The Socrates of Prague, film showing, March 11th, Regent Street Cinema

Monday 11 March 2019, 18:30 pm
Regent Street Cinema, 307 Regent Street, London W1B

The Socrates of Prague

In 1977, in Prague, a city at the heart of Europe, the philosopher Jan Patočka became the unlikely spokesperson for Charta 77 — a proclamation signed by a number of dissidents and issued to the communist authorities that pointed out the flagrant disregard of the norms of freedom and legality by the Communist authorities in the then Czechoslovakia. As a result of this principled action Patočka famously suffered the same fate as his hero Socrates, collapsing and dying after a lengthy interrogation by the secret police, at the age of 69. It is largely to Patočka that we owe Vaclav Havel’s famous call for ‘Living in Truth’ and the need for both civility and civil society. As a philosopher Patočka therefore played an important part in laying the foundations for the non-violent overthrow of Communism in Czechoslovakia in 1989, the so-called ‘Velvet Revolution’.

The Socrates of Prague film explores the life and thought of this extraordinary man with several students and friends who in the 1960s and 70s witnessed Patočka’s intellectual and political efforts, and shared with him the intense desire for a social and political renewal after the dramatic end of the Prague Spring in 1968. The main film is in English and is 17 minutes long. It will be shown along with another short film about Jan Patočka made by the Patočka Archive in Prague (and shown with English subtitles). The event will also feature short talks by Franceso Tava, Senior Lecturer at the University of the West of England in Bristol; Nicolas de Warren Nicolas, Associate Professor of Philosophy at Penn State University; and Graham Henderson, who is leading on the publication of a selected edition of Patočka’s work in English translation, due to be published by Bloomsbury in 2020.

Hosted by the Rimbaud and Verlaine Foundation, it is being held in partnership with, and supported by, the College of Liberal Arts and Sciences at the University of Westminster. It is also being supported by the Czech Centre in London and by the Patočka Archives in Prague.

This event is free of charge but please RSVP in advance to to reserve a place. These will be allocated on a strictly first come, first served basis. Please reserve your place now to avoid disappointment!

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Difference Festival, February 25th to March 1st 2019

There are a whole host of fantastic events organised by IMCC members and affiliates that are happening as part of the Difference festival at the University of Westminster, focusing this year on the idea of the ‘radical’.

Monday 25th February, 6.00 -8.00 pm
Regent Street Cinema

Hold me like before: radical trans representation on film

Join us for a screening of this independent Costa Rican film Hold Me Like Before (Abrázame Como Antès, 2016; in Spanish with English subtitles). Taking place at the historic Regent Street Cinema, the documentary-style film is followed by a Skype Q&A with director Jurgen Ureña and a panel discussion on transgender representation on film and on the radical way the director went about the filmmaking process. Led by Liz Harvey-Katou, Senior Lecturer in Spanish Language and Culture, with Margherita Sprio, Reader in Film and Visual Culture.

Book your place

Tuesday 26th February, 12.30 – 2.00 pm
Foyer, University of Westminster, 309 Regent Street

Picpoetry radical jam

Discover the visual poet in you with picpoet’s radical way of seeing and feeling the world around you through role-play. Take a walk around the university, discover unexplored angles and new ways of thinking and being. Radicalise the ‘Lawscape’ by exploring how norms allow us to move in certain ways and impede us in others. Take quick pictures and write instant texts that capture your own position with regards to what you see. With an opportunity to win modest but fun prizes. Led by Law and Theory Professor Andreas Philippopoulos-Mihalopoulos, the picpoet.

Book your place

Wednesday 27th and Thursday 28th February, 12.30 – 2.00 pm
Old Gym and Foyer, University of Westminster, 309 Regent Street

Banner up! a radical take-over

As you walk through into our Regent Street entrance, drop by and become an activist in our two-day ‘take-over’ using our workshops and activity stations set up there. Make a cartoon or a political placard in our workshops, or your own badge at our activity station. Your creation will feature in our installation of placards and banners to celebrating this year’s Difference Festival radical theme. Led by students and alumni of our MA Museums, Galleries and Contemporary Culture with the Cartoon Museum and Peter Ride, Principal Research Fellow, School of Humanities and IMCC.

