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Posts tagged Theory

In the interests of Open Access, we are very pleased to attach Visual Culture Studies: Interviews with Key Thinkers (Sage, 2008), a PDF of the IMCC Director Marq Smith’s book of interviews with Mieke Bal, Giuliana Bruno, Mark Cheetham, Michael Ann Holly and Keith Moxey, Susan Buck-Morss, Lisa Cartwright, Lennard J. Davis, Hal Foster, Paul Gilroy, Martin Jay, Nicholas Mirzoeff, W.J.T. Mitchell, Peggy Phelan, and Vivian Sobchack. Enjoy, and feel free to circulate.
The Hole in Time: Full Programme
Tagged as archive, radical philosophy, Theory, time

The Hole in Time: German-Jewish Political Philosophy and the Archive
Date: Wednesday 23rd June – Thursday 24th June 2010, 9.30-6.00
Venue: Portland Hall, University of Westminster, 4-16 Little Titchfield Street, London W1W 7UW
Admission is free, but, since places are limited, please contact the organisers to book a place by the 17th of June at theholeintime@live.com
Wednesday 23rd of June
9.30 – 10.00 Introduction: Sas Mays (Westminster), Leena Petersen (Sussex)
10.00 – 12.00 Panel 1: Modern Crisis and the History of the Present – Part 1
Nicholas Lambrianou (Birkbeck): ‘Figures of Interruption: Philosophical Dramas of Temporality and History in Benjamin and Rosenzweig’
Sami Khatib (FU Berlin): ‘The Messianic and the Archive: Walter Benjamin’s “Politics of Time”’
Leena Petersen (Sussex): ‘Messianic Libertarianism and Linguistic Philosophies of History in Benjamin and Related Writings of His Time’
Chair: Christian Wiese (Sussex)
1.00 – 3.00 Panel 2: Poetics of Temporality
Howard Caygill (Goldsmiths): ‘Paul Celan’s Visual Archive’
Nitzan Lebovic (Tel Aviv / Sussex): ‘Paul Celan: Language of Loss at the Heart of Time’
Shela Sheikh (Goldsmiths): ‘The Wounded Archive: Derrida Reading Celan’
Chair: Keston Sutherland (Sussex)
3.30 – 5.30 Panel 3: The Temporality of Archives – Part 1
Elina Staikou (Goldsmiths): ‘Vigil of the Archive: On Derrida Dreaming Benjamin’
Rebecca Dolgoy (Montreal / FU Berlin): ‘The Work of Art as Archive: Examining Adorno’s Zeitkern as Time Capsule’
Tommaso Speccher (FU Berlin): ‘The Hole in Space: Fragmenting and Re-piecing the Archive between Walter Benjamin and Daniel Libeskind’
Chair: John Roberts (Wolverhampton)
Thursday 24th of June
10.00 – 12.00 Panel 4: Modern Crisis and the History of the Present – Part 2
Reut Paz (Humboldt University Berlin): ‘The Legal Transcendentalism of Hans Kelsen as a Hole in Time’
Birte Loeschenkohl (Frankfurt): ‘Kairos: The Right and Opportune Moment as a Caesura in and of Time’
Veronika Koever (Queen Mary): ‘Reversing the Irreversible: Jean Améry’s “ressentiments” and the Moralisation of Time’
Chair: Leena Petersen (Sussex)
1.00 – 3.00 Panel 5: The External Archive
Andy Fisher (Goldsmiths): ‘”Quiet Life”: History, Pathos and the Archive in Ernst Friedrich’s Kriege dem Krieg’
Manu Luksch (London): ‘Moonwalking in Real Time’
Chair: Esther Leslie (Birkbeck)
3.30 – 5.30 Panel 6: The Temporality of Archives – Part 2
David Cunningham (Westminster): ‘Abstract Times: Benjamin, Kafka and the Modernism of Tradition’
Matthew Charles (Middlesex): ‘The Snow Line of the Archive: Walter Benjamin On the Trail of Old Letters’
Andrew McGettigan (Central Saint Martins College of Art & Design, London): ‘The Archive and the Idea: Walter Benjamin’s Experiences of Time’
Chair: Nitzan Lebovic (Tel Aviv/Sussex)
Organised by Sas Mays (Westminster), and Leena Petersen and Nitzan Leibovic (Sussex), as part of the research project ‘Archiving Cultures’ at the IMCC.
Hole in Time workshop: speakers announced
Tagged as Europe, radical philosophy, Theory, time

