Posts from October 2011
ADVENTURES IN NIGHTLIFE: PAUL KHERA
Thursday 3 November 2011, 19.00 – 23.00
Presenting the work of Paul Khera in an evening of film, music and photography on the theme of London nightlife.
One off prints featuring intimate moments of London nightlife
FILM SCREENING – 8.00 pm
‘Being Continued’, 37mins
Part film-noir, part meditation, a cinematic discourse on the journey of wisdom, there’s greed, violence, kidnapping; love, tranquility and revelation. This is a film that follows the cycle of human comprehension, gathering knowledge, being perplexed by it, testing wisdom with experience, suffering at the hands of greed, expanding and condensing knowledge, and finding peace. The story is part of the folklore of the himalya, it can be applied to society as a whole, or in the case of this film to an individual.
Late Night tunes by Maxology
Paul Khera has worked across the full spectrum of the visual arts. He started his career taking stills at Channel 4, playing in a band, and designing sleeves for another. Through a chance meeting at college, he started working for the ICA in London, designing posters and catalogues, for amongst others Jake & Dinos Chapman, Lawrence Weiner, William Wegman and Damien Hirst. After the Arts came fashion, a short stint at Elle, and then Vogue. Following that was a period at corporate design heavyweights Ideo, on large-scale projects for P&G in Geneve and Vodaphone in Lisbon. Interspersed were a few projects for the British Council, which took him from Tokyo (an interactive project, describing Britain to the Japanese) to Damascus to Kano (an attempt to foster Muslim Christian tolerance through typography). Lately the projects have mainly been self-motivated, he designed a Hospital in rural India, using only local know-how and vernacular and is currently working on a six year scheme, a hand built retreat in the Himalayas; in which he designed everything from the building to the interior and the furniture… in the meantime he found time to write a book on philosophy and folklore, and a suite of music to go with it. Khera has also been commissioned to follow around the rock band Suede for a year, taking photographs at various gigs from the 100 club to the Royal Albert Hall documenting their return to fame, as well as build up a riveting portfolio of portraits from the nightlife of London.
AMBIKA P3, 35 Marylebone Road, London NW1 5LS
For the latest video from the Institute’s AHRC Research Fellow Joe Banks, please go to:
Neurogenesis by Disinformation + Usurp (Signature Version)
Copyright © Joe Banks & Poulomi Desai 24 Oct 2011
Contributions to forthcoming open issues include:
Emmanuel Alloa on Visual Studies in Byzantium, David Cunningham on the Metropolis; Willem Flusser on the gesture of photographing, Tom Holert on Bildwissenschaft, Esther Leslie on liquid crystals, Lev Manovich on visualization, Lynda Nead on boxing, Jacques Ranciere on cinema, Nicole Starosielski on transoceanic cables, Janet Wolff on the power of images, Winnie Wong on appropriation in Chinese visual culture.
Forthcoming themed issues include:
Ways of Seeing: 40 Years On, with contributors including: Mieke Bal, Jon Bird, Lisa Cartwright, Jill H. Casid, Hazel Clark, Laurie-Beth Clark, Mike Dibb, Jennifer Gonzalez, Dick Hebdige, Richard Hollis, Elizabeth Guffey, S. Heller, Ben Highmore, Martin Jay, Guy Julier, Louis Kaplan, Peter Lunenfeld, Tara McPherson, Marita Sturken, Griselda Pollock, Adrian Rifkin, Vanessa Schwartz, and Ming Wong.
The Archives R Us issue, with contributors including: Raiford Guins, Gary Hall, Chris Horrocks, Tom Holert, Juliette Kristenesen, susan pui san lok, Joanne Morra, Hans-Ulrich Obrist, Vivian Rehberg, Marquard Smith, and Nina Lager Vestberg
A new solo exhibition of the work of Thomson and Craighead has just opened in South East of Brussels (Watermael/Boisfort), where they are showing six artworks/installations at the same time across two sites, Watermael Station and Vénerie Stables, from 26th October to 18th December 2011. Alison and John will also be giving gallery talks at each site on Saturday 19th November from 15.30pm. Further info at: http://thomson-craighead.blogspot.com/
28 October-21 December 2011, weekdays 10am-5pm
198 Contemporary Arts & Learning, Brixton
This exhibition is the final stage of Brixton Calling! archiving and community project that connects contemporary Brixton to its past through the history of the late Brixton Art Gallery & Artists Collective in the 1980s. Exhibition opening: Thursday 27 October 2011, 6.30-10pm.