Book your place

Wednesday 27th February, 12.00 – 1.00 pm
Soho Poly Theatre Basement (meet in Foyer), University of Westminster, 4-12 Little Titchfield Street

Radical voices: poetry matters   

Drawing on previous radical Soho Poly Project experiments disrupting time and space with our lunchtime theatre, found sounds and ghost gigs projects, we return to Poetry Matters and the history of poetry at the Polytechnic offering two radical takes. First, Mike Garry, Writer in Residence at Westminster Law School, offers his own radical take on poetry. Second, we offer a further radical take, again disrupting time and space and streaming this lunchtime performance live. Expect surprises. Organised by Guy Osborn, Professor of Law and Matt Morrison, Senior Lecturer in Creative Writing, working with Anna McNally, Senior Archivist.

Book your place

Wednesday 27th February, 1.30 – 3.00 pm
Soho Poly Theatre Basement (meet in Foyer), University of Westminster, 4-12 Little Titchfield Street

The radical in popular culture: alternative theatre in Westminster, a virtual tour

Take a virtual visit of sites and venues in the borough of Westminster to discover why it became a centre of innovative theatre. Tour includes: Inter-Action’s Ambiance lunchtime theatre club in Queensway, their staging of Britain’s first Black Theatre and their time at the Almost Free Theatre in Rupert Street, scene of Britain’s first women’s theatre season in 1974 and first gay theatre season in 1975; the ground-breaking Soho Poly (later the Soho Theatre); the ILEA’s Cockpit Theatre; and the ICA’s controversial socialist theatre season. Find out also about the Cartoon Archetypal Slogan Theatre (CAST), and writing initiatives such as Foco Novo and Joint Stock. Led by our guest Susan Croft, playwright, historian and curator, and Unfinished Histories; organised by Guy Osborn and Matt Morrison, with Anna McNally.

Book your place

Wednesday 27th February, 6.00 – 9.00 pm
Fyvie Hall, University of Westminster, 309 Regent Street

Radical film: voyeurism in documentary filmmaking on migration

Together with a screening, we invite you to sit at our Long Table and take part in discussions with filmmakers, protagonists, curators and activists sharing their work and radical strategies to resist voyeurism in film-making on forced migration. Explore our positions as storytellers, curators and media consumers, think about the responsibilities of those who create visual narratives based on another’s experience and engage with some of those to whom these stories belong. Everyone is welcome to take a seat at the Long Table, breaking down hierarchies of ‘spectator’ and ‘expert’; come and go between table and audience and help the conversation outside on leaving the table. Led by Alternative Fictions, a collective of visual anthropologists and documentary makers, and Migration Collective; organised by Federica Mazzara, Senior Lecturer in Intercultural Communication, and Lily Parrot, School of Law and co-founder of Migration Collective.

Book your place

Thursday 28th February, 6.00 – 8.00 pm
UG04, University of Westminster, 309 Regent Street

Radical curation: race, memory and activism in heritage practice

Join us as we bring together activists, heritage professionals and academics developing new strategies to counter the naturalisation of racial injustice. This roundtable and Q&A examine the challenges of representing and commemorating black and minority histories. Together, we explore ways to bring marginalised pasts to public attention and make hidden histories visible. Followed by a drinks reception. Led by Lucy Bond, Lecturer in English Literature, School of Humanities and IMCC, and Jessica Rapson, Lecturer in Cultural and Creative Industries, King’s College London, with activists and heritage professionals from Tate, Museum of London, Black Cultural Archives, Black History Walks and the Organisation of Women of African and Asian Descent (OWAAD).

Book your place

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Stella Sandford on Reason in Reverse, February 7th 2019

Thursday 7 February 2019, 18:00 – 20:00 pm
Fyvie Hall, University of Westminster, 309 Regent Street, London W1B

Reason in Reverse: Kant and Freud on Faults
Stella Sandford (CRMEP, Kingston University)

The third in a series of six Public Lectures on Philosophy, Politics and Culture, co-organised by the IMCC with the Centre for Research in Modern European Philosophy.

Stella Sandford is Professor in Modern European Philosophy at Kingston University. She is author of Plato and Sex (2010), How to Read Beauvoir (2006) and The Metaphysics of Love (2000), as well as co-editor of Further Adventures of the Dialectic of Sex: Critical Essays on Shulamith Firestone (2010).

