A new solo exhibition of the work of Thomson and Craighead has just opened in South East of Brussels (Watermael/Boisfort), where they are showing six artworks/installations at the same time across two sites, Watermael Station and Vénerie Stables, from 26th October to 18th December 2011. Alison and John will also be giving gallery talks at each site on Saturday 19th November from 15.30pm. Further info at: http://thomson-craighead.blogspot.com/

Brixton Calling!
28 October-21 December 2011, weekdays 10am-5pm
198 Contemporary Arts & Learning, Brixton

This exhibition is the final stage of Brixton Calling! archiving and community project that connects contemporary Brixton to its past through the history of the late Brixton Art Gallery & Artists Collective in the 1980s. Exhibition opening: Thursday 27 October 2011, 6.30-10pm.

UPDATE: Further details on the 198 website here: http://198.org.uk/pages/currentexhibition.htm

Brixton Calling! events at 198 

Saturday 19 November, 2-4pm,  Curators/artists talk
Friday 25 November, 7-9pm, Brixton Fairy Night
Saturday 26 November, 1-5pm, Radical Printing
Saturday 10 December, 2-5pm, Black Art

Other Brixton Calling! events:

’80s Women Lens Based Media Event
Brixton Village, Thursday10 & Friday11 November, 7-12pm, Saturday12 November, 10am–9pm
For more information contact: info@198.org.uk

Women Artists Feminism in the 80s and Now
Goldsmiths, University of London 3rd December, 10am-5pm, in collaboration with the Women’s Art Library
For more information contact: a.greenan@gold.ac.uk

Archive installation by Stefan Szczelkun and Oral History documentary on show continuously along with many other sub-projects!

Wednesday 26^th October, 1.15pm – 2.30pm
University of Westminster, 309 Regent Street building, room 359

Anna Katharina Schaffner (University of Kent)
‘Havelock Ellis and the Literary Imagination: On Sexology and Fiction’

Many important nineteenth- and early twentieth-century pioneers of the scientific study of sex make extensive use of literary sources in their works. Not only do they adopt terms and concepts from fictional sources, but literary representations and their authors frequently serve as case studies which are deemed as valid as empirical observations. Surprisingly, this blending of discourses, which has substantially shaped the nosologies of the early sexologists, has received little critical attention. This paper analyzes the epistemological status and functions that are assigned to fictional representations in the works of the British sexologist Havelock Ellis, as well as the wider theoretical ramifications of factualizing fictions. The way in which literary sources are used in Ellis’ and other sexological texts not only sheds light on the production of sexual knowledge and processes of discourse formation, but also brings to the fore the enmeshment of fantasy, language and desire, as well as the dependence of an entire scientific discipline upon narratives – both fictional and factual in nature.

Flyer NVC1-2

For anyone interested in architectural models, design education, and photography, the Institute’s Dr Davide Deriu, a colleague from the Department of Architecture here at University of Westminster, has curated a fascinating exhibition entitled ‘Modernism in Miniature’ at The Canadian Centre for Architecture. If you happen to be in Montreal, why not swing by, it’s on until January 2012:

http://www.cca.qc.ca/en/exhibitions/1487-modernism-in-miniature

Our friends in the India Media Centre at University of Westminster are organizing a series of fascinating events, please see details below:

Thursday 13th October, 6.30pm

BHOPALI, a film
Bhopali, (dir. Max Carlson, 2011, 89 mins) is a multi-award-winning documentary about the survivors of the world’s worst industrial disaster, the 1984 Union Carbide gas leak in Bhopal, India. After the screening Mick Brown (journalist, writer and broadcaster) will chair a panel discussion with filmmaker Pawas Bisht (University of Loughborough), author, Meaghan Delahunt, (University of St Andrews) and Tim Edwards (International Campaign for Justice in Bhopal).
Venue: The Old Cinema, University of Westminster, 309 Regent Street, London W1B 2UW

Friday 14th October, 6.30pm

FORGOTTEN ERA: PARSI THEATRE AND EARLY INDIAN CINEMA
Kathryn Hansen, (University of Texas at Austin), a cultural historian with a special interest in Indian theatre, will present material from her new book Stages of Life: Indian Theatre Autobiographies (Anthem Press). This will be followed by a round-table discussion with Francesca Orsini, Reader in the Literatures of North India, SOAS; Rosie Thomas, Reader in Film and Director of CREAM and Co-director of India Media Centre at the University of Westminster; and Ravi Vasudevan, Professor of Film, Director of the Sarai Centre, Delhi, and Smuts Fellow at University of Cambridge.
Venue: Fyvie Hall, University of Westminster, 309 Regent Street, London W1B 2UW

