Posts from January 2013
1. 6th February 2013, 4pm – 5.15pm, Room 106, 32-38 Wells Street, W1T 3UW.
Professor Danny Nicol, School of Law, University of Westminster
‘Legitimacy and Globalised Law in Dr Who’ (Joint seminar, with English Literature and Culture)
All Welcome. RSVP Chris Daley.
2. 12th February, 2013, 4pm – 5.30pm, Room 2.05a, 4 Little Titchfield Street
Dave Griffiths, C.E.O King CNUT Clothing
‘I fought the (fashion) law: F.C.U.K vs C.N.U.T’
3. 26th February 2013, 10am-12.00pm, Room 2.04 Riding House Street. NB Enter through 4 Little Titchfield Street W1W 7UW.
Professor Christian Armbruester, Freie Universität Berlin
‘Celebrity Rights to their Own Image – a Civil Law Perspective’
All Welcome: RSVP Chris Ellins (C.J.Ellins@westminster.ac.uk)
4. 5th March 2013, 5pm – 6.30pm, Room 2.05a, 4 Little Titchfield Street, W1W 7UW
Daniel Geey, Solicitor Field Fisher Waterhouse, Editor ‘On the Ball’
‘Contemporary Issues in Sports Broadcasting’
Any queries or for more information on the Series please contact Guy Osborn (G.Osborn@westminster.ac.uk). If you are not a member of staff or student at the University you are welcome to attend but please contact Guy Osborn to confirm.
Queer London Conference
Department of English, Linguistics and Cultural Studies
University of Westminster
Saturday 23rd March 2013
Dr. Matt Cook (Birkbeck College, University of London)
REGISTRATION NOW OPEN
This one-day conference is dedicated to a consideration of London and its role in creating, housing, reflecting and facilitating queer life. It will bring together scholars from a variety of different disciplines and backgrounds to examine representations of queer London and how London itself represents queers.
That London is a focus and centre for queer life and culture can be seen on its stages; in its bar and club scenes; in its film festivals and its representations in film; in its performance art; in its political life; in its gyms; in its history; in its book groups and book shops; and in its representations in the contemporary queer fiction of writers like Alan Hollinghurst and Sarah Waters. That London is a hub and an axis goes without saying. What the ‘Queer London’ conference offers is an opportunity for further analysis and investigation of these representations/representational platforms and consideration of the socio-cultural role that London plays in queer life.
The conference focuses on the period 1885 to the present and includes papers on topics as diverse as 1920s lesbian London; modes of queer activism; the art and photography of Francis Bacon; London’s drag scenes; Alan Hollingshurst’s queer London; queer Soho; and London’s queer sex work.
The conference programme will shortly be posted here – http://queerlondonconf.wordpress.com/
The conference will be from 10.30am until 7pm and will be held in the University of Westminster’s building at 309 Regent Street.
The conference will be FREE to attend but places are limited. In order to reserve a place, please email email@example.com, including your name, contact details and affiliation.
If you have any questions, please get in touch with Dr. Simon Avery (firstname.lastname@example.org) and Dr. Katherine M. Graham (email@example.com).
Joint Brunel University and University of Westminster Conference for Research Students
University of Westminster, June 17 and 18, 2013
Doctoral students are invited to submit a proposal for the two-day interdisciplinary conference, Foreclosure, that aims to bring together law, art and politics. We understand foreclosure as the art of ordering and securing a common ground for the unfolding of a common experience; the exchange of affects and perspectives; and the performance of bodies and spaces. Art, Law and Politics habitually build walls around their concepts and practices. Foreclosure aims to encourage the exploration of practices and performances of law, art and politics through the prism of their shared operation; the investigation of the juncture between their disciplinary fences; and the unfolding of the fragility of their mechanisms. This conference invites you to take up this task, to think, write, speak, draw and perform ways to disclose the foreclosures; to propose artistic, political and legal modes able to unleash the potentialities often imprisoned within their [individual] apparatuses.
This call is for PhD students only and invites papers or performances from all areas in the Arts, Humanities and Social Sciences. Papers can be critical articles, fieldwork reports, creative readings or/and performance/presentation (including sound, film, installation, theatre, exhibition, etc) of no longer than 20 minutes in length. Please send a 200-word proposal including the title of your project along with a short biography to: firstname.lastname@example.org.