Chaired by Leigh Wilson (IMCC).

The event is free, but booking via eventbrite is essential. You can book here.

Details on the rest of the series can be found here.

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Dennis Duncan, Nitpickers vs Windbags: Weaponizing the Book Index, February 6th

Wednesday 6th February 2019, 6:00 pm
Room UG04, University of Westminster, 309 Regent Street, London

Dennis Duncan
“Nitpickers vs Windbags: Weaponizing the Book Index”


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Is Memory the Basis of History (After Trump)?, IMCC and CRMEP exchange, Thursday 24th January 6pm

Thursday 24 January 2019, 18:00 – 20:00 pm
Fyvie Hall, University of Westminster, 309 Regent Street, London W1B

Is Memory the Basis of History (After Trump)?
Lucy Bond (IMCC) & Howard Caygill (CRMEP, Kingston University)

The second in a series of six Public Lectures on Philosophy, Politics and Culture, co-organised by the IMCC with the Centre for Research in Modern European Philosophy.

Lucy Bond is Senior Lecturer in American Literature and Culture at the University of Westminster. She is author of Frames of Memory After 9/11 (2015), co-editor of The Transcultural Turn (2014) and Memory Unbound (2016), and co-author of the forthcoming Trauma in the Routledge New Critical Idiom series.

Howard Caygill is Professor of Philosophy at Kingston University. Among other works, he is author of Kafka: In Light of the Accident (2017), On Resistance: A Philosophy of Defiance (2013), Levinas and the Political (2002) and Walter Benjamin: The Colour of Experience (1998).

Chaired by John Beck (IMCC).

The event is free, but booking via eventbrite is essential. You can book here.

Details on the rest of the series can be found here.

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Catherine Malabou: Is Science the Subject of Philosophy? Miller, Badiou and Derrida, Thursday 17 January

Thursday 17 January 2019, 18:00 – 20:00 pm
UG05, University of Westminster, 309 Regent Street, London W1B

Is Science the Subject of Philosophy? Miller, Badiou and Derrida
Catherine Malabou (CRMEP, Kingston University)

The first in a series of six Public Lectures on Philosophy, Politics and Culture, co-organised by the IMCC with the Centre for Research in Modern European Philosophy.

Catherine Malabou is a Professor in Philosophy at the Centre for Research in Modern European Philosophy (CRMEP) at Kingston University, and in Comparative Literature at the University of California Irvine. She is author of books including The Future of Hegel: Plasticity, Temporality, and Dialectic (1996), What Should We Do With Our Brain? (2004), The Ontology of the Accident: An Essay on Destructive Plasticity (2009), and Sois mon corps, with Judith Butler (2010).

All welcome, but booking via eventbrite is essential. Book here.

Further events in the series can be found here.

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CRMEP-IMCC Public Lecture Series on Philosophy, Politics and Culture, Jan-March 2019

The IMCC is delighted to announce a series of public lectures and exchanges to be held at the University of Westminster in collaboration with our friends in the Centre for Research in Modern European Philosophy based at Kingston University. All lectures are free to attend, but booking is essential.

Thursday 17 January 2019, 6.00 – 8.00 pm

Is Science the Subject of Philosophy? Miller, Badiou and Derrida
Catherine Malabou, CRMEP, Kingston University

Thursday 24 January 2019, 6.00 – 8.00 pm

Is Memory the Basis of History (After Trump)?
Lucy Bond, IMCC, University of Westminster Howard Caygill, CRMEP, Kingston University

Thursday 7 February 2019, 6.00 – 8.00 pm

Reason in Reverse: Kant and Freud on Faults
Stella Sandford, CRMEP, Kingston University

Thursday 28 February 2019, 6.00 – 8.00 pm

What’s Wrong with Human Rights?
Radha D’Souza, Westminster Law School Peter Hallward, CRMEP, Kingston University

Thursday 14 March 2019, 6.00 – 8.00 pm

Towards a Socialist Cosmopolitanism
Etienne Balibar, CRMEP, Kingston University

Thursday 28 March 2019, 6.00 – 8.00 pm

Poetics of Contemporary Art
David Cunningham, IMCC, University of Westminster Peter Osborne, CRMEP, Kingston University

All events will be in Fyvie Hall, University of Westminster, 309 Regent Street, London W1B 2HW, except for the first lecture with Catherine Malabou which will be in Lecture Theatre UG05 in the same building.

