For our Dutch friends: Director of the IMCC, Marq Smith, is contributing to Epistemic Encounters, on the future of the Graduate Art School, at MaHKU (The Utrecht Graduate School of Visual Art and Design) this Friday 11 December, as part of an ongoing research project exploring the specificity of artistic knowledge production in the context of exhibition making, art in public space projects, and the significance of research-based practices for the (reformulation of the) curriculum in the current art academy. Why not join him…

Further details here.

As promised, we present here the first in a short selection of transcriptions of talks from the recent series on ‘The Future’ at the David Roberts Art Foundation. In the following post we have David Cunningham’s introduction to the series along with Ben Noys’s Ballard paper (which can be found up on his own blog). Further papers by Stephen Melville and Garin Dowd will be posted soon. Enjoy.

1. ‘Introduction: The Tomorrow That Never Was’
David Cunningham 

I want to begin with a short story by the writer William Gibson, entitled ‘The Gernsback Continuum’ and published in 1981. You can read it here. In the story, Gibson’s narrator (a hack photographer) is engaged to work on an illustrated history of ‘American Streamlined Moderne’, with the working title The Airstream Futuropolis: The Tomorrow That Never Was: ‘“Think of it … as a kind of alternate America: a 1980 that never happened. An architecture of broken dreams”,’ one of the story’s characters tells him. ‘And as I moved among these secret ruins’, the narrator continues, ‘I found myself wondering what the inhabitants of that lost future would think of the world I lived in.’ Thus progressively propelled into a state of half-paranoiac and half-melancholic delirium, accompanied by hallucinations of a ‘dream Tucson thrown up out of the collective yearning of an era’ – a city ‘soaring up through an architect’s perfect clouds to zeppelin docks and mad neon spires’ – the narrator is only finally returned to the sanity of the present by an immersion in the very seediest aspects of a very contemporary reality. 

Continue reading The Future Papers, Part One: Cunningham & Noys

The Hole in Time: German-Jewish Political Philosophy and the Archive.

A call for papers for a workshop organised by the Centre for German Jewish Studies at Sussex and the Institute for Modern and Contemporary Culture at Westminster
23^rd – 24^th June 2010

Abstracts by the end of January 2010 to: theholeintime@live.com

Left discussions of politics and history owe much to German-Jewish theories of temporality that emerged in response to the political crises of twentieth-century Europe; yet, other than in the attention paid to issues of technological memory in Benjamin, there has been relatively little discussion of the archival ramifications of, for example, Adorno, Bloch, Celan, Rosenzweig, and Simmel, as well as other canonical Marxist thinkers. While Benjamin’s thought has often been mobilised to think the revolutionary potential of the archive, less has been done to think through the archival attitudes and implications of the work of such other thinkers, or the extent to which such attitudes are specifically predicated upon German and Jewish philosophical and political tradition. Continue reading Call for Papers: Temporality and the Archive

Journal of Visual Culture has launched its new WordPress site. Please go to http://www.journalofvisualculture.org/ for details of recent/forthcoming issues such as its current ‘Questionnaire on Barack Obama’, free content, and information on related projects, conferences, and events. Join jvc on Facebook, etc.

A very successful one-day colloquium at 309 Regent Street celebrating the centenary of Ezra Pound’s lectures at the Regent Street Polytechnic on Friday 4th, with presentations from Massimo Bacigalupo, Walter Baumann, Becky Beasley, Helen Carr, Nick Selby and biographer David Moody, in front of an audience also including Ian Bell and Peter Brooker, among many others.

As an addendum to the day’s events, here’s a chronology of Pound’s involvement with the old Polytechnic: Continue reading Pound at the Poly: A Chronology

Wednesday 9th December, 1.15-2.30pm
Room 106, University of Westminster, 32-38 Wells Street, W1T 3UW

Mary Grover (Sheffield Hallam University)
‘Why Middlebrow Matters’

Free to all.