Deadline: February 28 2013
With regards from the student committee: Caterina Nirta, Danilo Mandic, Andrea Pavoni, Serena Volpi, Jessica Worden, Roswitha Gerlitz
Franko B, artist; Steve Beresford, Performer and Musician, University of Westminster; Mel Brimfield, artist; Gavin Butt, Goldsmith College; Jon Cairns, Central St Martins; Maria Chatzichristodoulou, curator and performer, University of Hull; Tania Chen, Musician; Rob la Frenais, Curator The Arts Catalyst; Richard Layzell, artist, Middlesex University; Stewart Lee, writer and performer; Kira O’Reilly, artist, University of Hull; Marquard Smith, University of Westminster; Margherita Sprio, University of Westminster; Gary Stevens, artist; Tracey Warr, writer and curator, Oxford Brookes University; Silvia Ziranek, artist.
Exhibiting Performance Conference, 1-3 March 2013
University of Westminster, 309 Regent Street, London, W1B 2UW
The Centre for Research and Education in Arts and Media (CREAM) is convening Exhibiting Performance, a three-day event considering contemporary issues central to the display of performanceart. Following on from the Exhibiting Photography (2011) and Exhibiting Video (2012) International Conferences, this event will bring together notable artists, curators and writers, and provide a forum for a number of inter-related questions: On what terms has the rise of Performance in contemporary arts taken place? How do our museums and galleries disseminate and exhibit Performance? How does the live act of Performance inform questions around the body and the audience? How is Performance documented, archived and transacted? How does technology contribute to the development of Performance?
The conference will be framed by the exhibition of work by artists and writers responding to a live performance by Philip Lee and Cally Trench, Do you remember it – or weren’t you there? at London Gallery West, and Indeterminacy, a John Cage performance by Stewart Lee, Tania Chen and Steve Beresford.
There will be four half-day themes:
Curating: With Tate Modern opening the Tanks for performance events and Marina Abramovic’s major exhibition at New York’s MoMA in 2010, is performance art now mainstream, and on what terms? How do museums and galleries understand performance art?
Dissemination and Documentation: How is performance documented ? If you missed the performance is that it? What value does an art work in a different medium which gives a memory of a performance have?
The Body and Audiences: What is the role of the body in performance today ? Why do so many performance artists perform naked ? Is the naked body a sign of authenticity or does the taboo distract from meaning ? How is the relationship between artist and audience different from or similar to other areas of art?
Performance and Technology: How does technology mediate performance ? What are the ontologies of networked, mediated and recorded performance practices ? How is videoperformance ‘live’? How do different technologies of camera (webcam, surveillance, etc) and screens (CRT, flat, projection, mobile phone, computer, etc) change our concept of performance?
Please send a 200-word abstract by 11 February, 2013. Successful applicants will be notified by 15 February, 2013. They must include the presenter’s name, affiliation, email and postal address, together with the paper’s title. Please send abstracts to Amanda Wheeler A.Wheeler@westminster.ac.uk
PROGRAMME AND REGISTRATION
This conference will take place from 4.00pm on Friday 1 March to Sunday 3 March 2013. The fee for registration will be:
Full conference: Standard rate £85. One day rate £50
Full conference: Student rate £40. One day rate £30.
Performance only: £10
This covers all conference documentation, refreshments, receptions and administration costs. Registration will open at the begining of February 2013.
Do you remember it – or weren’t you there?
Philip Lee and Cally Trench
31 January 2013 – 3 March 2013
London Gallery West, School of Media, Art and Design
University of Westminster, Watford Road, Harrow
Middlesex HA1 3TP
Indeterminacy, a John Cage performance
Sunday 3 March 2013, 6.30pm
Stewart Lee, Tania Chen and Steve Beresford
University of Westminster
309 Regent Street
London W1R 8AL
Here is the list of the next series of English Literature and Culture research seminars taking place this semester. All welcome.
Seminars are fortnightly on Wednesday afternoons, from 4pm to around 5.30pm, and will be held in room 106 in the University’s Wells Street building.
Wednesday 6th February, 4.00pm – 5.15pm (Joint seminar with Westminster School of Law)
Danny Nicol (Westminster School of Law)
‘Legitimacy and Globalised Law in Doctor Who’
Wednesday 20th February, 4.00pm – 5.15pm
Fran Bigman (University of Cambridge)
‘A Bit of Himself: British Male-authored Abortion Narratives from Waste (1907) to Alfie (1966)’
Wednesday 6th March, 4.00pm – 5.15pm
Allan Stoekl (Penn State University / IMCC)
‘Le Corbusier and the Challenge of a Pascalian Technocracy’
Wednesday 20th March, 4.00pm – 5.15pm
Matthew Charles (University of Westminster)
‘Brecht as Educator’
Our friends in the Art, Globalization, and Interculturality research group in the Department of Art History, University of Barcelona, are pleased to announce a ‘call for papers’ for their upcoming international conference entitled ‘Critical Cartography of Art and Visuality in the Global Age’. Please see further details below.