All lectures are free at attend, but booking via eventbrite is essential. Please book here.

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Techne AHRC Doctoral Training Partnership

The University of Westminster (including staff in the IMCC) is one of the nine universities that now make up the AHRC-funded technē Doctoral Training Partnership.

technē supports outstanding students pursuing the ‘craft’ of research through innovative, interdisciplinary and creative approaches across a range of the arts and humanities. For more information on technē and the kinds of projects it funds, please see

As well as financial support, technē offers a developmental framework for doctoral researchers across the collaborating institutions, with research training, supportive community networks, professional and public engagement opportunities and a space for both independent and collaborative scholarship. Studentships include maintenance and fees for three years for a full time student; or six years for a part-time student. Normally to be eligible for a full award a student must have no restrictions on how long they can stay in the UK and have been ordinarily resident in the UK for at least 3 years prior to the start of the studentship.

The deadline for applications is 4 January 2019. Interviews will be held in the week commencing 4 February 2019.

Further details, including how to apply, can be found here:

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An Evening of Feminist Film, Monday 10 December

Monday 10th December
Fyvie Hall, University of Westminster

IMCC Presents An Evening of Feminist Film: Redell Olsen, Now Circa (2018) and Katharine Meynell, Elizabeth (2017)

Redell Olsen will present her short film Now Circa (2018), recently shortlisted for the AHRC Research in Film Awards 2018. Katharine Meynell will present her short film Elizabeth (2017).

Now Circa (1918), directed by Redell Olsen, 2018

Now Circa (1918) marks the one hundred year anniversary of female suffrage for some women in the UK. The film revolves around dialogues between two women and their counterparts one hundred years earlier, each on the eve of a march for women’s rights. Their conversations are interrupted by a mysterious poetic and out-of-time visitor; Joan Boadicea, whose speech and antics reflect the tensions, parallels and differences between women across time from the era of the suffragettes, to our own present in the age of Trump and #MeToo in 2018.

Redell Olsen is a poet, film-maker and academic. Her recent books of poetry include Film Poems (2014) and Punk Faun: a bar rock pastel (2012). She teaches poetry and poetics at Royal Holloway, University of London.

Elizabeth, directed by Katharine Meynell, 2017

Elizabeth concerns the life and work of typographer Elizabeth Friedlander, the only woman of her generation to have designed a Western typeface. The film takes an essay form, describing what is known of her life, using archive footage interspersed with landscape and speculative images and text, probing the practical and political life of women surviving on wit and skill in early twentieth century Europe.

“I liked it very much indeed — cinematically and in terms of its subject matter … Elizabeth’s roots in German modernism, her exile, the familiarity of her anonymous designs” – Laura Mulvey.

Katharine Meynell has been working as an artist since the late 1970’s across material media, using moving image, performance, drawings and artists’ books.

Tickets free, register here

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The Art Schools of North West England

Saturday 17 November 2018 – Sunday 10 March 2019
Bluecoat, School Lane, Liverpool L1 3BX

The Art Schools of North West England
John Beck and Matthew Cornford

As part of their ongoing exploration of the history of art schools in the UK, this exhibition of new work by IMCC’s John Beck and artist Matthew Cornford focuses on the art schools of the North West. The core of the exhibition is a collection of over thirty photographs by Matthew Cornford of art school buildings or the sites upon which they stood. Monuments to the economic power of the region in the nineteenth century, and often the result of tangled social and cultural forces — where working class struggles for education and self-organisation collide with the industrialists’ desire for a narrowly trained and compliant workforce and growing middle class demands for local cultural institutions  — the art school buildings are markers of past social, political and aesthetic ambition and, especially in those cases where buildings have been sold off and, at best, repurposed as flats or offices, reminders of the extent to which that ambition has shrunk as it has been progressively individualised, privatised and monetised.

More information here.

