October 27th 2015, 6pm
University of Westminster, Little Titchfield Street, London W1W 7BY

The Artist Contract in the Digital World

Chris Ancliff is the General Counsel (International) at the Warner Music Group and was previously General Counsel at EMI Group plc. Paul is the first full time CEO of the Featured Artists Coalition. Nick Mason is a renowned composer, musician and producer, who in some ways will be ‘coming home’ for the event – along with fellow architecture student Roger Waters, he held rehearsals for their band Sigma 6 in the student common room in what is now the Law School building. As part of Pink Floyd he later returned to play in the building’s grand art deco Portland Hall, where this event takes place. It is now almost 50 years since Pink Floyd signed their first contract with EMI, and the evolution of this relationship will be discussed, along with consideration of various current issues.

Attendance is free, please register online.

A final reminder that this year’s series of English Literature and Cultural Studies research seminars will kick off at 5pm on Wednesday 14th October with Victoria Browne from Oxford Brooks speaking on ‘Generational Politics in Feminist History’. Sanna Melin Schyllert, a doctoral researcher at Westminster, working on feminism and modernism, will respond to Victoria’s talk.

“Sisterhood” is the familial metaphor most often associated with feminism; yet in fact, metaphors of “feminist foremothers”, “mothers” and “daughters” are employed just as frequently to convey relationships between feminists of different ages and eras. This kind of generational symbolism has been subject to serious criticism in feminist theory in recent years – for giving rise to “Oedipal” anxieties, and portraying the history of feminist theory and activism in terms of a struggle between “overbearing mothers” and “undutiful daughters”. This talk will examine critiques of the generational model of feminism, thinking through various significations of the generational metaphor, and its relation not only to feminist history but historical time more generally.

This first seminar will be followed by a drinks reception to celebrate the start of the new series and to welcome the new members of our research community. The seminar will take place in Room 105, University of Westminster, 32-38 Wells Street, London W1T 3UW (nearest tube stations: Oxford Circus, Tottenham Court Road, Goodge Street).

Directions here: http://www.westminster.ac.uk/about-us/visit-us/directions/wells-street

A plug for an event organised by our colleagues in HOMELandS, the Hub for Migration, Exiles, Languages and Spaces, based at the University of Westminster.

Wednesday 28^th October 2015, 4-6 pm
Westminster Forum, University of Westminster, Wells Street London W1T 3UW

“Diaspora in the Field of Vision”
Margherita Sprio, Centre for Research and Education in Arts and Media

Contemporary art practices that have emerged out of the existing art school structure in Britain have enabled a multitude of emerging practices to be given the current status that they hold in debates about visual culture. Diasporic artists since post war education expansion in Britain have become visible in small but significant numbers – in part supported by those sympathetic to the politics of educational equality. But also, supported by those for whom education and Diasporic experience were the life line that enabled both the art practices that now constitute contemporary art and also the critical debates that are now common place within contemporary art education. This paper will address some of the key issues that have been made apparent in the work of some contemporary Diasporic artists who live, work and have studied/study in London in relation to ideas of displacement migration, power and ethics.

Dr Margherita Sprio is a Senior Lecturer in Film History and Theory at University of Westminster and works on film practice and theory as well as the relationship of film theory to photography, contemporary art and philosophy. She is the author of Migrant Memories: Cinema and the Italian Post War Diaspora in Britain (Peter Lang, 2013).

The event is free and open to the public. Non-University of Westminster attendees please register with Cangbai Wang atc.wang6@westminster.ac.uk

This year’s series of English Literature and Cultural Studies research seminars will kick off at 5pm next Wednesday (14th October 2015) with Victoria Browne on ‘Generational Politics in Feminist History’. Sanna Melin Schyllert, a doctoral researcher in the department working on feminism and modernism, will respond to Victoria’s talk. This first seminar will be followed by a drinks reception to celebrate the start of the new series and to welcome the new members of our research community. The seminar will take place in Room 105, University of Westminster, 32-38 Wells Street, London W1T 3UW (nearest tube stations: Oxford Circus, Tottenham Court Road, Goodge Street).