The Hole in Time: German-Jewish Political Philosophy and the Archive
Date: Wednesday 23rd June – Thursday 24th June 2010, 9.30-6.00
Venue: Portland Hall, University of Westminster, 4-16 Little Titchfield Street, London W1W 7UW
Left discussions of politics and history owe much to German-Jewish theories of temporality that emerged in response to the political crises of twentieth-century Europe; such theories helped to problematize both the life of the individual and how the state perceived it. The workshop ‘German-Jewish Political Philosophy and the Archive’ brings together interested parties to engage with the data collection and archival dimensions of German-Jewish conceptions of temporality, history and crisis, as well as the German-French dialogue in critical philosophy.
Speakers: Howard Caygill (Goldsmiths, London); Matthew Charles (Middlesex); David Cunningham (IMCC, Westminster); Rebecca Dolgoy (Montreal/ FU Berlin); Andrew Fisher (Goldsmiths, London); Sami Khatib (FU Berlin); Veronika Koever (Queen Mary, London); Nicholas Lambrianou (Birkbeck, London); Nitzan Lebovic (Tel Aviv/Sussex); Birte Loeschenkohl (Frankfurt); Manu Luksch (London); Andrew McGettigan (University of the Arts, London); Reut Yael Paz (RishonLeZion); Silvia Richter (Heidelberg); Shela Sheikh (Goldsmiths, London); Tommaso Speccher (FU Berlin); Elina Staikou (Goldsmiths, London)
Chairs: Paul Betts, Christian Wiese, Esther Leslie, Sas Mays, Leena Petersen, Keston Sutherland
Co-organised by the IMCC and Centre for German-Jewish Studies, University of Sussex
Wednesday 24th February, 1.15-2.30pm
Room 106, University of Westminster, 32-38 Wells Street, W1T 3UW
Nigel Mapp (University of Tampere, Finland)
‘Milton, Life, Heresy’
Free to all.
Public Lecture: Toby Miller
Tagged as education, television, Theory, visual culture

Wednesday January 13th 2010, 5.00pm
Cayley Room (room 152), University of Westminster, 309 Regent Street
Professor Toby Miller (University of California, Riverside)
“Cultural Policy Redux”
Toby Miller is editor of the journal Television & New Media, and author of many books including Spyscreen (Oxford University Press), Television (Routledge), Television Studies (BFI), Popular Culture and Everyday Life (Sage), Technologies of Truth (University of Minnesota Press), The Avengers (BFI), and The Well Tempered Citizen (The Johns Hopkins University Press).

Friday 15 January 2010, 10am-4.30pm with public lecture at 5pm
Fyvie Hall, University of Westminster, 309 Regent Street
Our next door neighbours in the Centre for the Study of Democracy (CSD) are hosting their annual CSD Encounter on Friday 15th January 2010. Following recent encounters with Julia Kristeva and Stuart Hall, this year’s one-day event will be focused on the work of Charles Taylor, with two workshop sessions followed by a public lecture by Professor Taylor himself on ‘Secularism and Multiculturalism’. Workshop speakers include Grace Davie, Steven Lukes, Tariq Modood, Chantal Mouffe and Stephen Mulhall.
For further information and to RSVP email: Jessica.schmidt@my.westminster.ac.uk