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Carla Harryman in conversation with Redell Olsen, Saturday 3rd November

Saturday 03 November 2018, 7-9pm
Fyvie Hall, University of Westminster, 309 Regent Street, London, W1B 2HT

S A L O N – LONDON presents Carla Harryman in conversation with Redell Olsen

Carla Harryman will read from her recent works including Sue in Berlin and Hannah Cut-In. Redell Olsen will be discussing and showing extracts from her recent performance and film works.

About Carla Harryman:

Carla Harryman has authored twenty books including Sue in Berlin, a collection of Poets Theater Plays and performance texts written between 2001-2015, (PURH, 2018). Harryman’s Poets Theater, interdisciplinary, and bi-lingual performances have been presented nationally and internationally. Recent performances include Gardener of Stars, an Opera, a work for micro-electronics, piano, and speaking and singing voices composed in collaboration with Jon Raskin, with performances in Chicago, San Francisco, Los Angeles, and Detroit, a bilingual version of Mirror Play with actor Juliette de Laroque (Rouen, France, 2017); and Occupying Theodore W. Adorno’s “Music and New Music,” a keynote lecture-performance (with pianist Magda Mayas and composition by Jon Raskin and Carla Harryman) presented at dOCUMENTA 13. A CD of the Adorno lecture-performance with Gino Robair on piano is forthcoming from Rastascan Records.

Publications of the last ten years include the essay, Artifact of Hope, published in Kenning Edition’s Ordinance Series in 2017 Adorno’s Noise (2008), a radical experiment in the essay as form; The collaborative ten volume work, The Grand Piano: Experiments in Collective Autobiography, San Francisco 1975-1980 (completed in 2010), The Wide Road (2011) with Lyn Hejinian, an erotic picaresque in poetry and prose; and the diptych W—/M— (2013), which Tyrone Williams describes as a tracing and retracing of “the line per se as nomadic consciousness multiplying beyond the doubles that mark, and thus engender, the self-patrolled borders of identities.” Her critical writing focuses on feminist experimental writing, non/narrative, and performance. She is the editor of Non/Narrative (2011), a special issue of the Journal of Narrative Theory, and co-editor of Lust for Life: On the Writings of Kathy Acker (2006).

Harryman has received numerous awards including a fellowship from the Foundation for Contemporary Art, grants from the National Performance Network and Opera America, Next Stage, and awards in poetry from the Wallace Alexander Gerbode Foundation and the Fund for Poetry. She is a Professor in the Department of English Language and Literature at Eastern Michigan University where she teaches in their interdisciplinary creative writing program, and she serves on the summer faculty of the MFA Program of the Milton Avery School of the Arts at Bard College.

About Redell Olsen:

Redell Olsen’s books of poetry include: Film Poems (2014), Punk Faun: a bar rock pastel (2012) and Secure Portable Space (2004). She has published critical essays on contemporary poets and poetics and produced a number of handmade artist bookworks – the most recent of which was exhibited at the Poetry Library, South Bank and involved the use of light sensitive papers. ‘Now Circa (1918)’ a short film written and directed by Redell Olsen in response to the anniversary of female suffrage in the UK in 2018 has been nominated for an AHRC award in the category, ‘Best Research Film’ of the year. Her recent performance work, ‘Observation Judgement Action’ or (Foil, Jumping, Daisies)’ responds to Black Mountain College and in particular the work of Josef and Anni Albers. It is comprised of film, text and music was shown as part of events at Kettles Yard, Cambridge, Black Mountain: A Celebration, Glasfryn, Wales and Café Oto, London. Redell Olsen is a professor of Poetry and Poetic Poetics at Royal Holloway, University of London where she teaches on the MA in Creative Writing – Poetic Practice.

S A L O N – LONDON is a real and virtual site for responding to the present through experimental women’s writing. The project is directed by Georgina Colby and Susan Rudy and hosted by the Institute of Modern and Contemporary Culture at the University of Westminster, and the Centre for Poetry at Queen Mary.

Free but please register at Eventbrite here.

