Wednesday 20th January 2016, 6.30-8.00 pm
Room UG04, University of Westminster, 309 Regent Street, London

Diana Yeh (City University, London)
From Peter Pan to Lady Precious Stream

An illustrated talk by Diana Yeh on a famous Chinese artistic couple who hit the London theatre stage in the 1930s with the play, Lady Precious Stream. A short film of this play will be shown. Organised by our colleagues in Modern Languages and Culture, in collaboration with the Meridian Society and the Department of English, Linguistics and Cultural Studies at Westminster.

Shi-I Hsiung translated several English novels and plays into Chinese, including Bernard Shaw’s Man and Superman and James Barrie’s Peter Pan. When he came to London, he adapted the Chinese Beijing opera Wang Baochuan into Lady Precious Stream, a modern Chinese drama in English which hit the London stage – the Little Theatre in the Adelphi – in November 1934. It was so successful and popular that it went on to be performed in other theatres nationwide and in other countries, including the USA, starting in Broadway, New York. Royalty and celebrities went to see the productions and the Hsiungs were feted as celebrities too. Diana Yeh tells the story of the Hsiungs and analyses their role as representatives of the new, modern Chinese cultural élite who brought Chinese culture to the West and introduced English culture to China during this period. She analyses their contribution and reception within the context of the contemporary images of China and the Chinese (‘John Chinaman’ and ‘Fu Manchu’) and the changing political and social circumstances leading up to World War II.

The event is free and open to the public. Non-University of Westminster attendees please register with Cangbai Wang by emailing c.wang6@westminster.ac.uk

For any Swiss readers: Peter Cornwell, Director of the Data Futures project based in the IMCC, is giving a lecture this evening (Friday 11^th December) with Duncan Forbes, Director and Curator of Fotomuseum Winthertur, on “Exhibiting the Medium Formally Known as Photography”.

The talk is at ZHdK (the Zurich University of the Arts) at 6.00 pm in room 6.K04.

The last decade has witnessed dramatic changes in the exhibition of photography in response to the rise of so-called post-photography and the distributed or transitive nature of photographic media. The idea of photography as one medium is increasingly impossible to sustain, as images flood across different platforms, combining still and moving forms, and offering new modes of reception and creative interaction. Nowadays the photograph is as much data as it is aesthetic or narrative, forging a new paradigm of algorithmic vision. What does it mean for photography and its audiences when the ‘traffic in photographs’ is transformed by global networks and the management of big data?

Taking Fotomuseum Winterthur as a case study, this lecture explores what these changes mean for curatorial practice and the institution of the photography museum. What would a post-photographic exhibition programme look like and what are the challenges of installation and interpretation? How should a photography museum position itself today, in relation to both physical and virtual audiences? What does it mean for the infrastructure of the museum as online platforms and retina displays proliferate and preservation-quality digitization becomes the norm? Is the institutional production of algorithmic vision sustainable and what are the creative possibilities? And what does a culture of ubiquitous, and sometimes disorienting, change mean for the staging of the history of photography?

In Process Private view

Thursday 10 December, 6.00 pm
Gallery West – Project Space, University of Westminster, Harrow Campus

In Process (2015) is the inaugural exhibition from the Centre for Research and Education in Art and Media (CREAM) doctoral caucus based at the University of Westminster, including work by our own Steve Smith. The exhibition is a showcase of the various vibrant strands of interdisciplinary research being undertaken at the university. The focus is on modes in which CREAM students further practice-based modes of inquiry as means of art-making and producing contributions to knowledge and contributions to experience. Students undertaking principally theoretical research will also present elements of their research using practical modes. The exhibition will present work from ten doctoral students in the Project Space of Gallery West, and will be paralleled by a programme of film showings and performances.

Estéfani Bouza, Cinzia Cremona, Sue Goldschmidt, Alexandra Jönsson, Mirko Nikolić, Fathima Nizaruddin, Alexa Raisbeck, Bhavna Rajpal, Arne Sjögren, Steve Smith.