Monday 17th October, 6.30pm

THE MAKING OF A MODERN INDIAN ARTIST-CRAFTSMAN: DEVI PRASAD
Devi Prasad was India’s pioneering artist-potter, visionary educationist and pacifist. This event looks at how his story exemplifies the importance of the Arts and Crafts Movement in shaping the nature of Modernism in India, and the role of pottery and the community of potters that Prasad set up. Naman P. Ahuja, (Jawaharlal Nehru University, New Delhi), will speak about the themes of his new book, The Making of a Modern Indian Artist-Craftsman: Devi Prasad, followed by a conversation with architect Sunand Prasad, Devi Prasad’s son, and with potter and writer, Julian Stair, Visiting Lecturer in Ceramics at the University of Westminster.
Venue: The Boardroom, University of Westminster, 309 Regent Street, London W1B 2UW

Friday 2nd November, 5pm – 9pm

INDIAN ARTS ON FILM: Charles Correa, Bhupen Kakar, Nalini Malani and Vivan Sundaram
What makes a successful documentary about art? What specific issues arise when translating the visual arts onto film? How far do different cultural contexts require different approaches? Award-winning arts filmmakers and scholars, Arun Khopkar and John Wyver (Iluuminations and University of Westminster), together with art historian Partha Mitter (University of Sussex), discuss these questions, followed by a screening of two of Khopkar’s films: Figures of Thought (1990, 33 mins), on Bhupen Kakar, Nalini Malani and Vivan Sundaram, and Volume Zero: The Work of Charles Correa (2008, 59 mins) on India’s most eminent architect.
Venue: P3 Gallery (5pm) and Cayley Lecture Theatre (7pm), University of Westminster, 35 Marylebone Road, London NW1 5LS

These events have been organised in association with our partners, DSC-South Asia Literature Festival and Magic Lantern Persistence Resistance Festival. As spaces are limited, BOOKING IS ESSENTIAL (follow web-links for each event). For full details visit http://www.westminster.ac.uk/schools/media/cream

Spaces of Reckoning: Interdisciplinary Approaches to Conflict and Memory
Call for participants

Saturday 3 December 2011, University of Westminster, London

UPDATE: new website for the symposium at: http://www.spacesofreckoning.co.uk/ 

Both Conflict Studies and Memory Studies have, in recent years, become of increasing interest across the Humanities and Social Sciences, as they generate compelling dialogues between fields of study and build on the interdisciplinary turn in contemporary academe. This event will create a space that will allow for two things. The first is the development of opportunities for discussion across academic and cultural spheres. This will come about through the analysis and presentation of the representations and conceptualizations of violent conflict and memory addressed by emerging scholars seeking new networks and approaches to research. Secondly, it will include voices from outside academia that can provide new insight and potential empirical challenges to theoretical discussion.

The event will gather together new researchers, and is especially designed to bring together individuals from disciplines that do not traditionally intersect (e.g. Visual Culture and Socio-Legal Studies). The conference will allow mutually beneficial input and new ways of addressing the praxis of Conflict and Cultural Memory through the presentation of and analysis of both objects and concepts. When reflecting on the proposed theme, Post War Reckoning, Memorialisation, Institutions, Artefacts and the Semiotics of Collective Memory, for example, offer a wide territory for investigation, especially when combined with the study of cultural representations of these themes. We are seeking interested participants from across and outside the academic spectrum to contribute to the creation of new and productive dialogues.

Please submit up to 200 Word abstracts for 20 minute papers / presentations by November 10th  2011 to the organisers:
Marija Katalinic, Department of English, Linguistics and Cultural Studies: marijakat@gmail.com
Tallyn Gray, Department of Advanced Legal Studies: tallyn.gray@my.westminster.ac.uk

Wednesday 19 October 2011, 4-6pm
Cayley Room, Room 152, University of Westminster, 309 Regent Street, London W1B

‘Queer Comrades: Gay Identity and Queer Politics in Postsocialist China’
Dr. Hongwei Bao (Goldsmiths)

One of the most interesting phenomena in modern Chinese language is manifested by the semantic change of the term tongzhi. Literally ‘comrade’, tongzhi was the most popular address term in China’s socialist era. Since the 1990s, the term has been used by LGBT (lesbian, gay, bisexual, transgender) people in the Chinese-speaking world to refer to sexual minorities. Today, the queer use of tongzhi has dominated Chinese cyberspace. How did the change take place? What does the change mean? Was this simply linguistic change, or does it indicate transformations in bodies, desires, identities and subjectivities under shifting governmentalities? In this talk, Dr. Hongwei Bao traces the genealogy of the term tongzhi, discusses its political and social implications, and unveils its pertinence for contemporary Leftist politics.

