Trinity University Press, 2013), Bay Poetics (Faux Press, 2006) and The Reality Street Book of Sonnets (Reality Street, 2008). She teaches at University of Pennsylvania and at Swarthmore College.

Andrea Brady is a poet and Professor of Poetry at Queen Mary, University of London. Andrea’s books of poetry include The Strong Room (2016), Dompteuse (2014), Cut from the Rushes (2013), Mutability: Scripts for Infancy (2012), and Wildfire: A Verse Essay on Obscurity and Illumination (2010). At Queen Mary she runs the Centre for Poetry and the Archive of the Now.

The event is free but please register with Eventbrite

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Georgina Colby, Forms of Solidarity Weds 7th February

Wednesday 7th February 2018, 5.00 pm
Room 206, University of Westminster, 32-38 Wells Street, London W1T 3UW

Forms of Solidarity
Georgina Colby (Westminster)

On January 20, 2017, the day of Donald Trump’s inauguration, a pamphlet titled ‘Solidarity Texts: Radiant Re-Sisters’, comprising 69 texts by experimental women writers, was collated and distributed by the poet Laynie Browne to the feminist community ahead of the Women’s March on Washington, scheduled to take place the following day.  The collection of works varied from collages, poems, letters, artworks, scans of handwritten poems in notebooks, shorts essays, animated sketches and links to film and performance works, and experimental prose. The texts each use experimental form as resistance against the increasingly conservative political climate in the U.S. Browne’s distribution of the texts as activist tools for the protest gestures to the revival of experimental works by women writers, artists, and filmmakers as forms of activism in the present climate. This paper explores the relation between forms of feminist solidarity, literary experiment, and new activisms in these texts of resistance.

All welcome! Followed by drinks in the Green Man …

Written by on Wednesday, posted in Event, News (No comments yet)

The Popular Front Novel in Britain – out now!

Looking for a Christmas present for the literary Marxist in your life? Out now: our own Elinor Taylor’s book The Popular Front Novel in Britain, 1934-1940 (Brill Historical Materialism series)!

In The Popular Front Novel in Britain, 1934-1940, Elinor Taylor provides the first study of the relationship between the British novel and the anti-fascist Popular Front strategy endorsed by the Comintern in 1935. Through readings of novels by British Communists including Jack Lindsay, John Sommerfield, Lewis Jones and James Barke, Taylor shows that the realist novel of the left was a key site in which the politics of anti-fascist alliance were rehearsed. Maintaining a dialogue with theories of populism and with Georg Lukács’s vision of a revived literary realism ensuing from the Popular Front, this book at once illuminates the cultural formation of the Popular Front in Britain and proposes a new framework for reading British fiction of this period.

The nice people at Historical Materialism have also posted a translation of an interview with Elinor, originally published in French in the journal Période, on their website. You can read it here: http://www.historicalmaterialism.org/popular-front-novel-interview-with-elinor-taylor

Written by on Tuesday, posted in News (No comments yet)