University of Westminster, Watford Road, Harrow, Middlesex HA1 3TP
Nearest Tube station: Northwick Park (Metropolitan line)

10 December 2015 – 8 January 2016
Opening times: 10am – 10 pm daily

Further details: www.westminster.ac.uk/inprocess

Wednesday 9 December, 5pm
Room 105, University of Westminster, 32-38 Wells Street, London W1T 3UW

‘Take this Instant’: Sacrifice, Testimony and the Gift of My Death
Shela Sheikh (Goldsmiths), with a response by Elinor Taylor

In Aporias: Dying—Awaiting (One Another at) the “Limits of Truth”, Jacques Derrida poses the question: ‘My death—is it possible?’ How is this question to be understood, and who can pose it? And if my death is properly mine, how am I to account for—in fact, to give an account of—this? This paper responds to these questions by turning to accounts of both being-towards and surviving death in Maurice Blanchot’s fictional/autobiographical récit, ‘The Instant of my Death’, but also the phenomenon of pre-recorded video-testimonies in which the subject announces his/her own death, and does so from a temporality that is at once past, present and futural. Through a reading of technically-mediated performances of accounting for and bearing witness to one’s ‘own’ death—and with this a consideration of the logic of sacrifice, radical passivity, the gift of death, and the contemporary conjunction between religion, geopolitical conflict and media—Sheikh proposes that such accounts bears witness to what Derrida identifies as the anachronistic ‘history of death’ in the Christian West, before supplementing this focus on the West with further consideration of what Nelson Maldonado-Torres names ‘the coloniality of being’.

All welcome and entrance free. Non-Westminster guests can sign in at reception.
Followed by drinks in the Green Man…

11 December 2015, 9.00am-5.00pm
Natural History Museum, London

Culture, Memory & Extinction

Recent months have seen an explosion of public, media and academic interest in the idea, threat and reality of extinction. This acknowledgement has contributed to debates over climate change and other, related, ways that humanity has altered environments and ecosystems in this epoch we have begun to call the Anthropocene. This one-day conference asks what role can culture play in widening the understanding, representation and, indeed, remembrance of this unfolding and catastrophic species loss. With this in mind, the event aims to foster dialogue between academics, journalists, museum curators, charities, writers, environmental groups, and the media to explore how societies engage with the complexities of the processes of extinction and remember the extinct. More specifically, the event examines how increased dialogue between these communities and constituencies contributes to the public re-evaluation and remembrance of life on our planet.

Speakers:

Dan Barnard & Rachel Briscoe. Lead Artists, fanSHEN Environmental Theatre Collective.
Fae Brauer. Professor of Art and Visual Culture, University of East London.
Sbastian Brooke. Director, MEMO (Mass Extinction Monitoring Observatory).
Melanie Challenger. Author, On Extinction.
Cathy Dean. Director, Save the Rhino.
Sebastian Groes. English and Creative Writing, Roehampton University.
Steve Parker. Author, Extinction: Not the End of the World?.
Jules Pretty. Professor of Environment and Society, University of Essex.
Bernd Scherer. Director, Haus der Kulturen der Welt, Berlin.
Matt Williams. Associate Director, A Focus on Nature.
Matthew Wills. Biodiversity Lab, University of Bath.

Free tickets: register at https://www.eventbrite.co.uk/e/culture-memory-and-extinction-tickets-19379987063
Website: https://naturalhistoryofmemory.wordpress.com/london-2015/
Email: memoryandextinction@gmail.com

Organised by The Natural History of Memory: Dr Lucy Bond (Westminster), Dr Rick Crownshaw (Goldsmiths), Dr Jessica Rapson (King’s College London); Research assistant: Ifor Duncan (Goldsmiths).

Wednesday 25th November 2015, 5.00pm
Room 105, University of Westminster, 32-38 Wells Street, London W1T 3UW

Inventing Maps: Towards a Geography of the Avant-Garde
Andreas Kramer (Goldsmiths), with a response by John Beck (IMCC)

This talk will explore how European avant-garde movements of the early twentieth century turned to geography to assert, validate and contest their artistic and political aims. The Italian Futurists famously claimed, in their founding manifesto of 1909, that ‘Time and space died yesterday’. Their claim signals the avant-garde’s desire to break with scientific conceptions of time and space; yet the issue of geographic location would persistently haunt the avant-garde’s emergence in various European cities and nations, just as the international dissemination of the avant-garde was framed by powerful, and sometimes strikingly original, geographical imaginations. Drawing on a range of examples from futurism, Dada and surrealism, this paper explores the visual and textual rhetoric of the map and mapping.

All welcome and entrance free. Non-Westminster guests can sign in at reception.
Followed by drinks in the Green Man…

Wednesday 25 November, from 11.00 am
Furtherfield Commons, Finsbury Park, London

The Shopping Cyborg: A Flash Mob Ethnography

Join anthropologist and Westminster MA Museums, Galleries and Contemporary Culture student Chiara Garbellotto for a group exploration into how our relationships with technology in retail and exchange spaces make us into cyborgs. Working with tools from anthropology, especially Laura Forlano’s flash mob ethnography, we will observe and discuss the embodied experience of the shopper. We will share our ideas on how our bodies interact with technology and what kind of data we produce and mediate. Places limited to 12 people.