The second part in a short selection of transcriptions of talks from the recent series on ‘The Future’ at the David Roberts Art Foundation. Here’s Garin Dowd’s paper from the final night, seamlessly drifiting from Beckett to Ballard, Deleuze to Daney.
3. ‘Replay: conducts of time x 4 (interstitial pedagogies)’
Garin Dowd
I borrow the idea of conducts of time from Eric Alliez. Conducts would refer to behaviours – and suggest an ethology – but also to channels. Conducts of time are also ‘gaits’ of time, postures of time in movement; equally they might inhere in the pas au-delà, the step which is also a pas – a not, in Jacques Derrida’s formulation (via Blanchot). Conducts of time may give rise to systole or diastole, to condensations and saturations, as in running on the spot, and to disseminations. It may produce reifications and consolidations, or it may liberate blocs of becoming.
The action of Samuel Beckett’s play Krapp’s Last Tape is famously set, according to the stage directions, on ‘a late evening in the future’. While it is anecdotally recorded that the motivation behind this direction was Beckett’s concern that, without such a prompt, what would be required of the audience is the performance of the retrospective science fiction to permit tape recorders to exist prior to their invention (the aged Krapp listens to a recording of himself aged 39, while the play was first staged in 1958), there seems to be much more at play than simply a peculiar concession to verisimilitude. Nonetheless the precession, at once announced and elided by Krapp’s Last Tape, of this particular archival technology, reminds one also that it is the cataloguer of the famous precession of simulacra, Jean Baudrillard, who tells us much, inadvertently, about Beckett’s concerns in this play. In La Gauche Divine we read that ‘le rêve d’une conductibilité absolue [de l’information] ne peut etre qu’excrémentiel’: the dream of an absolute conductibility [of information] can only be excremental. The dream of an absolute conductibility of information is also the predicament or the opportunity of the protagonist in Krapp’s Last Tape. How to phrase; how to gather; how to memorialise ‘eschatologically’ (his last tape) and/or scatalogically (his ‘unattainable laxation’): these issues trouble Krapp, and trouble him in a way which is, in Derrida’s sense, archival. In this respect the play reminds us of what Derrida identifies as the archive’s relationship to the future: ‘the technical structure of the archiving archive also determines the structure of the archivable content even in its very coming into existence and in its relationship to the future’. So on our particular late evening in the future, the future now or round about now, I want to introduce 4 conducts of time.
Call for Papers: Temporality and the Archive
Tagged as archive, Theory, time
The Hole in Time: German-Jewish Political Philosophy and the Archive.
A call for papers for a workshop organised by the Centre for German Jewish Studies at Sussex and the Institute for Modern and Contemporary Culture at Westminster
23rd – 24th June 2010
Abstracts by the end of January 2010 to: theholeintime@live.com
Left discussions of politics and history owe much to German-Jewish theories of temporality that emerged in response to the political crises of twentieth-century Europe; yet, other than in the attention paid to issues of technological memory in Benjamin, there has been relatively little discussion of the archival ramifications of, for example, Adorno, Bloch, Celan, Rosenzweig, and Simmel, as well as other canonical Marxist thinkers. While Benjamin’s thought has often been mobilised to think the revolutionary potential of the archive, less has been done to think through the archival attitudes and implications of the work of such other thinkers, or the extent to which such attitudes are specifically predicated upon German and Jewish philosophical and political tradition. Continue reading Call for Papers: Temporality and the Archive
The Whitechapel Salon: “Hope” with Professor Peter Osborne
Thursday 7th January, 7pm
Study Studio, Whitechapel Gallery, London E1 7QX
Following on from discussions with Gayatri Spivak, Chantal Mouffe and Richard Sennett, in the final session of the current series of Whitechapel Salon events on the theme of ‘hope’ Peter Osborne, author of The Politics of Time (1995), Philosophy in Cultural Theory (2000) and Conceptual Art (2002), and Director of the Centre for Research in Modern European Philosophy at Middlesex University, will be in discussion with his fellow editor at Radical Philosophy, and Deputy Director of the Institute, David Cunningham.
Book now to avoid disappointment! You can do so here.
Tickets: £7/£5
No future
Tagged as science fiction, The Future, Theory
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The final event in the series on The Future at the David Roberts Art Foundation took place last Thursday, ending with a bang not a whimper. Presentations from Garin Dowd, IMCC affiliate Stephen Melville, and last minute guest Alev Adil covered Derrida and Deleuze, Beckett and Ballard, and resulted in a fiesty discussion about Thierry Henry’s already infamous handball, as well as the dystopian/utopian virtues of Kraftwerk. We hope to post a selection of some of the papers from the series on this site soon.