1st INTERNATIONAL CONFERENCE
Critical Cartography of Art and Visuality in the Global Age.
April 26-27, 2013, Barcelona, SPAIN
AULA MAGNA. Department of Art History, University of Barcelona (UB)
AUDITORIUM. Museum of Contemporary Art (MACBA)
The First International Conference Critical Cartography of Art and Visuality in the Global Age aims to engage with the complexities of the new status of art and visuality in contemporary art practice in the context of “globalization”. Focusing on the paradigms of identity, alterity, memory, locality and interculturality, as well as on new ways of understanding the political, ecological, technological, economical and scientific dimensions of the current age, the conference seeks to locate the topos from which each of these paradigms forges links between theoretical concepts and innovative work methodologies.
Scholars, artists, and research students working in the field of global art are invited to submit proposals for one of the following panel themes:
1. Media Art Documentation. New Tools for the Humanities.
Convenor: Carles Guerra, Keynote: Oliver Grau
2. The Utopian Globalists
Convenor: Anna Maria Guasch, Keynote: Jonathan Harris
3. Labor, Woman and Politics
Convenor: Juan Vicente Aliaga, Keynote: Angela Dimitrakaki
4. Art and the Post-Natural Condition
Convenor: Joaquín Barriendos Rodríguez, Keynote: T.J. Demos
Each panel will be comprised of four speakers, each allocated 20 minutes for their presentation, with the convenor encouraging debate among the presenters.
All abstract submissions (even if not selected for a panel presentation) will be considered for the publication Critical Cartography of Art and Visuality in the Global Age. New Methodologies, Concepts, and Analytic Scopes, an edited collection resulting from the conference to be published by the University of Barcelona.
A completed application form including a 300 word abstract and a brief CV should be submitted to Nasheli Jiménez del Val at email@example.com by February 18, 2013. Authors will be notified of acceptance for the panel, the publication, or both, by March 8, 2013.
30 January 2013 in room MG14 Marylebone Campus, Marylebone Road
Our friends in Westminster’s School of Architecture and the Built Environment are hosting an event next week entitled ‘What is the role of culture in the regeneration of the areas around the Olympic Park?’ The event draws together practitioners and academics from a variety of professional backgrounds who will share their experiences and perspectives of cultural projects in the areas around the Olympic Park.
6.10 Introduction – Chair: Marion Roberts – Professor of Urban Design – University of Westminster
6.20 Dr Nancy Stevenson – Programme Leader: Tourism and Events – The Cultural Olympiad and cultural legacy
6.35 Ceryl Evans – Head of Museums and Culture, London Borough of Hackney – Mapping the Change
6.50 Dr Isaac Marrero Guillamón – Post Doctoral Researcher, Birkbeck – Critical art and the Olympic State of Exception
7.05 Adriana Marques – Principal Advisor for Arts and Culture, London Legacy Development Corporation – Culture at the heart of the Olympic Legacy
7.20 Liza Fior – Partner, Muf Architecture/Art – Future project and proposals
7.35 Questions and Discussion
Contact Details: For further details and to book please follow this link
We are delighted to announce the publication of The Art of Nick Cave: New Critical Essays, edited by our colleague John Baker and published by Intellect Books.
Known for his work as a performer and songwriter with the Birthday Party, the Bad Seeds, and Grinderman, Australian artist Nick Cave has also pursued a variety of other projects, including writing and acting. This collection of critical essays provides a comprehensive overview of his multifaceted career. The contributors, who hail from an array of disciplines, consider Cave’s work from many different angles, drawing on historical, psychological, pedagogical, and generic perspectives. Illuminating the remarkable scope of Cave’s achievement, they explore his career as a composer of film scores, a scriptwriter, and a performer, most strikingly in Ghosts of the Civil Dead; his work in theatre; and his literary output, which includes the novels And the Ass Saw the Angel and The Death of Bunny Munro, as well as two collections of prose. Together, the resulting essays provide a lucid overview of Nick Cave’s work that will orient students and fans while offering fresh insights sure to deepen even expert perspectives.
You can order the book here: http://www.intellectbooks.co.uk/books/view-Book,id=4900/
A new piece by Chris Daley in the excellent online journal Alluvium about railway fiction. Here’s the first couple of paragraphs:
Railways are news. On the one hand, they are the source of consternation as above inflation fare rises couple with the perceived drudgery of commuting to characterise the railways as a site of soaring ticket prices and overcrowded, invariably late trains. But this sentiment lives alongside whimsy and romanticism, be it through preservation lines or the restoration of ageing steam engines. This paradoxical image of the railway system is, however, nothing new within the British popular imagination and as Ian Carter (2000) points out, this may have something to do with the railways’ historical link to contested areas of modern everyday life: “So much that we take for granted today was invented or perfected in the nineteenth century to facilitate railways’ development, or to limit their potential for political, fiscal or physical mayhem: standardised time, a disciplined and uniform labour force, large-scale bureaucratic organisation, joint-stock industrial corporations, close State regulation of private capitalists’ activities.”