Dr. Hongwei Bao is a British Academy visiting fellow at the Department of Media and Communications, Goldsmiths, University of London. He has taught media and communication, gender studies, cultural studies and Asian Studies at the National Academy of Chinese Theatrical Arts, Beijing, the University of Sydney, and University of Potsdam.

All welcome, but non-University of Westminster attendees please register with Derek Hird: d.hird@westminster.ac.uk

Wednesday 10th October 2011, 1.15-2.30pm
Room 106, University of Westminster, 32-38 Wells Street, London W1T 3UW

Helen Glew (History, University of Westminster)
“Women at the Regent Street Polytechnic, 1882 – 1945”

Further details on the English Literature and Culture research seminar series here.

David Cunningham’s 2005 essay ‘The Concept of Metropolis: Philosophy and Urban Form’, originally published in Radical Philosophy, has been translated into Portuguese by Luciana Rocha for the Brazilian journal Revista Periferia.

Any Portuguese readers can see it here: http://www.febf.uerj.br/periferia/index.html

‘Rorschach Audio: Mysterious-devil-tale, Devil-bewitched-by-Death’
Wednesday 7 December 2011, 1.15pm – 2.45pm
Room 359, University of Westminster, 309 Regent Street, London W1B

Following on from the “Rorschach Audio” lecture demonstration presented to the IMCC in March 2011, and, in particular, that lecture’s discussions of Jean Cocteau, Salvador Dali, EH Gombrich, Primo Levi and Leonardo da Vinci, visual and sound artist Joe Banks presents further explorations of the influence of “Rorschach Audio” phenomena on contemporary literature and creative art. This presentation directly extends the material discussed in the previous lecture, so any guests not familiar with the earlier talk are encouraged to read the “Rorschach Audio” research publications available here…

http://muse.jhu.edu/journals/lmj/summary/v011/11.1banks.html
http://www.slashseconds.org/issues/002/004/articles/jbanks/index.php

Michael Nath’s first novel La Rochelle was shortlisted for the 2011 James Tait Black Memorial Prize for Fiction. At the award ceremony held at the Edinburgh Book Festival, chair of the judges Lee Spinks outlined his appreciation book in conversation with Sally Magnusson.

Money, Time, Representation: Literary Explorations (CFP)

In his Philosophy of Money, Georg Simmel notes that “we invest economic objects with a quantity of value as if it were an inherent quality” but “the question as to what value really is, like the question as to what being is, is unanswerable”. The element of unaccountability in money can also be seen in Marx, although he articulated the nature of money quite differently as an expression of social relations. Literature has always been very sensitive to the contingent, hence fictional, aspect of money.

A proposed session is planned on the topic for the IAPL (International Association for Philosophy and Literature) 2012 conference Archaeologies of the Future: tracing memories/imaging spaces to be held in Tallinn, Estonia next spring. We are looking for papers where the nature of money is explored in literature, and papers that ask how and if money in literature is the same as money in philosophy. The issues can include, but are not limited to, the nature of money as representation of value, or as representation of authority, or the role of money as an expression of a temporal pact that affects our sense of time. If you are interested in the topics of money in literature and/or money in philosophy, or parallels between writing and money, please send in your abstract ASAP (max. 1000 words) to the email address below. The session can include four to five speakers. Please note that all speakers must be IAPL members by the end of September 2011. For more details, see: www.iapl.info

Dr Tiina Käkelä-Puumala, University of Helsinki, Finland
email: tkakela@mappi.helsinki.fi

Science Fiction Study Day
British Library, London
Friday 16^th September 2011, 9.30am – 5.30pm

Both David Cunningham and Chris Daley will be participating in a panel on J.G. Ballard as part of the British Library’s Science Fiction Study Day, accompanying the exhibition Out of this World, on Friday 16^th September. Other speakers include Mark Bould, Roger Luckhurst and John Milner.

From utopian to dystopian visions, Futurism to Futurology, the participants will talk about recent projects that feature various aspects of science fiction discourse. Learn about the most recent research trends, methodologies and applications, and get inspired by the ideas and questions examined during the day.

Details and booking here.

Radical Philosophy Conference 2011
Columbia University, New York
Friday 21st October 2011, 9am – 7.30pm.