Michael Nath & Anne Witchard Book Launch
Monday 14 December 2009
The Boardroom, University of Westminster, 309 Regent Street, 6pm onwards

Two members of the Institute are launching their new books at Westminster on the 14^th December. Michael Nath will be reading from his first novel, La Rochelle, published by Route, while Anne Witchard will be introducing her marvellous monograph Thomas Burke’s Dark Chinoiserie: Limehouse Nights and the Queer Spell of Chinatown.

                                                                                                                

Following on from discussions with Gayatri Spivak, Chantal Mouffe and Richard Sennett, in the final session of the current series of Whitechapel Salon events on the theme of ‘hope’ Peter Osborne, author of The Politics of Time (1995), Philosophy in Cultural Theory (2000) and Conceptual Art (2002), and Director of the Centre for Research in Modern European Philosophy at Middlesex University, will be in discussion with his fellow editor at Radical Philosophy, and Deputy Director of the Institute, David Cunningham.

Book now to avoid disappointment! You can do so here.

Tickets: £7/£5

http://www.whitechapelgallery.org

The final event in the series on The Future at the David Roberts Art Foundation took place last Thursday, ending with a bang not a whimper. Presentations from Garin Dowd, IMCC affiliate Stephen Melville, and last minute guest Alev Adil covered Derrida and Deleuze, Beckett and Ballard, and resulted in a fiesty discussion about Thierry Henry‘s already infamous handball, as well as the dystopian/utopian virtues of Kraftwerk. We hope to post a selection of some of the papers from the series on this site soon.

Ezra Pound and Modern Criticism: 100 Years in London
Friday 4 December 2009, 9.30-5.00
Cayley Room (room 152), University of Westminster, 309 Regent Street

The programme is now available for the day’s anniversary celebration of Pound’s lectures at the Poly:

9.30                            Coffee/Tea

10.00                         Introduction

10.15-11.30            Session One
Massimo Bacigalupo, University of Genoa, ‘The Didactic Muse’
Walter Baumann, Ulster, ‘“Swinburne My Only Miss” (82/543): Snapshots from Pound’s London Years’

11.45-1.15             Session Two
Helen Carr, Goldsmiths, ‘Pound and “World-Poetry”’
Nick Selby, UEA, ‘“Found Full of Nomads”: Pound as American Critic in Patria Mia and Cathay’

1.15-2.30             Lunch

2.30-4.00             Session Three
Rebecca Beasley, University of Oxford, ‘Pound’s New Criticism’
David Moody, University of York, ‘This is Not A Philological Work’

4.15-5.15             Round Table and Final Discussion

Professor Allan Stoekl (Penn State University), ‘The Drift: Surrealism, Situationism and Postsustainable Strategies of Gleaning’

Friday 27 November, 17.30-19.00, followed by reception
Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London WC2R

Free Admission! All welcome!

Organised in association with the conference Surrealism, Post-War Theory and the Avant-Garde

For our Catalan friends: David Cunningham will be representing the IMCC in Barcelona this week at the Catalan Association of Art Critics’ Fifth International Symposium on Art Criticism in a Global World. His opening address to the conference, entitled ‘Global Art/Global Modernities’, will be at 4.30pm on Friday 20 November at the MACBA Auditorium.

Further details here.

A new blog post on wind farms and peak oil, by the Institute’s resident environmental activist and ecological architect Jon Goodbun, is now up on the website of our friends The Polytechnic. Check it out here.

Another Thursday night and another discussion of the Future at the David Roberts Art Foundation, with Sally O’Reilly, Uriel Orlow, Jon Cairns and, a late special guest passing through London from Yale, David Joselit. The next session takes place on a Saturday afternoon, on November 21st from 2pm, when the discussants will be academic Chris Horrocks, poet and music critic Ben Watson, and, from Chicago, Visiting Professor at the IMCC, Lennard J. Davis. See you there.

Wednesday 11th November, 1.15-2.30pm
Room 106, University of Westminster, 32-38 Wells Street, W1T 3UW

Adam Eldridge (Urban Development, University of Westminster)
‘Las Vegas and the Production of Freedom’

Free to all.