Arrive from 10:30am for a 11:00 start. Coffee and cake provided. Dress for the weather and please bring with you a printed image (photograph/clipping/drawing) of a shopper. It can represent any kind of exchange process and environment. Please also bring a means to take photographs and download the images (laptops are not needed).

Book here.

In association with the Museum of Contemporary Commodities: www.moccguide.net

Thursday 19th November, 4.30-5.30pm
Room 211, University of Westminster, Little Titchfield Street, London

Queer London
Simon Avery and Katherine Graham, with Francis Ray White

The fifth in the Autumn series of Social Sciences and Humanities research seminars will be presented by our own Simon Avery and Kate Graham, from English, with a response by Francis Ray White in History, Sociology and Criminology. All welcome.

Simon and Kate are co-directors of the Queer London Research Forum (QLRF), based at the University of Westminster, which was established in September 2013. Its aim is to facilitate interdisciplinary discussion on various aspects of queer London, c. 1850-present. By bringing together academics, practitioners, students and those with an interest in queer issues more generally, the hope is to to encourage dialogue and debate about the range of London’s queer lives and experiences.

Please note earlier 4.30 start time for this week only.

For further information please contact: andreaspm@westminster.ac.uk.

Wednesday 11th November, 5.00-8.00pm
Architecture Studios, University of Westminster, Marylebone Road, London

What is at Play in Environmental Design?

What kinds of research are required to understand the forms of the human-environmental relation today? Part of Westminster’s Architecture Play Week, this symposium brings together a number of speakers giving short presentations on the kinds of environmental practitioners we might need in the future.

Speakers include: Claudia Dutson, Jon Goodbun, Susannah Hagen, Karin Jaschke, Torange Khonsari, Shaun Murray, Mirko Nicolic, Isis Nunez-Ferrera, Peg Rawes, Andreas Rumpfhuber, Douglas Spencer, and Victoria Watson.

For further details, contact Jon Goodbun at: jcgoodbun@mac.com

Thursday 12th November, 5.00-6.30pm
Room 211, University of Westminster, Little Titchfield Street, London

Entanglements + Folds of Pleasure
Victoria Brooks and Adam Eldridge

The fourth in the Autumn series of Social Sciences and Humanities research seminars will be presented by Victoria Brooks from Westminster’s Law School, with a response by Adam Eldridge in History, Sociology and Criminology. All welcome.

For further information please contact: andreaspm@westminster.ac.uk.

Thursday 5th November, 5.00-6.30 pm
Room 2.11, University of Westminster, Little Titchfield Street, London

“Beyond the Gaze: New Architecture of Security”
Elisabetta Brighi (Politics and International Relations)
with response by David Cunningham (IMCC)

For the latest in Westminster’s series of Social Science and Humanities research seminars, Elisabetta Brighi will be presenting a paper on the new American Embassy in London and architectures of security with a response from David Cunningham. All welcome.

Wednesday 4th November 2015, 5pm
Westminster Forum, 32-38 Wells Street, London W1T 3UW.

Professor Andrew Benjamin (Kingston) will be with us at the Institute to discuss his new book Art’s Philosophical Work. The book offers an argument for how art ‘works’, using examples from Nicholas Poussin, Albrecht Dürer, Georg Baselitz, El Lissitsky and Karel Appel. Andrew’s talk will be followed by responses from Kaja Marczewska on ‘iteration’, David Cunningham on ‘relationality’ and Matthew Charles on ‘colour’.

The event is free and open to the public (guests will need to sign-in at reception).
Followed by drinks in The Green Man, Riding House Street.

Andrew Benjamin is a Distinguished Professor of Philosophy and the Humanities at Kingston University, UK, and Professor of Philosophy and Jewish Thought at Monash University, Australia. His many publications include Working with Walter Benjamin (2012), Of Jews and Animals (2010), Place, Commonality and Judgment (2010) and Style and Time: Essays on the Politics of Appearance (2006).

A note that the University of Westminster’s SSH Faculty Seminars for this year begin on Thursday 22^nd October, 5.00-6:30pm. These will be held every Thursday in room 2.11 in the University’s Little Titchfield Street building.