Please note that our next event will take place three weeks later, on 4th November: a colloquium on Andrew Benjamin’s new book, Art’s Philosophical Work, with contributions from Andrew Benjamin (Kingston/Monash), David Cunningham, Kaja Marczewska and Matthew Charles (Westminster).

All research seminars are free and open to the public (attendees who are not members of the University of Westminster will need to sign-in at reception). MA students, Doctoral and Postdoctoral researchers are especially encouraged to attend. Please contact either Lucy Bond or Matthew Charles for more details.

Following on nicely from the IMCC’s event on Marx-Form-Isms held at Westminster in June this year, our colleague Charles Denroche is speaking at an Institute for English Studies colloquium entitled Form and Poetry: An Exploration of Russian Formalism – ostranenie, city poetics, metaphor, metonymy – at Senate House on October 23^rd, 10.00-5.30. Further details here.

For those of a heavy theory bent, the special issue of Theory, Culture and Society on Transdisciplinary Problematics has finally appeared, including David Cunningham’s ‘Logics of Generalization: Derrida, Grammatology and Transdisciplinarity‘, as well as further articles by Eric Alliez, Etienne Balibar, Lisa Baraitser, Felix Guattari, Peter Osborne, Nina Power, Stella Sandford, Michel Serres, and others. Available from the TC&S website here.

Catch it before it goes: John Beck’s review of McKenzie Wark’s Molecular Red: Theory for the Anthropocene is currently up as a freebie on the Radical Philosophy website here.

Buy the whole issue and get Lucy Bond’s review of Morgan Wortham’s Thought in Pain thrown in for good measure: http://www.radicalphilosophy.com/issues/193

We’re delighted to report that Alex Warwick and Leigh Wilson’s co-edited Selected Writings of Andrew Lang (Edinburgh University Press) has been nominated for the Folklore Society’s 2015 Katharine Briggs Award (previously won by Vladimir Propp and E.P. Thompson, among others). The winner will be announced at a reception at the Warburg Institute on Wednesday 18th November.

Time to save up some money and buy a copy of the two volumes here.

A lovely compliment to Michael Nath’s “great, very intense book … the elegant, rococo noir-ish British Story” from the great guitarist and former Captain Beefheart collaborator Gary Lucas on his facebook site here.

In tribute, here are two of Gary’s own greatest, most intense moments…

And…

We have a great series of fortnightly seminars lined up for the new semester. Venue is Wells Street Room 105 at 5pm. All welcome.

14th October
Dr Victoria Browne (Oxford Brookes), with Sanna Melin.
‘Generational Politics in Feminist Theory’

4th November
Prof Andrew Benjamin (Kingston), with Kaja Marczewska, Matthew Charles and David Cunningham.
‘A Colloquium on Art’s Philosophical Work’

11th November
Dr Katherine Graham (Westminster), with Simon Avery.
‘“[N]or bear I in this breast / So much cold spirit to be called a woman”: the queerness of female revenge’

25th November
Dr Andreas Kramer (Goldsmiths), with John Beck.
‘Inventing Maps: Towards a Geography of the Avant-Garde’

9th December
Dr Shela Sheik (Goldsmiths), with tba.
‘Take This Instant: Video-testimony, Performativity and the Fabrication of Truth’

The Institute is delighted to welcome three new Postdoctoral Teaching and Research Fellows who are joining the Department of English, Linguistics and Cultural Studies this academic year.

Sara Dominici works on photography and its cultural history within the fields of visual culture and cultural studies. Her ongoing research is in the visual culture of The Regent Street Polytechnic and its spin-off organisation, The Polytechnic Touring Association. Specifically, she is exploring the changing relationship between photography and travel and tourism in the nineteenth and twentieth centuries, investigating how the development of popular photography influenced the shifting relationship between ‘high’, or established, and ‘low’, or emerging, forms of culture. Sara completed a PhD at the University of Westminster (2014), and previously studied at La Sapienza University, Rome (Laurea quinquennale in Scienze della Comunicazione, 2004), at the London College of Communication (FdA in Photojournalism, 2006), and holds an MA in Visual Culture from the University of Westminster (2010). She has also worked as a picture editor in both commercial and non-profit organisations.