Similarly, British fiction has maintained an ambivalent relationship with railways. Confronted with a new revolutionary transport system, Victorian novelists offered the most sustained exploration of the potentialities of trains, yet by being, as Nicholas Daly (1999) puts it, ‘the agent and icon of the acceleration of the pace of everyday life’ (463) in the mid-nineteenth century, the railways were also a source for the countless anxieties of industrialisation. Contemporary fiction, in Britain at least, is curiously quiet on the railways, with their appearance often limited to neo-Victorian narratives that attempt to reignite the energy of the steam age. However, to mark the 150 year anniversary of the London Underground, Penguin will release, in March, a series of railway writings that could, perhaps, ignite an imaginative investigation of a transport system that is often seen as mundane, yet is simultaneously a potent symbol of transformation. It is therefore apt to briefly map the terrain of railways in fiction and popular culture in order to anticipate where any future speculation may venture.
Read further at: http://www.alluvium-journal.org/2013/01/12/railways-and-fiction/
Eyal Weizman, The Roundabout Revolution
January 29th 2013, 7pm
Department of Architecture, University of Westminster, 35 Marylebone Road, London NW1 5LS
Eyal Weizman, architect, curator and author of The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza will speak at the first of a 6 part lecture series: ‘Critical Humanitarianism’. Eyal Weizman is Professor of Visual Cultures and director of the Centre for Research Architecture at Goldsmiths, University of London. Since 2011 he also directs the European Research Council funded project, Forensic Architecture, on the place of architecture in international humanitarian law. He is a founding member of the architectural collective DAAR in Beit Sahour/Palestine.
Religious tension, diminishing resources, city dwelling and environmental catastrophes continue to create vulnerable regions throughout the world. The necessity for architects to address humanitarian and environmental issues in their practice is increasing. Do architects have the means to address these issues through their work? Or are we powerless to act? Through a series of 6 talks addressing ‘Critical Humanitarianism’ by Architects volunteering for Charities or working with NGOs in the Development Sector we aim to raise some of the difficult ethical and political questions about Humanitarian work and it’s relation to power.
Reading Group at Carroll / Fletcher Gallery
Chapter 2 | Theory from the South
February 13th 2013,7.30pm
Carroll / Fletcher, 56-57 Eastcastle Street, London W1W 8EQ
Chapter 2 continues Carroll / Fletcher’s series of participatory discussions that use relevant, accessible texts to consider pertinent issues of our times. In this session, the starting point will be the first chapter of Theory From The South. Or, How Euro-America Is Evolving Toward Africa by Jean Comaroff and John L. Comaroff, with particular attention on pages one through nineteen. With this text, the Camaroff’s attempt to recontextualize global relations, and challenge our perceptions about ‘developed’ and ‘developing’ nations.
The discussion will be initiated by Lara Pawson and David Dibosa. Lara Pawson is a writer and journalist who has just completed her first book, a work of literary non-fiction about Angola’s recent history. She has held writing fellowships at the University of the Witwatersrand in Johannesburg and Wolfson College, Cambridge, and worked for the BBC World Service in London and as a correspondent in Mali, Ivory Coast and Angola. Dr. David Dibosa is co-author of Post-Critical Museology: Theory and Practice in the Art Museum (Routledge, 2012). He is Joint Course Director for MA Art Theory and MA Curating at Chelsea College of Art and Design. The conversation will be open to the audience and their contributions welcome.
Download Theory from the South here
Further suggested reading includes, the text in its entirety (pages one through forty-nine); Ato Quayson’s ‘Coevalness, Recursivity and the Feet of Lionel Messi’ (found here); and Achille Mbembe’s ‘Theory from the Antipodes. Notes on Jeans & John Comaroff’s Theory from the South‘ (found here).
Booking essential as places are limited: carrollfletcher.eventbrite.co.uk
Refreshments will be provided
The IMCC is delighted to welcome Martin Willis who is joining us this month as Professor in Science, Literature and Communication based within the Department of English, Linguistics and Cultural Studies at Westminster. Martin’s main research interests lie in the intersections between Victorian literature and science, in particular the literary imagination’s response to marginal sciences such as mesmerism and spiritualism, and by literature’s interrogation of scientific sites and conflicts, from the laboratory and seance room to debates in disease theory and vivisection controversies. He is also Editor of of the Journal of Literature and Science, a peer-reviewed journal dedicated to scholarship exploring the cross-fertilisation between literature and science across all literary periods.