UPDATE: Further details on the 198 website here: http://198.org.uk/pages/currentexhibition.htm
Brixton Calling! events at 198
Saturday 19 November, 2-4pm, Curators/artists talk
Friday 25 November, 7-9pm, Brixton Fairy Night
Saturday 26 November, 1-5pm, Radical Printing
Saturday 10 December, 2-5pm, Black Art
Other Brixton Calling! events:
’80s Women Lens Based Media Event
Brixton Village, Thursday10 & Friday11 November, 7-12pm, Saturday12 November, 10am–9pm
For more information contact: email@example.com
Women Artists Feminism in the 80s and Now
Goldsmiths, University of London 3rd December, 10am-5pm, in collaboration with the Women’s Art Library
For more information contact: firstname.lastname@example.org
Archive installation by Stefan Szczelkun and Oral History documentary on show continuously along with many other sub-projects!
Wednesday 26th October, 1.15pm – 2.30pm
University of Westminster, 309 Regent Street building, room 359
Anna Katharina Schaffner (University of Kent)
‘Havelock Ellis and the Literary Imagination: On Sexology and Fiction’
Many important nineteenth- and early twentieth-century pioneers of the scientific study of sex make extensive use of literary sources in their works. Not only do they adopt terms and concepts from fictional sources, but literary representations and their authors frequently serve as case studies which are deemed as valid as empirical observations. Surprisingly, this blending of discourses, which has substantially shaped the nosologies of the early sexologists, has received little critical attention. This paper analyzes the epistemological status and functions that are assigned to fictional representations in the works of the British sexologist Havelock Ellis, as well as the wider theoretical ramifications of factualizing fictions. The way in which literary sources are used in Ellis’ and other sexological texts not only sheds light on the production of sexual knowledge and processes of discourse formation, but also brings to the fore the enmeshment of fantasy, language and desire, as well as the dependence of an entire scientific discipline upon narratives – both fictional and factual in nature.
For anyone interested in architectural models, design education, and photography, the Institute’s Dr Davide Deriu, a colleague from the Department of Architecture here at University of Westminster, has curated a fascinating exhibition entitled ‘Modernism in Miniature’ at The Canadian Centre for Architecture. If you happen to be in Montreal, why not swing by, it’s on until January 2012:
Our friends in the India Media Centre at University of Westminster are organizing a series of fascinating events, please see details below:
Thursday 13th October, 6.30pm
BHOPALI, a film
Bhopali, (dir. Max Carlson, 2011, 89 mins) is a multi-award-winning documentary about the survivors of the world’s worst industrial disaster, the 1984 Union Carbide gas leak in Bhopal, India. After the screening Mick Brown (journalist, writer and broadcaster) will chair a panel discussion with filmmaker Pawas Bisht (University of Loughborough), author, Meaghan Delahunt, (University of St Andrews) and Tim Edwards (International Campaign for Justice in Bhopal).
Venue: The Old Cinema, University of Westminster, 309 Regent Street, London W1B 2UW
Friday 14th October, 6.30pm
FORGOTTEN ERA: PARSI THEATRE AND EARLY INDIAN CINEMA
Kathryn Hansen, (University of Texas at Austin), a cultural historian with a special interest in Indian theatre, will present material from her new book Stages of Life: Indian Theatre Autobiographies (Anthem Press). This will be followed by a round-table discussion with Francesca Orsini, Reader in the Literatures of North India, SOAS; Rosie Thomas, Reader in Film and Director of CREAM and Co-director of India Media Centre at the University of Westminster; and Ravi Vasudevan, Professor of Film, Director of the Sarai Centre, Delhi, and Smuts Fellow at University of Cambridge.
Venue: Fyvie Hall, University of Westminster, 309 Regent Street, London W1B 2UW
Monday 17th October, 6.30pm
THE MAKING OF A MODERN INDIAN ARTIST-CRAFTSMAN: DEVI PRASAD
Devi Prasad was India’s pioneering artist-potter, visionary educationist and pacifist. This event looks at how his story exemplifies the importance of the Arts and Crafts Movement in shaping the nature of Modernism in India, and the role of pottery and the community of potters that Prasad set up. Naman P. Ahuja, (Jawaharlal Nehru University, New Delhi), will speak about the themes of his new book, The Making of a Modern Indian Artist-Craftsman: Devi Prasad, followed by a conversation with architect Sunand Prasad, Devi Prasad’s son, and with potter and writer, Julian Stair, Visiting Lecturer in Ceramics at the University of Westminster.