Radical Philosophy will be visiting New York for its 2011 conference, held in collaboration with Columbia University. The event is free but advance registration is essential: radicalphilosophyrsvp@gmail.com

Sessions:
Postcolonial Worlds ∙ Representing Capitalism ∙
Biocapital and Security ∙ Temporalities of Crisis ∙ Politics of Information ∙

Speakers:
Claudia Aradau; Souleymane Bachir Daigne; Tim Bewes; Antonia Birnbaum; Finn Brunton; Marilena Chaui; David Cunningham; Silvia Rivera Cusicanqui; David Golumbia; Harry Harootunian; Esther Leslie; Rosalind C. Morris; Mark Neocleous; Peter Osborne; Kristin Ross; Kaushik Sunder Rajan; Gayatri Chakravorty Spivak

Further details including conference programme and abstracts at:
http://www.radicalphilosophy.com/uncategorized/radical-philosophy-conference-2011

Register at: radicalphilosophyrsvp@gmail.com

Thursday 15 September 2011, 7pm
Whitechapel Gallery, 77-82 Whitechapel High Street, London E1
Price: £7.00 / £5.00 concessions (includes free glass of wine).

This season’s Whitechapel Salon organised by the IMCC in collaboration with the Whitechapel Gallery is on ‘Cultures of Capitalism’. In the second of four events interrogating contemporary economies of art and culture, Julie Lomax, Head of Visual Arts, Arts Council England, London, Niru Ratnam, Director of Aicon Gallery, and Victoria Walsh, Research, Tate Britain, discuss The Future of Museums and Galleries: Culture, Education, and Policy. Chaired by Marquard Smith.

Book your ticket at: http://www.whitechapelgallery.org/shop/product/category_id/22/product_id/962?session_id=13148072992e2fd7d4c36c363f076298461909906a

‘New Ways of Working with Image’ Seminar and Workshop
Wednesday 14 September 2011, 11.00am – 4.30pm
Room 257, University of Westminster, 309 Regent Street, London W1B

Update: Schedule Announced:
11.00 welcome and introductions (RS257)
11.15 opening panel (Jesse Ash, Andrew Fisher, Elena Gualtieri, Nigel Mapp)
12.30 lunch
13.30 workgroups (chairs)
Image and Performance (Marquard Smith)
Imagescapes (David Cunningham)
Imaginary Image (Jarkko Toikkanen)
Remediating Image (Lise Mortensen)
15.00 coffee
15.30 closing discussion 

How do we understand ‘image’ today, and how has our notion of the image changed over time? What is the status of the image in current theory, and how does the study of image translate into visual culture? In which ways do words and verbal communication relate to or conflict with images? Do we work differently with images today, compared to the practices of previous generations? And if we do, why? Questions such as these underlie the Institute’s autumn Workshop which focuses on a practical, hands-on angle approach to working with image today.

Participants in this experiment are invited to discuss what they understand by the notion of ‘image’ and which methods they have chosen to work with it. Instead of discussing general themes and motifs without knowledge of each other’s premises, talking about what one does, and how one does it, reduces the chance of conceptual miscommunication and provides the opportunity for learning from new viewpoints. Interested academics, scholars and postgraduate students in particular are all invited to attend!

The format of the day will be an interactive opening panel of invited speakers from art history, photographic theory, visual culture, philosophy and literary studies reflecting on their own approaches to the image in both disciplinary and transdisciplinary terms, followed by smaller group workshop sessions open to signed-up members of the audience, and concluding with general discussion. Individual workshop themes will include: (1) Image and Performance: on the nature and role of images in and as performance; (2) Imagescapes: what kinds of scenes and spaces images form and come to interact in; (3) Imaginary Image: how images condition and affect the reading experience; (4) Remediating Image: the slide and change of images between different semiotic modes.

Confirmed panel participants and workshop chairs include: David Cunningham (IMCC, Westminster), Andrew Fisher (Visual Culture, Goldsmiths College), Elena Gualtieri (Centre for Visual Fields, Sussex), Nigel Mapp (English Literature, Westminster), Lise Majgaard Mortensen (Aarhus University/IMCC), Marquard Smith (IMCC, Westminster), Jarkko Toikkanen (University of Tampere/IMCC).

This workshop is free and convened by our Visiting Research Fellows in the Institute, Lise Majgaard Mortensen and Jarkko Toikkanen. For further information or to reserve a place (numbers are strictly limited!), please email Jarkko at: Jarkko.Toikkanen@uta.fi

Materialities of Text: Between the Codex and the Net
An Online Conference, from October 24^th – November 4^th 2011.