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Soviet Cosmologies and Ontologies event, Friday 26th October

Friday 26th October 2018, 10.00 – 18.00
The Boardroom (room 117), University of Westminster, 309 Regent Street, London W1B 2HW

Soviet Cosmologies and Ontologies, 1960s-1970s

Marie Curie Foundation Symposium, Individual Fellowship, Horizon 2020
Hosted by the Institute for Modern and Contemporary Culture, University of Westminster in conjunction with the Faculty of Arts, University of Wolverhampton

There is a tendency in revisiting the narratives of historical socialism to focus on the early revolutionary avant-garde and repressive post-revolutionary contexts of Soviet cultural politics, or on the destructive legacy of Stalinism and the dissident cultural non-conformisms it produced. This generates a very familiar teleology of state oppression, in which everything is subject to the instrumental logic of Stalinism. Yet, paradoxically, the political economy of the Soviet Union in the aftermath of this repressive teleology in the 1960s and the 1970s – the years that in the historiography of socialism become the embodiment of both the Khrushchev Thaw and the Brezhnevite stagnation – is underwritten by its explicit counter-capitalist sociality. This is because it was precisely in these years that the residual utopian imaginaries of the communist tradition were able to find a becalmed and reflective (albeit, materially impoverished) place in the would-be socialist relations of Soviet production. As such, these utopian imaginaries became attached to a series of radical humanist interventions into the problems of labour, sexuality, power, gender, language, culture, the unconscious, cognition, reality, the universal, etc., in a context in which the non-libidinal character of post-capitalist political economy became a defining feature of this becalmed, reflective context. The result was the production of new ontologies and lexicons of emancipation, despite the fact that ‘state socialism’ was in its decline. This one-day conference aims to map these ontologies and heterodox socialist critiques in order to inquire as to whether they have any viability in the context of gnoseology, philosophy and critical theory today.

Speakers include:
Maria Chehonadskih (Central Saint Martins)
Keti Chukhrov (Higher School of Economics, Moscow)
Nikolay Erofeev (Oxford University)
Anke Hennig (Central Saint Martins)
Alexei Penzin (Chto Delat and Wolverhampton University)
Hannah Proctor (ICA, Berlin)
David Riff (Arts Festival Steirischer Herbst)
Galin Tihanov (Queen Mary University)
John Timberlake (Middlesex University)

Download the full programme here: Soviet Cosmologies programme.

The event is free to attend and all are welcome, but it would help us to get an idea of numbers if you could sign up via our Eventbrite page:


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Asylum, Translation, Voice and Testimony

Thursday 6 September 2018, 10.00-18.30
Room D002 Université Paris 8, 2 Rue de la Liberté, 93526 Saint-Denis

Workshop: Asylum, Translation, Voice and Testimony
The objective of this international workshop is to examine the restrictions imposed upon women’s voices in the context of reporting sexual violence as part of their migration experience in the UK and in France. The workshop will bring together academics from France and the UK, immigration lawyers, and representatives from public facing bodies, women refugees and asylum seekers, and creative writers. It will facilitate a cross sector and interdisciplinary exchange of knowledge and experience in relation to taking testimonies and translation. Case studies of women’s testimonies will be examined with regard to language, translation and testimony. These will be examined alongside the current procedure of seeking asylum, in particular the interview process.

Full details can be found here

Tickets can be booked here

This event is part of a project led by Dr Georgina Colby (University of Westminster) in collaboration with Professor Jane Freedman (Université Paris 8) and Debora Singer MBE (Asylum Aid).

Feminist Representations: Sexual Violence Against Women, Asylum and Testimony

Funded by the British Academy/Leverhulme Trust, the project aims to explore the contributions the arts and humanities may make to address institutional failures in the area of sexual violence against women and girls, with a specific focus on asylum, translation, voice and testimony. Three interdisciplinary workshops will bring together academics, practitioners, politicians, campaigners and writers. The objective is to open up avenues of expression for women when relaying their testimonies and the impact of sexual violence, and to provide feminist representation that moves beyond the parameters of legal expression. Adopting an interdisciplinary methodology, participants will examine case studies of asylum seekers’ testimonies as a means to reveal the issues of translation women meet when voicing their narratives. The project will shed light on specific issues women seeking asylum who have experienced sexual violence encounter when telling their stories. These findings will inform academics, policy makers, and writers who will address these issues in issues in scholarly and creative works.

For further information, see the project website here or email Georgina Colby.