Venue: The Boardroom, University of Westminster, 309 Regent Street, London W1B 2UW
Friday 2nd November, 5pm – 9pm
INDIAN ARTS ON FILM: Charles Correa, Bhupen Kakar, Nalini Malani and Vivan Sundaram
What makes a successful documentary about art? What specific issues arise when translating the visual arts onto film? How far do different cultural contexts require different approaches? Award-winning arts filmmakers and scholars, Arun Khopkar and John Wyver (Iluuminations and University of Westminster), together with art historian Partha Mitter (University of Sussex), discuss these questions, followed by a screening of two of Khopkar’s films: Figures of Thought (1990, 33 mins), on Bhupen Kakar, Nalini Malani and Vivan Sundaram, and Volume Zero: The Work of Charles Correa (2008, 59 mins) on India’s most eminent architect.
Venue: P3 Gallery (5pm) and Cayley Lecture Theatre (7pm), University of Westminster, 35 Marylebone Road, London NW1 5LS
These events have been organised in association with our partners, DSC-South Asia Literature Festival and Magic Lantern Persistence Resistance Festival. As spaces are limited, BOOKING IS ESSENTIAL (follow web-links for each event). For full details visit http://www.westminster.ac.uk/schools/media/cream
Spaces of Reckoning: Interdisciplinary Approaches to Conflict and Memory
Call for participants
Saturday 3 December 2011, University of Westminster, London
UPDATE: new website for the symposium at: http://www.spacesofreckoning.co.uk/
Both Conflict Studies and Memory Studies have, in recent years, become of increasing interest across the Humanities and Social Sciences, as they generate compelling dialogues between fields of study and build on the interdisciplinary turn in contemporary academe. This event will create a space that will allow for two things. The first is the development of opportunities for discussion across academic and cultural spheres. This will come about through the analysis and presentation of the representations and conceptualizations of violent conflict and memory addressed by emerging scholars seeking new networks and approaches to research. Secondly, it will include voices from outside academia that can provide new insight and potential empirical challenges to theoretical discussion.
The event will gather together new researchers, and is especially designed to bring together individuals from disciplines that do not traditionally intersect (e.g. Visual Culture and Socio-Legal Studies). The conference will allow mutually beneficial input and new ways of addressing the praxis of Conflict and Cultural Memory through the presentation of and analysis of both objects and concepts. When reflecting on the proposed theme, Post War Reckoning, Memorialisation, Institutions, Artefacts and the Semiotics of Collective Memory, for example, offer a wide territory for investigation, especially when combined with the study of cultural representations of these themes. We are seeking interested participants from across and outside the academic spectrum to contribute to the creation of new and productive dialogues.
Please submit up to 200 Word abstracts for 20 minute papers / presentations by November 10th 2011 to the organisers:
Marija Katalinic, Department of English, Linguistics and Cultural Studies: email@example.com
Tallyn Gray, Department of Advanced Legal Studies: firstname.lastname@example.org
Wednesday 19 October 2011, 4-6pm
Cayley Room, Room 152, University of Westminster, 309 Regent Street, London W1B
‘Queer Comrades: Gay Identity and Queer Politics in Postsocialist China’
Dr. Hongwei Bao (Goldsmiths)
One of the most interesting phenomena in modern Chinese language is manifested by the semantic change of the term tongzhi. Literally ‘comrade’, tongzhi was the most popular address term in China’s socialist era. Since the 1990s, the term has been used by LGBT (lesbian, gay, bisexual, transgender) people in the Chinese-speaking world to refer to sexual minorities. Today, the queer use of tongzhi has dominated Chinese cyberspace. How did the change take place? What does the change mean? Was this simply linguistic change, or does it indicate transformations in bodies, desires, identities and subjectivities under shifting governmentalities? In this talk, Dr. Hongwei Bao traces the genealogy of the term tongzhi, discusses its political and social implications, and unveils its pertinence for contemporary Leftist politics.
Dr. Hongwei Bao is a British Academy visiting fellow at the Department of Media and Communications, Goldsmiths, University of London. He has taught media and communication, gender studies, cultural studies and Asian Studies at the National Academy of Chinese Theatrical Arts, Beijing, the University of Sydney, and University of Potsdam.
All welcome, but non-University of Westminster attendees please register with Derek Hird: email@example.com
Wednesday 10th October 2011, 1.15-2.30pm
Room 106, University of Westminster, 32-38 Wells Street, London W1T 3UW
Helen Glew (History, University of Westminster)
“Women at the Regent Street Polytechnic, 1882 – 1945”
Further details on the English Literature and Culture research seminar series here.
David Cunningham’s 2005 essay ‘The Concept of Metropolis: Philosophy and Urban Form’, originally published in Radical Philosophy, has been translated into Portuguese by Luciana Rocha for the Brazilian journal Revista Periferia.
Any Portuguese readers can see it here: http://www.febf.uerj.br/periferia/index.html
The Institute for Modern and Contemporary Culture
University of Westminster Department of English, Linguistics and Cultural Studies
32-38 Wells Street, London W1T 3UW. United Kingdom.