Remit:
The book, in its traditional codex form, appears in transition from print media to digital media; a condition nevertheless complicated by its forms of survival, as indicated by the term ‘webpage’. Despite the epochal significance of the scroll, the codex, and the digital text, such material figures of inscription are necessarily hybrid; a hybridity that especially characterises the current historico-technical relation between print and digital media. Hybridity, of course, has been championed, for example, in postcolonial studies, as a figure of subversion, but it is also clear that hybrid text, as much as it is an object of possible democratisation within the digital public sphere, is also an object of intense capitalisation. Thus, the apparent waning of the hegemony of print is drawing questions of the politics of textual materialism into critical perception, and the need to interrogate the specificity of these materials, in their complex relations to the sensual form of paper and the ‘dispersed’ textuality of the digital medium. What, then, are the new materialities of hybrid text-media? What are the politics of digital/print hybrids, artists’ books, writing technologies, and digital publishing? How does media hybridity transform the political book, the artists’ book, or the work of literature? What effects do new materialities of text have on patterns of reading? Has media process replaced the media object? What are the sensory forms of new media materialities? How is the commodity-form of the book altered by new media platforms? What are the conditions and forms of specific media hybridities? What does new media do to the ‘perversions’ of the book – to bibliomania, to fetishism? Are we still ‘people of the book’ – what remains of the authority of the book? How has independent publishing responded to new materialities of text? What might figures of the book offer in the way of new or counter-knowledges, forms of community and communication?

Platform / Participants:
In keeping with its theme, the project will centre on an online conference, held on this website, which will allow the uploading of short texts and images, and user-generated commentary and debate. The organisers invite responses to texts and related questions from thinkers in all disciplines: literary-cultural studies, art-practice, critical theory and philosophy, book and publishing history and practice, etc.

Abstracts of included texts: Janneke Adema & Gary Hall (Coventry University): ‘(Im)materialities of Text: The Book as a Form of Political & Conceptual Resistance in Art and Academia’; Richard Burt (University of Florida): ‘Shelf-Life’; Johanna Drucker (UCLA): ‘Diagrammatic Writing’; Davin Heckman (Siena Heights University): ‘The Politics of Plasticity: Neoliberalism, Deliberation & the Digital Text’; Sas Mays (University of Westminster) ‘Mnemopolitics: Philosophy & the Archive in the Digital Public Sphere’; Daniel Selcer (Duquesne University): ‘Invisible Ink: Atomizing Textual Materialism’; Nick Thoburn (university of Manchester): ‘Materialities of Political Publishing’.

The organisers – Sas Mays (IMCC, Westminster) and Nick Thorburn (Manchester) – intend this forum to allow discussion that may be included within the second form of dissemination, and may feed into contributors’ articles within it: a special issue of the journal New Formations to be published in 2012.

A plug for the new website for Radical Philosophy. The address remains the same – http://www.radicalphilosophy.com – but as well as updating the way the website looks and works, every single item from the back catalogue has now been added to the online archive, from the first Radical Philosophy published in Spring 1972 through to the very latest issue.

Subscribers continue to have full access to and unlimited downloads from the archive, including all articles, interviews and reviews now available from RP1 to the present. Non-subscribing readers will enjoy free access all the commentaries, obituaries, conference and news reports, plus highlights from back issues and new access to hundreds of items from the expanded archive. A new feature of the website will also allow non-subscribers to purchase and download pdfs of individual items from the archive at an affordable price of £3 for any article or interview and £2 for the reviews sections from recent issues.

When the first issue of Radical Philosophy was published in January 1972, it sought – in the wake of the rise of the New Left and the student movements of the 1960s – to challenge the institutional divisions that it saw as contributing to the impoverishment of contemporary philosophical practice: divisions that existed between academic departments, between teachers and their students, and between the university and society. “Our main aim,” the Editorial Collective declared, “is to free ourselves from the restricting institutions and orthodoxies of the academic world, and thereby to encourage important philosophical work to develop: Let a Hundred Flowers Blossom!”. In the ensuing forty years much has changed about contemporary philosophy, in the UK and elsewhere.  But as testified by recent dossiers on transdisciplinarity, campaign reports on the revitalized student movement, and regular philosophically-informed commentaries on contemporary social and political issues, those problematic disciplinary, pedagogical and social divisions continue to be challenged by those writing in Radical Philosophy.

To access the expanded archive, subscribe to the journal, check out selected content from the latest issue, or download the current free gift from the back catalogue – Jacques Rancière’s ‘On the Theory of Ideology’ (originally published in RP7, Spring 1974) – simply click here.