Kaja Marczewska’s research interests span avant-garde and experimental literature and art, both contemporary and historical, conceptual art and writing, small press publishing, material texts, contemporary cultural, literary and art theory, digital aesthetics, as well as intersections of humanities and law. She holds a PhD in English from Durham University and an MA in Comparative Literature from King’s College, London. Kaja’s PhD, titled The Iterative TIMCCurn, investigated the implications of the increasingly prominent propensity to copy as a creative practice in contemporary culture. It was an attempt at defining a cultural condition that triggers novel attitudes to creativity and reconceptualising copying as a creative category. Her current research builds on ideas explored in the PhD and interrogates diverse aesthetic developments triggered by the turn towards iteration, including among others creative responses to online surveillance culture, experimental forms of writing criticism, the emergence of curating as a dominant contemporary model of cultural production, and digital kitsch.

Elinor Taylor previously taught at the University of Salford, where she completed her PhD, and at Liverpool John Moores University. Her research so far has focused on relationships between British literary culture and the political left. In particular, she is interested interrelationships between Marxism, modernism and realism, the history of Marxism and Communism in Britain, theories of populism, and the novel form. Elinor is currently revising revising her doctoral thesis on fiction associated with the ‘Popular Front’ anti-fascist formation in Britain, as well as writing about Communist historical narrative. She is also interested in archival practices, especially in activist archives, and she plans to develop links with institutions of this kind in London.

Anne Witchard has contributed to the new collection Lord of Strange Deaths: The Fiendish World of Sax Rohmer, edited by Phil Baker and Anthony Clayton, and published by Strange Attractor Press. It’s a limited edition of 500 copies, so order your copy now! Further details here: http://strangeattractor.co.uk/books/lord-of-strange-deaths/

The Department of English Literature, Linguistics and Cultural Studies at the University of Westminster invites applications for a PhD studentship. The studentship consists of a fee waiver and annual stipend of £16,000 for three years. The Studentship will commence in January 2016, and is available to applicants with a Home fee status only (usually defined as applicants from the UK and EU). The research topic, to be supervised by Dr Anne Witchard and Dr Leigh Wilson, is ‘Penguin’s China: Reading China in Paperback’.

Penguin was the revolutionary paperback imprint of Allen Lane, and has played a broad and overtly political and cultural role in our society. An innovative British brand, Penguin’s publications offer a window on the development of thought and fashion through the twentieth century and, for the purposes of this doctoral project, on the varied ways in which British readers, adult and children, have thought about China.

The proposed PhD will investigate the role Penguin has had in shaping readers’ responses to China by assessing Penguin’s early back catalogue of books about China or on Chinese themes by both Western and Chinese authors during the 1930s and 1940s. The archive held at the University of Bristol holds an array of novels, poetry, reportage and non‐fiction for adults and children, from Pearl Buck’s classic The Good Earth (1960), to Sax Rohmer’s The Mystery of Dr Fu Manchu (1938) as well as other works of forgotten writers such as Winifred Galbraith and children’s author, Tsui Chi. The diversity of titles encompasses the range of responses to and interactions with China during the early twentieth century. The PhD will not only explore the works held in the catalogue, but go beyond this to investigate the publishing decisions, the marketing strategies and the readers’ responses which were so significant in constructing the image of China in Britain during the 1930s and 1940s.

Full details on how to apply can be accessed here: http://www.westminster.ac.uk/__data/assets/pdf_file/0005/380075/SSH-4-Penguins-China-Reading-China-in-Paperback.pdf

For further information, please contact Dr Anne Witchard: A.Witchard@westminster.ac.uk

The closing date for applications is 5pm on 30 September 2015.