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Cyclo-Photographers, Visual Modernity and the Development of Camera Technologies

We are delighted to announce the publication of a new essay by IMCC member, Sara Dominici, ‘”Cyclo-Photographers”, Visual Modernity and the Development of Camera Technologies, 1880s-1890s’, in the journal History of Photography (42.1). For a few lucky people, you can download a copy for free via the following link (the first 50 on a first come first served basis):

Sara demonstrates in the essay how the intertwined development of popular photography and cycling in Britain was felt so close that, in the 1880s, contemporary commentators could write of ‘cyclo-photographers’. The camera apparatus available at this time, bulky and fragile, was largely impractical to carry on a ride, and thus cyclo-photographers joined outdoor photographers in asking manufacturers for simpler and easier to operate cameras. However, a close reading of primary sources reveals that such demands were also the result of a new engagement with the possibility of seeing enabled by cycling itself. What was the cyclo-photographers’ experience of visual modernity? The article explores whether, and in what ways, the parallel emergence of a desire for compact cameras was linked to the new, and interconnected, ways of moving and seeing that the engagement with these two modern cultural technologies had made possible.

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Trans Representations on Latin American & Chinese Screens

Thursday 21st June 2018, 16.00 – 18.30
Room UG04, University of Westminster, 309 Regent Street, London W1B 2HW

Trans Representations on Latin American and Chinese Screens

Representations of trans characters have been at the centre of recent film and TV in two locations often perceived to be traditionally conservative: Latin America and China. This seminar brings together research from these geographies to create a dialogue around film and TV production, trans representation, the ethics of visual culture and the interplay between screen studies and local culture in this transnational context.

Speakers include:

Dr Gustavo Subero, ‘Carmín Tropical: Trans Identity and Mexican Neo-Noir Cinema’
Dr Hongwei Bao (University of Nottingham), ‘Shanghai is Burning: Extravaganza and the New Queer Chinese Cinema’
Dr Liz Harvey-Kattou (University of Westminster), ‘Breaking the Mould in Latin American Film: Trans Representation in A Fantastic Woman and Hold Me Like Before’
Dr Jamie Zhao (University of Warwick), ‘Queer, Yet Never Lesbian: Tomboyish Celebrities in the Chinese Singing Competition Show Super Girl

All welcome! Book a place here.


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Queering Academia: A Two Day Gathering on Queer Education and Scholarship, 21-22 June 2018

Thursday 21st – Friday 22nd June 2018
Marylebone Campus, University of Westminster, 35 Marylebone Road, London NW1 5LS

Queering Academia
A Two Day Gathering on Queer Education and Scholarship

Queering Academia examines the role of Queer education and scholarship against the backdrop of the changing landscape of Higher Education. This two-day gathering brings together students, academics, and activists to consider the significance of Queer lives (and lived experience) within both formal and informal institutions of learning, with papers, panels, performances, and presentations examining the significance of Queer ways of thinkingbeing, and acting in education and scholarship.

Programme Information:

Register online via Eventbrite:

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Bridging Borders, Creating Spaces, Thursday 28th June 2018

Thursday 28th June 2018, 9.30-18.00
Room UG05, University of Westminster, 309 Regent Street, London W1B 2HW

Bridging Borders, Creating Spaces: Negotiating Multicultural Identities and Belongings among Migrant Communities in Global London
A HOMELandS Workshop

Organised by our colleagues in the HOMELandS research group at Westminster, this workshop focuses in particular on the role of ‘language’ in bridging borders and creating spaces for migrants in global cities. Language is defined here in a broad and metaphorical sense, referring to all sorts of material and immaterial practices that serve the purpose of having a voice, hearing and being heard, and communicating. London as a global city has been a ‘contact zone’ of multiple flows of people, cultures and ideas from around the world, and a ‘migration lab’ for academic research. While there are numerous studies of individual migration groups in London and the UK, surprisingly, so far very few have looked into the nexus between mobility and globality from a comparative and transcultural perspective. This workshop is aimed at filling this gap. By bringing together innovative research on a wide range of London-based migration communities, it seeks to stimulate intellectual dialogues between often segregated studies of migrants and between higher educational institutes and migrant communities, and to break new ground for interdisciplinary research on migration and diaspora.

The workshop will followed at 6pm by ‘Object-Stories’ of British Chinese Women Online Exhibition Launch and Reception in the Cayley Room.