Start date: 27 May 2010 12.00pm
End date: 29 May 2010 4.00pm
Hosts: University of Westminster
(organised by NYU, University of the Arts London, and University of Westminster)
Cost: £50/£25 concs.
Download a booking form here
Confirmed contributors: Glen Adamson (RCA/V&A); Dipti Bhagat (London Met); Lisa Cartwright (UC, San Diego); Sarah Chaplin (Greenwich); Will Cobbing (Wimbledon College of Art); David Cunningham (Westminster); Mark Dunhill (Central Saint Martins); Esther Gabara (Duke); Elizabeth Guffey (SUNY, Purchase); Raiford Guins (SUNY, Stony Brook); Gary Hall (Coventry); Michael Ann Holly (The Clark Institute); Guy Julier (Leeds Met); Esther Leslie (Birkbeck); Stephen Melville (Ohio State); Nicholas Mirzoeff (NYU); W.J.T. Mitchell (Chicago); Joanne Morra (Central Saint Martins); Keith Moxey (Columbia); Laura Mulvey (Birkbeck); Griselda Pollock (Leeds); Adrian Rifkin (Goldsmiths); Joy Sleeman (Slade); Marquard Smith (Westminster); Penny Spark (Kingston); Marita Sturken (NYU); Divya P. Tolia-Kelly (Durham); Victoria Walsh (Tate Britain); Joanna Zylinska (Goldsmiths)

Wednesday 11th November, 1.15-2.30pm
Room 106, University of Westminster, 32-38 Wells Street, W1T 3UW
Adam Eldridge (Urban Development, University of Westminster)
‘Las Vegas and the Production of Freedom’
Free to all.
Surrealism, Post-War Theory and the Avant-Garde
Tagged as Surrealism, the avant-garde, Theory

SURREALISM, POST-WAR THEORY, AND THE AVANT-GARDE
Friday 27 – Saturday 28 November 2009
17.15 – 19.00, 27 November
10.00 – 18.30, 28 November (with registration from 9.30)
Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, London
Special Keynote Address: Professor Allan Stoekl (Penn State), ‘The Drift: Surrealism, Situationism and Postsustainable Strategies of Gleaning’
Friday 27 November, 17.30-19.00, followed by reception
Saturday Speakers: Lucy Bradnock (Getty Research Institute), David Cunningham (University of Westminster), Jonathan Eburne (Pennsylvania State University), Jill Fenton (Queen Mary, University of London), Patrick ffrench (Kings College, University of London), Steven Harris (University of Alberta, Edmonton), Alyce Mahon (Trinity College, Cambridge), Gavin Parkinson (The Courtauld Institute of Art), Michael Richardson (independent scholar).
Ticket/entry details: £10. Please send a cheque made payable to ‘Courtauld Institute of Art’ to: Research Forum Events Coordinator, The Courtauld Institute of Art Research Forum, Somerset House, Strand, London WC2R 0RN, clearly stating that you wish to book for the ‘Surrealism, Post-War Theory and the Avant-Garde conference’. Or call 020 7848 2785/2909 to make a credit card booking. Or, for further information, send an email to ResearchForumEvents@courtauld.ac.uk
Programme can be downloaded here.


The Institute for Modern and Contemporary Culture
University of Westminster Department of English, Linguistics and Cultural Studies
32-38 Wells Street, London W1T 3UW. United Kingdom.