Thursday June 4th
The Boardroom, University of Westminster, 309 Regent Street, London W1T

5:30 – 7.30 pm Keynote Lecture: John Roberts (University of Wolverhampton)
Shklovsky, Error and the End of Saint Petersburg

John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. His books include The Art of Interruption: Realism, Photography and the Everyday, The Philistine Controversy (with Dave Beech), Philosophizing the Everyday, The Intangibilities of Form and The Necessity of Errors.

John’s lecture is the opening address of Marx, Form, Isms. For further details see: https://instituteformodern.co.uk/2015/marx-form-isms-june-4-5-2015

The Department of English, Linguistics and Cultural Studies is seeking to employ a couple of two-year fixed-term Post-Doctoral Teaching and Research Fellows in Visual Culture Studies and in Post-1800 English Literature; one or both of whom will be attached to the Institute for Modern and Contemporary Culture.

Such Fellowships are intended to offer postdoctoral career development opportunities and are aimed at recent PhD graduates (PhD award normally within the last 18 months). The main duties and responsibilities will be research and teaching on the undergraduate and postgraduate programmes, including, as appropriate, our MAs in Art & Visual Culture, Cultural & Critical Studies, English Literature: Modern & Contemporary Fictions, or Museums, Galleries & Contemporary Culture. In the UK Government’s REF 2014 assessment of research activity, English at Westminster was ranked 28th out of 89 departments in Britain, with 79% of its work judged to be of world leading or internationally excellent quality. In terms of research publications, Westminster was ranked in the top 20 UK departments, with around a third of the work judged to be world leading.

Thursday 4 – Friday 5 June
University of Westminster and Senate House, London

Marx, Form, Isms
A Re-Enactment of the 1920s Debates

Presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster)

‘Marx, Form, Isms’ continues the work of the Retro-Formalism working group on literary theory, with a specific focus on political debates. Rather than reconstructing the historical debate of the 1920s between Marxist and Formalist thinkers on how political action and experimental literature might be intermingled, the event would like to open up the text archive of formalist and Marxist thought for today and future purposes in search of an unpredictable past. Beginning with the 1920s debates in the Soviet Union, through the recovery of Formalist theory in Europe through Structuralism in 1960s and 1970s, and renewed interest in cultural critique post-1968 and in the New Left, to the contemporary revivals of discussion of form and value-form in Culture and Marxism, ‘Marx, Form, Isms’ aims to explore historical valences of Formalist theory in relation to Marxist thought.

Thursday June 4th
The Boardroom, University of Westminster, 309 Regent Street, London W1T

5:30 – 7.30 pm Keynote Lecture: John Roberts (University of Wolverhampton)
Shklovsky, Error and the End of Saint Petersburg

Friday June 5th (day event)
Room 401, University of Westminster, 309 Regent Street, London W1T

10-11am Close Reading workshop on Osip Brik’s, “The So-Called Formalist Method” (1923)
Text: osip-brik-the-so-called-formal-method-1
Presented by Anke Hennig (CSM), David Cunningham (IMCC), Anthony Iles (Mute)

11:15-12:15 Panel I: Updating the Marxism-Formalism Debate
Galin Tihanov (Queen Mary, London)  Formalism and Soviet Power: A Necessary Reconsideration
Anke Henning (Central Saint Martins) Trotsky on Strindberg

12:15-1.15pm lunch

1.15-.145pm Panel II: Marxism and Formalism Today
Helen Palmer (Goldsmiths College, London) Queering Defamiliarization: Marxism, Manifestos and Matter

2-3:30pm Film Screening of Duncan Campbell It for Others (54mins)
Chaired by Anthony Iles

Friday June 5th (evening event)
Marxism in Culture Seminar, Torrington Room, Senate House, University of London

5:30 – 7.30 pm Final Roundtable: A Re-enactment of the Marxism-Formalism Debate
Participants: David Cunningham, Anke Hennig, Anthony Iles, Jan Levchenko, Marina Vishmidt

For more details please see the RetroFormalism website at: http://retroformalism.net/en/start

The Department of English, Linguistics and Cultural Studies at Westminster is offering two studentships to prospective PhD students to begin in September 2015.

Full details and application here.