Martin’s most recent book, Vision, Science and Literature, 1870-1920: Ocular Horizons, was published by Pickering and Chatto in 2011 and was winner of both the 2011 British Society for Literature and Science Book Prize and 2012 European Society for the Study of English Cultural Studies Book Prize. Drawing on science, technology, and literature, the book aims to analyse the interaction between science, sight and the literary imagination in order to understand better how vision was continually transformed as its boundaries were breached by scientific and technological innovation.
We’re delighted to announce the publication of Leigh Wilson’s new book Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (Edinburgh University Press), which we will be launching at the Green Man pub in Riding House Street on Thursday 10th January.
The book presents a new account of the relation between modernism and occult discourses. While modernism’s engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As she demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. Modernism and Magic explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.
A quick plug for Stir Magazine, edited by former Westminster student Jonny Gordon-Farleigh. Having published over the last couple of years online, Stir is launching into print as a quarterly in April. The issues will feature co-operatives, community-led politics and lots of other bottom-up alternatives. The first issue will be specially themed on the commons and will be co-edited by David Bollier (editor of The Wealth of the Commons: A World Beyond Market and State).
Annual subscription will be £14 for four issues including P&P. In the meantime, you can read the online publication at: http://stirtoaction.com/
Room MG14, University of Westminster, 35 Marylebone Road, NW1
Thursday 24th January, 6.30-8.30
Speakers: David Garcia, Jack Self, Matthew Butcher, Mark Prizeman
Staff and students at University of Westminster are collaborating with Hanmi Gallery, Fitzrovia, on a forthcoming exhibition entitled ‘The Global Archive’. Please do come along for the Private View.
‘The Global Archive’
24th Thursday January – 9th Saturday February 2013, 12-6 pm (Monday closed)
Private View : 23rd Wednesday January, 6 – 9 pm
Artists: Tom Corby, Shezad Dawood, Young-In Hong, susan pui san lok
Curated by: Marquard Smith with Emma Brasó and Nina Trivedi
In collaboration with: Institute for Modern and Contemporary Culture, University of Westminster, and the International Association for Visual Culture
Tom Corby is an artist and writer interested in issues of climate, technology and systems. His interdisciplinary works have been presented at the Institute of Contemporary Arts and the Victoria and Albert Museum, as well as internationally at the Japan Media Art Festival or the Zentrum für Kunst und Medientechnologie (ZKM) in Karlsruhe. He lives and works in London.
One of the winners of the 2011 Abraaj Capital Art Prize, Shazed Dawood’s work has been exhibited internationally, including presentations at Tate Britain, the 53rd Venice Biennale, and the Busan Biennale, 2010. Recent projects include a solo touring exhibition that opened at Modern Art Oxford in April 2012, and the installation of his New Dream Machine Project II at Parasol Unit. In 2012, he was nominated for the Jarman Award. He lives and works in London.
Young-In Hong completed her PhD at Goldsmiths in 2011. She has developed a number of site-specific projects including Double Encounter at i-myu Projects, London and The Performing City in Aicho, Japan. Recent group exhibitions include the Museum of Art and Design, New York, Rokeby Gallery, London, and A Foundation Liverpool. She lives and works between London and Seoul.
susan pui san lok is an artist and writer based in London. Her multidisciplinary works evolve out of interests in notions of nostalgia and aspiration, place and migration, translation and diaspora. Recent solo projects include Lightness (2012) and Faster, Higher (2008), both in collaboration with Film & Video Umbrella, DIY Ballroom/Live (2007) and Golden (2005-7), an exhibition/residency at Beaconsfield, London, and Chinese Arts Centre, Manchester.
Marquard Smith curates, writes, programmes, commissions, and edits. He is Director of the Institute for Modern and Contemporary Culture at University of Westminster, and Editor-in-Chief of Journal of Visual Culture.
Emma Brasó was curatorial fellow at CCA Glasgow in 2012. She is a curator and art historian conducting a PhD on pseudonymity at University of Westminster.
Nina Trivedi is currently a doctoral researcher at University of Westminster. She has a MFA in Curating from Goldsmiths College and has had recent curatorial projects in London and Berlin.
The Institute for Modern and Contemporary Culture
University of Westminster Department of English, Linguistics and Cultural Studies
32-38 Wells Street, London W1T 3UW. United Kingdom.