Please book a place via Eventbrite here

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Critical Pedagogies Group Annual Lecture May 24th 2018

Thursday 24th May, 18:00-21:00 pm
University of Westminster, Marylebone campus, 35 Marylebone Road, London, NW1 5LS [room tbc]

Institutionalised whiteness, racial microaggressions and Black bodies out of place in HE
Remi Joseph-Salisbury (Leeds Beckett University

On the morning of Friday 3rd February 2017, Femi Nylander – a Black Oxford alumnus – walked through the grounds of Oxford University’s Harris Manchester College. Later that morning a CCTV image of Femi was circulated to staff and students who were urged to ‘maintain vigilance’. ‘Post-racial’ ideology insists on framing such incidents as isolated aberrations bereft of wider structural and institutional context. This lecture centralises the voices of student campaigns as sites of legitimate experiential knowledge in order to offer a counter-narrative. In so doing, the talk draws upon the theoretical concepts of racial microaggressions and bodies out of place in order to argue that Femi’s experience cannot be understood in abstraction from structural white supremacy and the institutionalised whiteness that undergirds Higher Education.

Remi Joseph-Salisbury is a Senior Lecturer in Education Studies at Leeds Beckett University, with research primary research interests in race and (anti-)racism. He is a trustee of the Racial Justice Network, and a steering group member of the Northern Police Monitoring Project. He is co-editor of The Fire Now, a forthcoming collection exploring anti-racism in times of explicit racial violence.

Organised by our friends in the Critical Pedagogies Group. This event is free and open to the public. Booking via Eventbrite is essential. 

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Whose voice is it anyway?: Feminist Inclusivity in Practice and Theory, April 17

Tuesday April 17 2018, 6.30pm-10pm
Yurt Cafe, St, Katharine’s Precinct, 2 Butcher Row, London E14 8DS

Whose Voice is It Anyway?: Feminist Inclusivity in Practice and Theory

This event seeks to bring together writers and academics whose works engage with the intersectionality of feminist theory and practice. Organised by Isabelle Coy-Dibley and Genna Gardini, this event is part of the S A L O N – London project, a feminist environment championing solidarity and the creation of a platform that brings about change by finding new forms of feminist kinship, directed by Dr Georgina Colby and Professor Susan Rudy.

The evening focuses on the three key pillars of the project – Solidarity, Activism and Language. The event will feature an interdisciplinary panel of speakers, including Eleanor Perry, Isabel Waidner, Linda Stupart and Nala Xaba, and aims to question how inclusive feminism is, whether/how it should be inclusive, and how the works of these speakers’ challenge, transgress, problematise, experiment and interact with feminism. Through hearing perspectives and readings from our speakers, we will tackle questions such as: how does the experimental and innovative writing and readings of works engage with present forms of feminism; and how do these forms of writing challenge, resist, and actively reshape feminist practices? By viewing writing as a form of activism and a place to voice political, social and cultural issues and desires for transformation, we will investigate S A L O N’s assertion that “Experimental, multi-modal, transgender and multi-lingual languages are emerging as linguistic forms for inscribing voiceless narratives of those excluded and marginalised.”

Doors will open at 6:30pm, for a 7pm start. Wheelchair accessible.

Free, but please register here.

For more info visit

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Mathematics and Literary Production: Oulipian Method as Critique seminar, March 21st

Wednesday 21st March, 5.00 pm
Room 206, University of Westminster, 32-38 Wells Street, London W1T 3UW

Mathematics and Literary Production: Oulipian Method as Critique
Daniel Cartwright (University of Westminster)

The mid twentieth century saw the emergence in French mathematics of a particularly forbidding formalism, pursued under the name of Nicolas Bourbaki. Bourbaki aimed to derive all branches of mathematics from a single set of abstract axioms. A few years after their heyday, another group, the Oulipo, took this formalist mathematical approach and applied it to literature. The Oulipo’s defining method, the formal constraint, was thus conceived mathematically as an axiom of the text. This paper explores the significance of this introduction of mathematical form to writing and will argue that, in the internal failings of Bourbaki’s totalisation of mathematics, and the Oulipo’s parodic adoption of this scheme, there is an underlying critical reflection of the rationalistic conditions of modernity.

All welcome! Followed by usual drinks in the Green Man.

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