Based in the heart of London, we have a lively research culture consisting of conferences and research seminars, and the work done in our two research centres, the Institute of Modern and Contemporary Culture and the Centre for the Study of Science and the Imagination.

Applications are invited for the following awards for up to three years of full-time study:

One fee waiver (Home/EU rate) and £10,000 per year for three years.
One fee waiver (Home/EU rate) and £5,000 per year for three years.

We are looking for high-quality prospective doctoral students who will contribute to at least one of the following core areas of research in the department:

Modern and Contemporary Literature and Culture
Literature and Science
English Language and Linguistics

Successful candidates will be expected to carry out a number of hours of duties in the department as part of their training and development.

Deadline for applications is 5pm on Friday 31 May 2015.

Prospective candidates wishing to informally discuss an application should contact Dr Leigh Wilson (wilsonl@westminster.ac.uk).

Full details and application here.

Wednesday 1st April, 4.15 pm
Room 215, University of Westminster, Wells Street, London W1T

“Bataille’s Vampire”
Professor Fred Botting, Kingston University

This paper follows a footnote in a short essay by Georges Bataille to examine the significance of his apparent interest in a notorious German serial killer of the 1920s and 1930s.

Fred Botting has written extensively on Gothic fictions, and on theory, film and cultural forms. His books include Gothic Romanced (2008), Limits of Horror (2008) and, with Scott Wilson, Bataille (2001).

All welcome!

Wednesday 1st April, 1-3 pm
University of Westminster, Room 106, 32-38 Wells Street, London W1T

“Technology, Desire, and Cruel Optimism: MTV’s Catfish: The TV Show”
Dr Sam McBean, Queen Mary, University of London

Taking the seminar series’ invitation to ruminate ‘On Desire’, this paper will consider the affective textures of a contemporary digital moment, focused in particular on how fantasies of desire become entangled with technology, particularly social media. The paper argues that, increasingly, narratives of technology are being mobilized to speak the narrative failings of enduring love. To explore this convergence, I will focus on MTV’s Catfish: The TV Series. Each episode of Catfish sees the co-hosts, Nev and Max, come to the rescue of someone who has been engaged in an online relationship with a partner who has been resistant to meeting in person. As online detectives, the co-hosts uncover the “truth” about this relationship – more often than not revealing that the beloved is not who they say they are. Lauren Berlant understands desire as ‘a state of attachment to something or someone’ and similarly suggests that ‘[a]ll attachment is optimistic’. Attachment becomes ‘cruelly optimistic’ when rather than enabling the self-flourishing of an individual, it becomes a barrier. The paper will explore how an attachment to a narrative of love – desire’s reciprocated ideal – and to a narrative of technology’s ability to provide this, functions in Catfish despite the repetition (in each episode and across the series as a whole) of the likely failure of both narratives.

Wednesday 25th March, 4.15 pm
Room 106, University of Westminster, Wells Street, London W1T

“Luxury and Visual Culture: On the Semiology of the Bubble Bath”
Professor John Armitage, Winchester School of Art

Luxury, abundance, and sumptuous enjoyment influence visual culture and the objects of study to which visual culture attends from art history to new media. This illustrated seminar explores various forms of indulgence and visual culture’s range of responses from images of ‘English’ luxury to images of lasciviousness and the images of ‘luxury cinema’,  before going on to analyze the semiology of the bubble bath. The paper circumvents ideas relating to ideology and to the critique of consumer culture, preferring instead to concentrate on how matter dissolving becomes endowed with cultural values of cleanliness and how the foamy becomes a sign of everything from debauchery and health to happiness and even spiritual transformation. Participants are encouraged to bring their own bubbles.

John Armitage is Professor of Media Arts at Winchester School of Art-University of Southampton. John is currently co-editing Critical Luxury Studies: Art, Design, Media for Edinburgh University Press, The Luxury Reader for Bloomsbury, and writing Luxury and Visual Culture for Bloomsbury. He is the founder, and co-editor, with Ryan Bishop and Douglas Kellner, of the journal Cultural Politics.