The first seminar will be led by Lea Sitkin and Dorrie Chetty from the Department of History, Sociology and Criminology, who will be giving a paper on “Tottenham: The People’s Perspective”, with a response by Nitasha Kaul from the Department of Politics and International Relation. Wine and soft drinks will be provided…

Future seminars include Elisabetta Brighi on New Architectures of Security, with a response from the IMCC’s David Cunningham (November 5th); Victoria Brooks from Westminster’s Law School on ‘Entanglements and Folds of Pleasure’ (November 12th), with a response by Adam Eldridge; Simon Avery and Kate Graham on Queer London (November 19th); Derek Hird on Chinese Men in London, with a response from our own Anne Witchard (December 10th); and, rounding things up, our old friends Ben Pitcher (Sociology) and Andreas Philippopolous-Mihalopolous (December 17th).

October 27th 2015, 6pm
University of Westminster, Little Titchfield Street, London W1W 7BY

The Artist Contract in the Digital World

Chris Ancliff is the General Counsel (International) at the Warner Music Group and was previously General Counsel at EMI Group plc. Paul is the first full time CEO of the Featured Artists Coalition. Nick Mason is a renowned composer, musician and producer, who in some ways will be ‘coming home’ for the event – along with fellow architecture student Roger Waters, he held rehearsals for their band Sigma 6 in the student common room in what is now the Law School building. As part of Pink Floyd he later returned to play in the building’s grand art deco Portland Hall, where this event takes place. It is now almost 50 years since Pink Floyd signed their first contract with EMI, and the evolution of this relationship will be discussed, along with consideration of various current issues.

Attendance is free, please register online.

A final reminder that this year’s series of English Literature and Cultural Studies research seminars will kick off at 5pm on Wednesday 14th October with Victoria Browne from Oxford Brooks speaking on ‘Generational Politics in Feminist History’. Sanna Melin Schyllert, a doctoral researcher at Westminster, working on feminism and modernism, will respond to Victoria’s talk.

“Sisterhood” is the familial metaphor most often associated with feminism; yet in fact, metaphors of “feminist foremothers”, “mothers” and “daughters” are employed just as frequently to convey relationships between feminists of different ages and eras. This kind of generational symbolism has been subject to serious criticism in feminist theory in recent years – for giving rise to “Oedipal” anxieties, and portraying the history of feminist theory and activism in terms of a struggle between “overbearing mothers” and “undutiful daughters”. This talk will examine critiques of the generational model of feminism, thinking through various significations of the generational metaphor, and its relation not only to feminist history but historical time more generally.

This first seminar will be followed by a drinks reception to celebrate the start of the new series and to welcome the new members of our research community. The seminar will take place in Room 105, University of Westminster, 32-38 Wells Street, London W1T 3UW (nearest tube stations: Oxford Circus, Tottenham Court Road, Goodge Street).

Directions here: http://www.westminster.ac.uk/about-us/visit-us/directions/wells-street

A plug for an event organised by our colleagues in HOMELandS, the Hub for Migration, Exiles, Languages and Spaces, based at the University of Westminster.

Wednesday 28^th October 2015, 4-6 pm
Westminster Forum, University of Westminster, Wells Street London W1T 3UW

“Diaspora in the Field of Vision”
Margherita Sprio, Centre for Research and Education in Arts and Media

Contemporary art practices that have emerged out of the existing art school structure in Britain have enabled a multitude of emerging practices to be given the current status that they hold in debates about visual culture. Diasporic artists since post war education expansion in Britain have become visible in small but significant numbers – in part supported by those sympathetic to the politics of educational equality. But also, supported by those for whom education and Diasporic experience were the life line that enabled both the art practices that now constitute contemporary art and also the critical debates that are now common place within contemporary art education. This paper will address some of the key issues that have been made apparent in the work of some contemporary Diasporic artists who live, work and have studied/study in London in relation to ideas of displacement migration, power and ethics.

Dr Margherita Sprio is a Senior Lecturer in Film History and Theory at University of Westminster and works on film practice and theory as well as the relationship of film theory to photography, contemporary art and philosophy. She is the author of Migrant Memories: Cinema and the Italian Post War Diaspora in Britain (Peter Lang, 2013).

The event is free and open to the public. Non-University of Westminster attendees please register with Cangbai Wang atc.wang6@westminster.ac.uk

Following on nicely from the IMCC’s event on Marx-Form-Isms held at Westminster in June this year, our colleague Charles Denroche is speaking at an Institute for English Studies colloquium entitled Form and Poetry: An Exploration of Russian Formalism – ostranenie, city poetics, metaphor, metonymy – at Senate House on October 23^rd, 10.00-5.30. Further details here.