The first in the IMCC’s series of events on The Future at the David Roberts Art Foundation took place on November 5th, with talks on, among other topics, J.G. Ballard, imaging climate change, William Gibson and the 1956 This is Tomorrow exhibition leading to a vigorous discussion of science fiction and environmental politics. The next event is on November 12th, when susan pui san lok, Uriel Orlow, Sally O’Reilly and Niru Ratnam will debate whether ‘The Future is History’.

Professor Pepper’s Ghost: Six Evenings of Visual Magic
The Old Cinema, University of Westminster, 309 Regent Street

A collaboration between the IMCC and the Magic Lantern Society, following on from a successful series of events in 2008, the old Polytechnic cinema at the University of Westminster’s Regent Street building, where the first ever motion picture was shown in the UK, will be hosting a series of six Thursday night lectures on pre-cinematic technologies of the visual.

All the talks start at 7pm, with doors open from 6pm, and are free of charge.

Thursday 12 November 2009
‘Professor’ Mervyn Heard, ‘Phantasmagoria-mania’

Thursday 26 November 2009
Simon Warner, ‘Lavater – The Shadow of History’

Thursday 10 December 2009
Dr Frank Gray, ‘Visualising the Marvellous: G.A. Smith and his film Santa Claus’

Thursday 28 January 2010
Paul Kieve, ‘Grappling with Ghosts: Staging Ghost Effects in the Modern Theatre’

Thursday 11 February 2010
Mark Butterworth, ‘Geared to the Stars: Victorian Astronomy through the Magic Lantern’

Thursday 25 February 2010
Stephen Herbert, ‘From Anorthoscope to Zoopraxiscope: An A-Z of Victorian Animated Cartoons’

Download the programme here.

Watch the Old Cinema slideshow on the BBC News website here.

Ezra Pound and Modern Criticism: 100 Years in London
Friday 4 December 2009, 9.30-5.00
Cayley Room (room 152), University of Westminster, 309 Regent Street

Celebrating the centenary of Ezra Pound’s lectures on Romance literature at the Polytechnic Institute in Regent Street, this one-day symposium, co-organised by the IMCC, brings together a range of speakers to discuss both Pound’s time in London and his contribution to modern literary criticism.

Speakers include: Massimo Bacigalupo (Genoa), Walter Bauman (Ulster), Rebecca Beasley (Oxford), Helen Carr (Goldsmiths), David Moody (York), Nick Selby (UEA)
Introduced by: David Cunningham and Leigh Wilson

FREE ADMISSION!

The Institute’s resident expert in activist art Stefan Szczelkun’s interview with Yugoslavian-born Nada Prlja is now up on the Metamute site. Read it here.

SURREALISM, POST-WAR THEORY, AND THE AVANT-GARDE

Friday 27 – Saturday 28 November 2009

17.15 – 19.00, 27 November

10.00 – 18.30, 28 November (with registration from 9.30)

Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, London

Special Keynote Address: Professor Allan Stoekl (Penn State), ‘The Drift: Surrealism, Situationism and Postsustainable Strategies of Gleaning’

Friday 27 November, 17.30-19.00, followed by reception

Saturday Speakers: Lucy Bradnock (Getty Research Institute), David Cunningham (University of Westminster), Jonathan Eburne (Pennsylvania State University), Jill Fenton (Queen Mary, University of London), Patrick ffrench (Kings College, University of London), Steven Harris (University of Alberta, Edmonton), Alyce Mahon (Trinity College, Cambridge), Gavin Parkinson (The Courtauld Institute of Art), Michael Richardson (independent scholar).

Ticket/entry details: £10. Please send a cheque made payable to ‘Courtauld Institute of Art’ to: Research Forum Events Coordinator, The Courtauld Institute of Art Research Forum, Somerset House, Strand, London WC2R 0RN, clearly stating that you wish to book for the ‘Surrealism, Post-War Theory and the Avant-Garde conference’. Or call 020 7848 2785/2909 to make a credit card booking. Or, for further information, send an email to ResearchForumEvents@courtauld.ac.uk

Programme can be downloaded here.