The Centre for Law Society and Popular Culture, in conjunction with the Department of English, Linguistics and Cultural Studies is delighted to announce an international poetry event to be held at the University of Westminster on 13^th October.

Hosted by the University of Westminster’s spoken word Artist in Residence, Mike Garry, “The Shaken and the Stirred”, a group comprising four renowned Canadian poets and novelists, will present their work in a public reading. The group, sponsored by the Centre for Creative Learning in Canada, includes prize winning authors Jeanette Lynes, Steven Heighton, Ian Burgham and Catherine Graham reading from their recently released and upcoming collections. For more on Mike Garry, including news of his recent Saint Anthony project, see here

These writers, all of whom have been recognized internationally, not only represent some of the best work being produced in Canada, but demonstrate a wide range of the types of poetry and themes that currently can be found in the Canadian literary landscape.  

Free tickets available at this link.

Monday 8 June, 9.00 – 19.00
The Pavilion, University of Westminster, New Cavendish Street, London

TRACES
3rd Joint Researching the Arts, Social Sciences & Humanities Conference

A Postgraduate conference, co-organised by Brunel University London and the University of Westminster

9:15 – 10:30  Ineffable Representations and Potentiality of Voice
Jaice Sara Titus, Sebastian Jenner, Jessica Worden

10:45 – 12:00  Unraveling Traces of Power and Conflict
Miriam Tedeschi, Simon Mcleod, Alejandra Perez

12:00 – 13:30  Vestiges and Reinterpretations of Marginalization
Lewis Church, Haein Song, Uyoyo Onemu, Gift Nyoni

13:30 – 14:30  Lunch

14:30 – 15:45  Retracing Accounts for Womanhood
Pernille Rubner-Peterson, Sarah Ann Milne, Suneel Mehmi

15:45 – 16:45  Tracing Aesthetics and Ethics
Marijana Nedeljkovic, Alice Tuppen

17:00 – 18:00  Keynote: Dr David Cunningham
“Traces of Capital, or, Are Some Things Unrepresentable?”

18:00 – 19:00  Prize Giving and Reception

Full programme here: Traces_Programme_1.

Thursday 4 – Friday 5 June
University of Westminster and Senate House, London

Marx, Form, Isms
A Re-Enactment of the 1920s Debates

Presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster)

‘Marx, Form, Isms’ continues the work of the Retro-Formalism working group on literary theory, with a specific focus on political debates. Rather than reconstructing the historical debate of the 1920s between Marxist and Formalist thinkers on how political action and experimental literature might be intermingled, the event would like to open up the text archive of formalist and Marxist thought for today and future purposes in search of an unpredictable past. Beginning with the 1920s debates in the Soviet Union, through the recovery of Formalist theory in Europe through Structuralism in 1960s and 1970s, and renewed interest in cultural critique post-1968 and in the New Left, to the contemporary revivals of discussion of form and value-form in Culture and Marxism, ‘Marx, Form, Isms’ aims to explore historical valences of Formalist theory in relation to Marxist thought.

Thursday June 4th
The Boardroom, University of Westminster, 309 Regent Street, London W1T

5:30 – 7.30 pm Keynote Lecture: John Roberts (University of Wolverhampton)
Shklovsky, Error and the End of Saint Petersburg

Friday June 5th (day event)
Room 401, University of Westminster, 309 Regent Street, London W1T

10-11am Close Reading workshop on Osip Brik’s, “The So-Called Formalist Method” (1923)
Text: osip-brik-the-so-called-formal-method-1
Presented by Anke Hennig (CSM), David Cunningham (IMCC), Anthony Iles (Mute)

11:15-12:15 Panel I: Updating the Marxism-Formalism Debate
Galin Tihanov (Queen Mary, London)  Formalism and Soviet Power: A Necessary Reconsideration
Anke Henning (Central Saint Martins) Trotsky on Strindberg

12:15-1.15pm lunch

1.15-.145pm Panel II: Marxism and Formalism Today
Helen Palmer (Goldsmiths College, London) Queering Defamiliarization: Marxism, Manifestos and Matter

2-3:30pm Film Screening of Duncan Campbell It for Others (54mins)
Chaired by Anthony Iles

Friday June 5th (evening event)
Marxism in Culture Seminar, Torrington Room, Senate House, University of London

5:30 – 7.30 pm Final Roundtable: A Re-enactment of the Marxism-Formalism Debate
Participants: David Cunningham, Anke Hennig, Anthony Iles, Jan Levchenko, Marina Vishmidt

For more details please see the RetroFormalism website at: http://retroformalism.net/en/start